A witty and penetrating look at the celluloid culture of the 1960s by the Village Voice 's celebrated film critic. In The Dream Life , Village Voice film critic J. Hoberman turns his attention to the 1960s, the era when politics and culture became one. With wildly entertaining reinterpretations of key Hollywood movies (such as Dr. Strangelove, Bonnie and Clyde, The Wild Bunch , and Shampoo ), Hoberman reconstructs the hidden political history of 1960s cinema. Meanwhile, against the pageantry of four national elections1960 to 1972he describes the formation of America's spectacular, image-laden political culture. In the era when the missile gap, the sexual revolution, and the Vietnam War became inseparable from the triumph of television, the development of political image-making, and the advent of Pop Art, American politics, mass media, and publicity became the new social spectacle. Through meditations on the personas of Che Guevara, John Wayne, Patty Hearst, Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman moves deftly between the political backgrounds of movies and the fantastic dimensions of politics, producing a brilliant and comic cultural history of the rise of our mass-mediated politics.

The presidency of Lyndon Johnson was a pivotal moment in twentieth-century American history. From the decisive social programs of the Great Society, to the triumph of the Civil and Voting Rights Acts, to the catastrophe of the Vietnam War and domestic unrest, it was an era of dramatic accomplishment and wrenching tragedy. In Guns or Butter, renowned historian Irving Bernstein brings those five climactic years of the sixties vividly to life, from the moment Lee Harvey Oswald aimed a rifle from the window of the Texas School Depository to the tense ballot-counting that put Richard Nixon in the White House in 1968.