Mosaic: Memoirs, Lincoln Kirstein's long-awaited autobiography, is a compelling, often highly subjective evocation of his astonishing youth. The book's scenes move from the old mansions of Brahmin Boston to the waterfront bars of Brooklyn, George Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau, and the brothels of Marrakesh. It culminates with thrilling suspense in 1933, when Kirstein visits Paris, hoping to lure George Balanchine to the United States. Kirstein shapes his numinous memories into the story of a young man's quest to fuse his various roles into a unified self. Mosaic is the epic history of his ultimately triumphant search for a vocation. As a chapter in the growth of modernism, and as a contribution to cultural history - and the history of assimilation - this superbly written, humorous, and candid book is unique and invaluable.

Surveying the state of American ballet in a 1913 issue of Clure's Magazine, author Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. One hundred years later, ballet is everywhere. Beginning with the arrival of Russian dancers like Anna Pavlova, who first toured the United States on the eve of World War I, 'Ballet Class: An American History' explores the growth of ballet from an ancillary part of nineteenth-century musical theater, opera, and vaudeville to the quintessential extracurricular activity it is today, pursued by countless children nationwide and an integral part of twentieth-century American childhood across borders of gender, class, race, and sexuality. 0A social history, 'Ballet Class' takes a new approach to the very popular subject of ballet and helps ground an art form often perceived to be elite in the experiences of regular, everyday people who spent time in barre-lined studios across the United States. Drawing on a wide variety of materials, including children's books, memoirs by professional dancers and choreographers, pedagogy manuals, and dance periodicals, in addition to archival collections and oral histories, this pathbreaking study provides a deeply-researched national perspective on the history and significance of recreational ballet class in the United States and its influence on many facets of children's lives, including gender norms, consumerism, body image, children's literature, extracurricular activities, and popular culture

Since the dawn of human history, dance has been a vital form of expression in virtually every culture. From the minuet to the tango to kabuki theater to square dancing, it is a part of the social fabric of all societies, as well as an important art form. Now, Oxford presents the first reference to document all types of dance around the world and throughout history. In six volumes, with nearly 2,000 articles written by scholars from over fifty countries, the Encyclopedia offers authoritative coverage of the full spectrum of dance, including theatrical, ritual dance-drama, folk, traditional, ethnic, and social dance. Extensive historical and cultural overviews of many nations appear along with articles on specific dance forms, music and costumes, performances, biographies of dancers and choreographers, and much more. The set is alphabetically arranged, with an exhaustive index, full cross-references, and more than 2,300 illustrations. Amazing in its scope and dazzling in its diversity, the Encyclopedia is like no other reference work on dance. Accessibly written and arranged for use by a wide audience, it is an essential addition to any arts and humanities collection.