"Defying the binary and Eurocentric view of the Israeli-Palestinian conflict, Ella Shohat's work, as a whole, dares to engage the deeper historical and cultural questions swirling around colonialism, Orientalism, and nationalism. Spanning several decades, Shohat's work has introduced conceptual frameworks that have fundamentally challenged the conventional understandings of Arabs and Jews, Palestine, Zionism, and the Middle East. Collected now in a single volume, this book gathers together some of her most influential political essays, interviews, speeches, testimonies, and memoirs for the first time"--

"Defying the binary and Eurocentric view of the Israeli-Palestinian conflict, Ella Shohat's work, as a whole, dares to engage the deeper historical and cultural questions swirling around colonialism, Orientalism, and nationalism. Spanning several decades, Shohat's work has introduced conceptual frameworks that have fundamentally challenged the conventional understandings of Arabs and Jews, Palestine, Zionism, and the Middle East. Collected now in a single volume, this book gathers together some of her most influential political essays, interviews, speeches, testimonies, and memoirs for the first time"--

In this work by seasoned scholar Lawrence Rosen, we follow the fascinating intellectual developments of four ordinary Moroccans over the span of 40 years. Walking and talking with Haj Hamed Britel, Yaghnik Driss, Hussein Qadir, and Shimon Benizri - in a country that, in a little over a century, has gone from an underdeveloped colonial outpost to a modern Arab country in the throes of economic growth and religious fervour - Rosen details a fascinating plurality of viewpoints on culture, history, and the ways both can be dramatically transformed. Through the intellectual lives of these four men, this book explores a number of interpretative and theoretical issues that have made Arab culture distinct, especially in relationship to the West: how nothing is ever hard and fast, how everything is relational and always a product of negotiation.

"Anyone who wants to understand the connection between anti-Semitism, Islamic terrorism, the role of propaganda and appeasement must read this book." -Natan Sharansky, author, The Case for Democracy: The Power of Freedom to Overcome Tyranny and Terror "I admire the courage of this vision and the power of the writing." -Rabbi Lord Dr. Jonathan Sacks "Passionate and beautifully written.... This book will make you weep. It will also make you angry and frightened." -Alan Dershowitz, Harvard Law School; author, The Case for Israel "Absolutely amazing...An indispensable guide to the apocalyptic sandstorms our world now faces." -Erica Jong, poet and novelist, Fear of Flying A dangerous worldwide coalition of Islamic terrorists, well-intentioned but misinformed students, right-wing fascists, left-wing ideologues, academics, feminists, European politicians, journalists, and international human rights organizations have joined together to again scapegoat the Jews and the Jewish state for crimes they did not commit and for whatever ails the world. In this intensely passionate and compelling book, the best-selling and prize-winning Jewish feminist author Dr. Phyllis Chesler demonstrates how old-fashioned anti-Semitism - now often seen in the form of anti-Zionism - has become fashionable and even politically correct, and how this plague threatens the Jews of the world, Israel, America, and Western civilization.

"In Crossroads to Islam, Yehuda Nevo and Judith Koren offer a controversial exploration of the early history of Islam, presenting a revolutionary theory of the origins and development of the Islamic state and religion from the early 7th to the mid-8th century C.E. Many Western scholars recognize the difficulties of accepting the validity, as historical evidence, of the huge body of Muslim literature, with its detailed account of the rise of Islam in the Arabian Peninsula and the subsequent, religiously inspired invasion of the settled lands beyond; for this literature only started to be written 150 years after the period it purports to describe. But until now, there was little with which to replace it. Nevo and Koren examine in detail the available contemporary evidence, most of which has not been seriously taken into account by most historians of early Islam. It includes official documents and inscriptions of the early Arab State; archaeological excavations and artifacts; legends on coins; and hundreds of Arabic rock inscriptions." "Based on their analysis of this evidence. Nevo and Koren outline a rethinking of the early history of Islam. They argue that the Byzantine Empire withdrew before the Arab Takeover; that the resulting power vacuum led to competition among local Arab chiefs to widen their sphere of control; and that Mu'awiyah was the first historical caliph. They document the evidence that the Arabs were initially pagan and trace the development of Islam from a simple "Indeterminate Monotheism," adopted by Mu'awiyah, to the Muslim faith of the late 2nd century A.H. ("after the bijra": the Muslim era, which counts from 622 C.E., year Muhammad fled to Madinah according to the Muslim sources), in which period they also place the canonization of the Qur'an. The origin of the Arab Prophet, introduced by the caliph 'Abd al-Malik around 690 C.E., is another central issue addressed by the authors' new theory."--Jacket

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--