Social analysts Alvin and Heidi Toffler turn their attention to the revolution in wealth now sweeping the planet. This book is about how tomorrow's wealth will be created, and who will get it and how. But 21st-century wealth, they argue, is not just about money, and cannot be understood in terms of industrial-age economics. They write about everything from education and child rearing to Hollywood and China, from everyday truth and misconceptions to what they call our "third job"--the unnoticed work we do without pay for some of the biggest corporations. In earlier work, they coined the word "prosumer" for people who consume what they themselves produce. Here they expand the concept to reveal how many of our activities--parenting, volunteering, blogging, painting our house, improving our diet, organizing a neighborhood council--pump "free lunch" from the "hidden" non-money economy into the money economy that economists track.--From publisher description.

A magisterial, riveting movement history of Los Angeles in the Sixties. Los Angeles in the sixties was a hotbed of political and social upheaval. The city was a launchpad for Black Power where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation. The city was home to the Chicano Blowouts and Chicano Moratorium, as well as being the birthplace of Asian American as a political identity. It was a locus of the antiwar movement, gay liberation movement, and womens movement, and, of course, the capital of California counterculture. Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research and dozens of interviews with principal figures, as well as the authors storied personal histories as activists. Following on from Davis's award winning L.A. history, City of Quartz, Set the Night on Fire is a historical tour de force, delivered in scintillating and fiercely beautiful prose.

The Most Dangerous Book You Were Never Meant to Read A legendary underground classic that reshaped alternative publishing, Apocalypse Culture is a definitive collection of forbidden ideas, shocking theories, and fringe voices from the edge of modern thought. Edited by Adam Parfrey, founder of Feral House, this anthology dives deep into the darkest corners of politics, belief, and human behavior. Combining essays, interviews, and manifestos, Apocalypse Culture explores topics that mainstream media won't touch: government mind control, body modification, ritual abuse, cult psychology, taboo sexuality, social decay, eugenics, Satanic panic, and end-times theology. Many of these texts have been banned, suppressed, or ignored--until now. Since its initial release in the late 1980s, Apocalypse Culture has become a touchstone for readers interested in the occult, true crime, radical politics, and conspiracy theories. Revered by artists, feared by censors, and cited in countless works of film, music, and journalism, this book continues to challenge what it means to be civilized in an age of collapse. Whether you're a student of subversive literature or a newcomer to transgressive nonfiction, Apocalypse Culture remains a vital document of Western civilization's shadow self.

"Nobody at the Globe much likes the word 'authentic'. It is a difficult adjective to justify, given that so little is known about theatrical practice in Shakespeare's time, and the modern environment inevitably makes its presence felt, as does the modern weather. Performances take place for only half the year, between May and September. Evening performances are routine, whereas they were afternoons-only, at the original Globe. The theatre itself can be no more than a 'best guess' as to how things were. And the same sense of limitation pervades all aspects of the productions - casting, clothing, properties, design, music, movement ... Every attempt at an 'original practice' is an experiment, whether it be the casting of men in women's roles, the design and making of contemporary costume, or the performance of songs and instrumental music. The Globe has nonetheless carved out for itself an enviable reputation in each of these areas"-- Provided by publisher.

"In 1982, rising actor and recent Royal Shakespeare Company arrival Antony Sher played the Fool to Michael Gambon's King in the RSC's production of King Lear. Shortly after, he came back to Stratford to play Richard III - a breakthrough performance that would transform his career, winning him the Laurence Olivier, Evening Standard and Critics' Circle Theatre Awards for Best Actor. Sher's record of the making of this historic theatrical event, Year of the King, has become a classic of theatre writing, a unique insight into the creation of a landmark Shakespearean performance. More than thirty years later, Antony Sher returned to Lear, this time in the title role, for the 2016 RSC production directed by Gregory Doran. Sher's performance was acclaimed by the Telegraph as 'a crowning achievement in a major career', and the show transferred from Stratford to London's Barbican. Once again, he kept a diary, capturing every step of his personal and creative journey to opening night. This book, Year of the Mad King: The Lear Diaries, is Sher's account of researching, rehearsing and performing one of Shakespeare's greatest roles. His honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and the production as a whole. Also included are a selection of his paintings and sketches, many reproduced in full colour. Like his Year of the King and Year of the Fat Knight: The Falstaff Diaries before it, Year of the Mad King offers a fascinating perspective on the process of one of the greatest Shakespearean actors of his generation."--Provided by publisher.

"Year of the Fat Knight is Antony Sher's account -- splendidly supplemented by his own paintings and sketches -- of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work."--Book jacket.