Abstract: "In June 2012, an early manuscript by renowned art historian Erwin Panofsky was discovered in a vault in a government building in Munich. The manuscript was quickly identified as Panofsky's habilitationsschrift on Michelangelo, a long-missing and legendary document that certified Panofsky to lead university courses, and about which scholars had speculated for decades. The manuscript's origins date back to late spring of 1920 (and was completed when its author was twenty-eight), but in 1933, Panofsky was forced to flee Nazi Germany without being able to go through his office or papers. The manuscript disappeared in the years leading up to World War II and was thought destroyed in the fire-bombing of Hamburg. Following his emigration to the United States in 1934, Panofsky joined the faculty of the newly-formed Institute for Advanced Study, and went on to author a dozen books, including three with Princeton University Press.

"A survey of modernist poetry" by renowned authors Robert Graves and Laura Riding stands as a seminal work in literary criticism, offering an indispensable examination of 20th-century poetic innovation. This landmark text provides a comprehensive and critical look at the rise of modernism in literature, delving into the foundational principles and varied expressions that shaped the movement. Graves and Riding meticulously analyze the historical trajectory of modernist poetry, tracing its evolution, identifying key figures, and exploring the profound shifts in form and content. This authoritative survey is essential for anyone interested in the history of poetry, the development of free verse, and the broader impact of modernism. It dissects the stylistic shifts and theoretical underpinnings that defined one of the most transformative periods in literary history, offering deep insights into the craft and intellectual currents of the era. "A survey of modernist poetry" remains a vital resource, offering profound understanding of the complex landscape of 20th-century poetry and the enduring legacy of modernism. As a carefully prepared print republication, it continues to serve as a cornerstone for students, scholars, and enthusiasts seeking clarity on a pivotal era of literary change. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.