In January 1961, following eighteen months of litigation that culminated in a federal court order, Hamilton Holmes and Charlayne Hunter became the first black students to enter the University of Georgia. Calvin Trillin, then a reporter for Time Magazine , attended the court fight that led to the admission of Holmes and Hunter and covered their first week at the university--a week that began in relative calm, moved on to a riot and the suspension of the two students "for their own safety," and ended with both returning to the campus under a new court order. Shortly before their graduation in 1963, Trillin came back to Georgia to determine what their college lives had been like. He interviewed not only Holmes and Hunter but also their families, friends, and fellow students, professors, and university administrators. The result was this book--a sharply detailed portrait of how these two young people faced coldness, hostility, and occasional understanding on a southern campus in the midst of a great social change.

The first biography of Pericles in a century, written by a renowned scholar and teacher, offers a classical model for today's political leaders. Kagan reminds readers of the fragility of democracy and uses Pericles as an example of the kind of strong political leadership so urgently needed today.

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions. First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work. The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: "we owe ourselves to death." Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human--and especially the philosopher--is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography--an eminently Greek word--means "the writing of light," and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth--in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

How were moral ideas and behaviour in ancient Athens formulated and made manifest? How did democratic Athens defuse the inevitable tensions that surface in society? In this work, Professor Herman argues that rather than endorse the Mediterranean ethic of retaliation, democratic Athens looked to the courts to dispense justice. Drawing on a method of analysis taken from the behavioural sciences, he describes the exceptional strategy of inter-personal relationships that the Athenian democrats developed to resolve conflict, to increase co-operation and to achieve collective objectives. In a departure, this work investigates moral ideas and behaviour alongside each other and expands the focus of the study to include all aspects of Athenian life, be it societal or economic. Highly illustrated throughout and interdisciplinary in approach, this work offers light on society and behaviour in ancient Athens, which might also serve as a model for similar ancient societies.

"A translation of a biography of the Athenian general Alcibiades by Jacqueline de Romilly, a French scholar and member of the French Academy"--

"The controversial thesis at the center of this study is that, despite the importance of slavery in Athenian society, the most distinctive characteristic of Athenian democracy was the unprecedented prominence it gave to free labor. Wood argues that the emergence of the peasant as citizen, juridically and politically independent, accounts for much that is remarkable in Athenian political institutions and culture. From a survey of historical writings of the eighteenth and nineteenth centuries, the focus of which distorted later debates, Wood goes on to take issue with influential arguments, such as those of G.E.M. de Ste Croix, about the importance of slavery in agricultural production. The social, political and cultural influence of the peasant-citizen is explored in a way which questions some of the most cherished conventions of Marxist and non-Marxist historiography" --Page 4 of cover

Was the Athenian democracy anarchic, given to domestic violence and hence unstable, as claimed by some scholars, or was it a stable, well-ordered, social system, provided with in-built mechanisms to overcome crisis? Various aspects of this question, central to the understanding of the Athenian democracy, are investigated in this volume by a team of distinguished experts. The often surprising answers they provide should be of interest to specialists as well as laymen. The volume is dedicated to the memory of the late Professor Alexander Fuks.