The virus had the potential to kill, but the real threat to life came from us. In this global overview of different countries' responses to the pandemic of 2020, we see that the key factors that determined success or failure were not to do with geography, preparedness or vaccines. They were social: how much we trust each other and our government; whether we value the collective or the individual; whose lives matter to us and who we're willing to leave in harm's way. Through a deeply reported, character-driven account of seven lives - including a school principal, a bar manager, a transport worker and a political aide - in the global epicentre of the pandemic, New York, we see how different communities and sectors of society were affected by the decisions taken by governments and politicians. We see why some heeded the call for mask-wearing and social distancing while others rejected it, and how crucial factors such as race and age determined fates. Surrounding them is the panoramic overview: Klinenberg shows how leaders in London and Washington made the crisis so much more lethal than was necessary, while scientists, citizens and policy makers in Australia, Japan and Taiwan worked together to save lives, and how countries as various as South Korea, Germany and Brazil took their own particular paths. This book is both mirror and roadmap: a reflection of who we are at this crucial moment in world history, and a set of principles for how we might approach the next catastrophe differently.

"Over the past several years, much has been written about property rights in land and natural resources by scholars in many disciplines including economics, political science, history, and law. This book, based on a 2010 Lincoln Institute conference, addresses the tendency in social science literature to oversimplify the concept of property rights by assuming that only two or three forms of property rights are appropriate for the effective use and conservation of resources. Instead it focuses on recent developments in our understanding of how various property systems are applied to and affect the use of scarce natural resources. The chapters explore the multiple aspects of diverse resources in the design and implementation of property rights systems. The volume also includes a foreword by Douglass C. North and a keynote chapter by Thráinn Eggertsson, who discusses issues related to property rights institutions and the environment using six case studies from his native Iceland, where relatively simple and transparent institutions are ideal for identifying social regularities with general applicability. The topics addressed in the other chapters and accompanying commentaries include: the nature and variety of existing property systems; new thinking about the California gold rush; the role of psychological entitlement in property allocation; evolving property regimes governing fisheries; the evolution of zoning; attributes of property regimes governing water resources; the nature of property rights in tradable pollution permits; how regulations sometimes create property; and mechanisms for ameliorating property conflicts that arise from the presence of endangered species on privately owned lands."--Publisher's website.

In a series of columns and essays that renowned journalist and former presidential adviser Sidney Blumenthal wrote in the three years following the 2003 invasion of Iraq, a unifying theme began to emerge: that Bush, billed by himself and by many others as a conservative, is in fact a radical--more radical than any president in American history. In How Bush Rules , Blumenthal provides a trenchant and vivid account of the progression of Bush's radical style--from his reliance on one-party rule and his unwillingness to allow internal debate to his elevation of the power of the vice president. Taking readers through pivotal events such as the hunt for Iraqi weapons of mass destruction, the rise of the foreign-policy neoconservatives, Abu Ghraib, the war on science, the Jack Abramoff scandal, and the catastrophic mishandling of Hurricane Katrina, the book tracks a consistent policy that calls for the president to have complete authority over independent federal agencies and to remain unbound by congressional oversight or even the law. In an incisive and powerful introduction, Blumenthal argues that these radical actions are not haphazard, but deliberately intended to fundamentally change the presidency and the government. He shows not only the historical precedents for radical governing, but also how Bush has taken his methods to unique extremes. With its penetrating account of a critical new era in American leadership, How Bush Rules is a devastating appraisal of the Bush presidency.

In this long-awaited volume, Jeremy Shearmur and Piers Norris Turner bring to light Popper's most important unpublished and uncollected writings from the time of The Open Society until his death in 1994. After The Open Society: Selected Social and Political Writings reveals the development of Popper's political and philosophical thought during and after the Second World War, from his early socialism through to the radical humanitarianism of The Open Society. The papers in this collection, many of which are available here for the first time, demonstrate the clarity and pertinence of Popper's thinking on such topics as religion, history, Plato and Aristotle, while revealing a lifetime of unwavering political commitment. After The Open Society illuminates the thought of one of the twentieth century's greatest philosophers and is essential reading for anyone interested in the recent course of philosophy, politics, history and society.

This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history. Featuring contributions from thirty-eight international scholars, the book takes a thematic approach to a period which saw the defeat of the Spanish Armada, the explorations of Francis Drake and Walter Ralegh, the establishment of the Protestant Church, the flourishing of commercial theatre and the works of Edmund Spencer, Philip Sidney and William Shakespeare. Encompassing social, political, cultural, religious and economic history, and crossing several disciplines, The Elizabethan World depicts a time of transformation, and a world order in transition. Topics covered include central and local government; political ideas; censorship and propaganda; parliament, the Protestant Church, the Catholic community; social hierarchies; women; the family and household; popular culture, commerce and consumption; urban and rural economies; theatre; art; architecture; intellectual developments ; exploration and imperialism; Ireland, and the Elizabethan wars. The volume conveys a vivid picture of how politics, religion, popular culture, the world of work and social practices fit together in an exciting world of change, and will be invaluable reading for all students and scholars of the Elizabethan period.

This volume collects thirty essays by Shaye J.D. Cohen. First published between 1980 and 2006, these essays deal with a wide variety of themes and texts: Jewish Hellenism; Josephus; the Synagogue; Conversion to Judaism; Blood and Impurity; the boundary between Judaism and Christianity. What unites them is their philological orientation. Many of these essays are close studies of obscure passages in Jewish and Christian texts. The essays are united too by their common assumption that the ancient world was a single cultural continuum; that ancient Judaism, in all its expressions and varieties, was a Hellenism; and that texts written in Hebrew share a world of discourse with those written in Greek. Many of these essays are well-known and have been much discussed in contemporary scholarship. Among these are: The Significance of Yavneh (the title essay), Patriarchs and Scholarchs, Masada: Literary Tradition, Archaeological Remains, and the Credibility of Josephus, Epigraphical Rabbis, The Conversion of Antoninus, Menstruants and the Sacred in Judaism and Christianity, and A Brief History of Jewish Circumcision Blood.

Booker-winning novelist, playwright, essayist, poet and critic, John Berger has excelled in a variety of literary fields. This collection of essays takes a definitive look at his career. Berger's essays were ground breaking, polemic, reflective, and radically original. Spanning more than 40 years of intellectual enquiry and political engagement, these essays are viewed chronologically to provide a kind of vicarious autobiography and a history of time refracted through the prism of art.

In the three decades since her revolutionary and seminal article "The Character of Hamlet's Mother," Carolyn Heilbrun has been a prophet in the field of women and literature, gender and culture. This collection of graceful and uncompromising essays charts her development as a feminist writer and critic, which has culminated in such groundbreaking works as REINVENTING WOMANHOOD and WRITING A WOMAN'S LIFE. Shakespeare's Gertrude was first among many literary figures illuminated by Heilbrun's feminist sensibility. Others include Homer's Penelope -- an archetypal single parent, weaving herself a new life for which she was given no script; Jo in LITTLE WOMEN, a model of autonomy for generations of female readers; Elizabeth Bennet, remarkable for the promise of friendship in her marriage with Darcy; and Harrriet Vane, outrageously unique on many counts. The consistency and clarity of Heilbrun's vision in matched only by its heterogeneity, as she discusses Margaret Mead and Freud's daughters, Virginia Woolf and James Joyce, resistance to feminist studies in academia, mothers and daughters, fiction and myth, tomboys and surrogate sons, and the detective story, of which Heibrun herself (as Amanda Cross) is one of the ablest practitioners. HAMLET'S MOTHER AND OTHER WOMEN will spark recognition, again and again, in readers on their own quest for female redefinition. "[A] witty, learned collection of essays . . . filled with delicate, sometimes startling gems of perception . . . . Provocative." -- New York Newsday

Here, at last, are the long-awaited Sather Classical Lectures of the great historian Arnaldo Momigliano, In a masterly survey of the origins of ancient historiography, Momigliano captures those features of an ancient historian's work that not only gave it importance in its own day but also encouraged imitation and exploitation in later centuries. He reveals the extent to which Greek, Persian, and Jewish historians influenced the Western historiographic tradition, and then goes on to examine the first Roman historians and the emergence of national history. In the course of his exposition, he traces the development of antiquarian studies as distinctive branch of historical research from antiquity to the modern period, discusses the place of Tacitus in historical thought, and explores the way in which ecclesiastical historiography has developed a tradition of its own. All these lectures illustrate Momigliano's unrivaled ability to combine the study of classical texts and the history of classical scholarship. First delivered in 1962, the lectures were revised during the next fifteen years and then held for annotation that was never completed. They are now published from the author's manuscripts, collated and checked by Momigliano's literary executor, Anne Marie Meyer, of the Warburg Institute, with a foreword by Riccardo Di Donato, of the University of Pisa. The text is printed as the author left it. Sather Classical Lectures, 54

Text: English, German

Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion'.

The book presents a wideranging perspective on the history of soil science comprising a collection of 22 papers. Following an overview on the main paradigms, developments of the concepts of humus, classification of soil types and soil series usage are treated in specific chapters. Some selected topics in the history of soil chemistry and soil physics are treated in detail. A number of articles deal with regional aspects of soil science and the contribution of some outstanding personalities from the 18th to the 20th centuries. This is the first original history in soil science in the English language.

Anarchism is Not Enough is a manifesto against systematic thinking, a difficult book by a famously difficult writer. For the scope of its critical imagination, it is the most radical work of Laura Riding's early period. This period extends from the end of 1925, when she left America for Europe and Robert Graves, to 1939, the year she returned to America, renounced any further writing of poetry, and soon after married Schuyler Jackson. Published in 1928, when Riding was twenty-seven, Anarchism is a kind of early autobiographia literaria . Long out of print and now available for the first time in paperback, this is one of the most imaginative and daring works of literary theory ever written by a modernist figure. Lisa Samuels's edition sets the work in its historical context and elucidates its central intellectual difficulties. Her introduction and notes are a valuable aid to an understanding of Riding's work.