A beautiful novel exploring the little-known story of Anne Frank's life before she went into hiding - from bestselling, award-winning author Alice Hoffman and published in cooperation with the Anne Frank House. In soaring prose, bestselling author Alice Hoffman brings Anne Frank to life on the page, drawing from her extensive research in Europe and the United States, to depict her experiences from the moment the Nazis invade the Netherlands until her family is forced into hiding in the annex of her father's office building at 263 Prinsengracht, in Amsterdam. As state-sponsored discrimination turns ordinary people into monsters, the Jews of the Netherlands are caught in an inescapable swell of violence and hate, and Anne is shaped as both a young woman and as a writer who will change the world. WHEN WE FLEW AWAYfeatures archival content provided by the Anne Frank House, as well as information about Otto Frank's desperate bids to get his family to safety in America gathered from correspondence between Otto Frank and Nathan Straus, Jr., from the Straus Historical Society's Archives. A heart-wrenching exploration of Anne's life before the annex By New York Times bestselling author of The World We Knew, Alice Hoffman Featuring archival content provided by the Anne Frank House

"In 1933, Hannah Pick-Goslar and her family fled Nazi Germany to live in Amsterdam, where she struck up a close friendship with her next-door neighbor, an outspoken and fun-loving young girl named Anne Frank. For several years, the inseparable pair enjoyed a carefree childhood of games, sleepovers, and treats with the other children in their neighborhood of Rivierenbuurt. But in 1942, Hannah and Anne's lives abruptly changed forever. As the Nazi occupation of Amsterdam progressed, Anne and the Frank family seemingly vanished, leaving behind unmade beds and dishes in the sink--but no trace of Anne's precious diary. Torn from her dear friend without warning, Hannah spent the next two years tormented by questions about Anne's fate, wondering if she had, by some miracle, managed to escape danger. In this long-awaited memoir, Hannah shares the story of her childhood during the Holocaust, from the introduction of anti-Jewish laws in Amsterdam to the gradual disappearance of classmates and, eventually, the Frank family, to Hannah and her family's imprisonment in the Bergen-Belsen concentration camp. As Hannah chronicles the experiences of her own life during and after the war, she provides a searing look at what countless children endured at the hands of the Nazi regime, as well as an intimate, never-before-seen portrait of the most recognizable victim of the Holocaust. Culminating in an astonishing fateful reunion, My Friend Anne Frank is the profoundly moving story of childhood and friendship during one of the darkest periods in the world's history"--Dust jacket flap.

There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.

An illuminating biography of the great Amsterdam rabbi and celebrated popularizer of Judaism in the seventeenth century Menasseh ben Israel (1604-1657) was among the most accomplished and cosmopolitan rabbis of his time, and a pivotal intellectual figure in early modern Jewish history. He was one of the three rabbis of the "Portuguese Nation" in Amsterdam, a community that quickly earned renown worldwide for its mercantile and scholarly vitality. Born in Lisbon, Menasseh and his family were forcibly converted to Catholicism but suspected of insincerity in their new faith. To avoid the horrors of the Inquisition, they fled first to southwestern France, and then to Amsterdam, where they finally settled. Menasseh played an important role during the formative decades of one of the most vital Jewish communities of early modern Europe, and was influential through his extraordinary work as a printer and his efforts on behalf of the readmission of Jews to England. In this lively biography, Steven Nadler provides a fresh perspective on this seminal figure

Zusammenfassung: In the middle of Amsterdam stands a house on a canal. Over the course of 400 years, the building has seen many residents from poor families to wealthy couples, and those hiding from persecution. Like the family of a young Jewish girl, who wrote in her diary of the "old house on the canal". The girl's name was Anne Frank, and her diary became world-famous.

" ... explores the myths of Holland's "Good War" -- the brave nation that hid Anne Frank from the Nazis -- by using the story of soccer in Holland and the Amsterdam club Ajax to puncture the tales that post-war Holland lives by. Through interviews with Resistance fighters, survivors, wartime soccer players and more, Kuper uncovers a history that has been largely ignored. Ranging far beyond the Netherlands and examining the stories of soccer and war in England, German and France, Kuper writes an alternative history of Europe at its darkest hour. He helps change the way we understand ordinary people's experience of the war in Europe." -- Back cover.

A biography of Gertrude van Tijn (1891-1974), born as Gertrud Franzisca Cohn in Braunschweig, Germany. From 1911-15 she lived in London, but was forced to immigrate because of her status as an enemy alien. She then went to Holland, where she became a fervent Zionist. In 1920 she married Jacques van Tijn, a Dutch Jew, and gave birth to two children. As he was a mining engineer, they lived in different countries until 1932 when they returned to Holland; in 1937 they were divorced. Focuses on her life and activities during 1933-45, when she worked for organizations dealing with the resettlement of Jewish refugees from Germany who fled to Holland, as well as with emigration of Dutch Jews, in particular for the Committee for Jewish Refugees. In April-May 1941 van Tijn, with Nazi approval, traveled to Portugal to coordinate, together with Portuguese authorities and the Joint Distribution Committee, the transit of Jewish refugees through Portugal and across the Atlantic. Her task proved to be very difficult, but some Jews got through, including her daughter. Her son served in the Allied army in France and Belgium. Van Tijn became head of the emigration department of the Jewish Council in Amsterdam; however, her achievements in this capacity were modest. In September 1943 she was deported to Westerbork, and in March 1944 to Bergen-Belsen. In the summer of 1944 she was freed with a group of prisoners in exchange for Germans arrested in Palestine. She stayed in Palestine for a few months, traveled back to Europe in 1945, and eventually settled in the USA, living close to her daughter. While in Palestine she wrote a report of what she had witnessed, which is found in the Leo Baeck Archives in New York, but was never published. Soon after the war van Tijn was criticized and censured as a dupe of the Nazis, guilty at the least of false credulity and at the most of collaboration, but she was later exonerated.