Walter Benjamin � philosopher, essayist, literary and cultural theorist � was one of the most original writers and thinkers of the twentieth century. This new selection brings together Benjamin�s major works, including �One-Way Street�, his dreamlike, aphoristic observations of urban life in Weimar Germany; �Unpacking My Library�, a delightful meditation on book-collecting; the confessional �Hashish in Marseille�; and �The Work of Art in the Age of Mechanical Reproduction�, his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age. Contains: 'Unpacking My Library'; 'One-Way Street'; 'The Work of Art in the Age of Mechanical Reproduction�; 'Brief History of Photography'; 'Hashish in Marseille'; 'On the Critique of Violence'; 'The Job of the Translator'; 'Surrealism'; 'Franz Kafka' and 'Picturing Proust'.

Includes articles on Walter Benjamin, S.Y. Agnon, Martin Buber, and on Israel and the diaspora.

Called "the most important critic of his time" by Hannah Arendt, Walter Benjamin has emerged as one of the most compelling thinkers of our time as well, his work assuming a crucial place in current debates over the interactions of art, culture, and meaning. A "natural and extraordinary talent for letter writing was one of the most captivating facets of his nature", writes Gershom Scholem in his Foreword; and indeed, Benjamin's correspondence reveals the evolution of some of his most powerful ideas. Published here in English for the first time, these letters offer an intimate picture of Benjamin himself and the times in which he lived. Written in a day when letters were an important vehicle for the presentation and development of intellectual matters, Benjamin's correspondence is rich in insight into the circumstances behind his often difficult work. These letters provide a lively view of Benjamin's life and thought from his days as a student to his melancholy experiences as an exile in Paris. As he defends his changing ideas to admiring and skeptical friends – poets, philosophers, and radicals – we witness the restless self-analysis of a creative mind far in advance of his own time. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Hugo von Hofmannsthal, Max Horkheimer, Max Brod, Bertolt Brecht, and Kafka's friend Felix Weltsch, Benjamin elaborates his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, the "Jewish Question" and anti-Semitism, Marxism and Zionism. And he expounds his personal attitudes toward such subjects as the role of quotations in criticism, history, and tradition; the meaning of being a "collector"; and French culture and the national character. In sum, this magnificent collection is an exceptionally rich source of information and an essential key to understanding one of the preeminent figures of modern culture. --

The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art and thought; a reservoir of texts, commentaries, scraps and fragments of everyday life, art and dreams. It comprises myriad smaller archives, in which Benjamin gathered together all kinds of artefacts, assortments of images, texts and signs, themselves representing experiences, ideas and hopes, each of which was enthusiastically logged, systematized and analyzed by their author. In them, Benjamin laid the groundwork for the salvaging of his own legacy. This unique book, produced in association with the Benjamin Archive, delves into these archives. They include carefully laid-out manuscripts; photograps of a home with luxurious furniture, arcades, Russian toys; picture postcards from Tuscany and the Balearics; meticulous and unconventional registers, card indexes and catalogs; notebooks, in which every single square centimeter is covered; a collation of his son’s first words and sentences; riddles and enigmatic Sibyls. Everything here is subtly interlinked with everything else. Intricate and intimate, Walter Benjamin’s Archive leads right into the core of his work, yielding a rich and detailed portrait of its author.

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man's-land between traditional religion and modern secular culture.Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka's sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka's: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin's vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem, it hung in the living room of Scholem's home on Abarbanel Streetin Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter's focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past. --

This text throws light on the development of Adorno's own thought, on his complex relationship with Walter Benjamin, and provides important perspectives on questions of popular culture, the music of industrial entertainment, the history of radio and the social dimensions of the reproduction of art.

This illuminating study of Benjamin’s final essay helps unlock the mystery of this great philosopher Revolutionary critic of the philosophy of progress, nostalgic of the past yet dreaming of the future, romantic partisan of materialism—Walter Benjamin is in every sense of the word an “unclassifiable” philosopher. His essay “On the Concept of History” was written in a state of urgency, as he attempted to escape the Gestapo in 1940, before finally committing suicide. In this scrupulous, clear and fascinating examination of this essay, Michael Löwy argues that it remains one of the most important philosophical and political writings of the twentieth century. Looking in detail at Benjamin’s celebrated but often mysterious text, and restoring the philosophical, theological and political context, Löwy highlights the complex relationship between redemption and revolution in Benjamin’s philosophy of history.

This book features a CD of rarely performed music, including a specially commissioned rap by Erik Weiner of Walter Benjamin's "Thesis on the Philosophy of History." Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Schönberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented. The desire for canonization and the process by which it is obtained are the underlying themes of this dialogue, with emphasis on Paul Klee's Angelus Novus (1920), a canonized work that resonated deeply with Benjamin, Adorno, and Scholem (and for which Djerassi and Gabrielle Seethaler present a revisionist and richly illustrated interpretation). Basing his dialogue on extensive archival research and interviews, Djerassi concludes with a daring speculation on the putative contents of Benjamin's famous briefcase, which disappeared upon his suicide.

This book explores the phenomenon of Saturnism, namely the belief that the planet Saturn, the seventh known planet in ancient astrology, was appointed upon the Jews, who celebrated the Sabbath, the seventh day of the Jewish week. Moshe Idel details how the anonymous, late 14th century Sefer Ha-Peliyah was to have disturbing consequences in the Jewish world three centuries later, interweaving luminaries with the cultural, historical, religious, and philosophical concepts of their day, and demonstrating how cultural agents were inadvertently instrumental in the mid-17th-century mass-movement Sabbateanism that led to the conviction that Sabbatai Tzevi was the Messiah.exploring how the tragic misperception of the Jewish Sabbath by the non-Jewish world led to a linkage of Jews with sorcery in 14th and 15th-century Europe, associating their holy day with the witches' 'Sabbat' gathering, Idel brings this wide-ranging study into the present day with an analysis of 20th-century scholarship and thought influenced by Saturnism, particularly lingering themes related to melancholy in the works of Gershom Scholem and Walter Benjamin.