Robert Johnson's story presents a fascinating paradox: Why did this genius of the Delta blues excite so little interest when his records were first released in the 1930s? And how did this brilliant but obscure musician come to be hailed long after his death as the most important artist in early blues and a founding father of rock 'n' roll? Elijah Wald provides the first thorough examination of Johnson's work and makes it the centerpiece for a fresh look at the entire history of the blues. He traces the music's rural folk roots but focuses on its evolution as a hot, hip African-American pop style, placing the great blues stars in their proper place as innovative popular artists during one of the most exciting periods in American music. He then goes on to explore how the image of the blues was reshaped by a world of generally white fans, with very different standards and dreams. The result is a view of the blues from the inside, based not only on recordings but also on the recollections of the musicians themselves, the African-American press, and original research. Wald presents previously unpublished studies of what people on Delta plantations were actually listening to during the blues era, showing the larger world in which Johnson's music was conceived. What emerges is a new respect and appreciation for the creators of what many consider to be America's deepest and most influential music.Wald also discusses how later fans formed a new view of the blues as haunting Delta folklore. While trying to separate fantasy from reality, he accepts that neither the simple history nor the romantic legend is the whole story. Each has its own fascinating history, and it is these twin histories that inform this book.

As she did with Martin Guerre, Natalie Zemon Davis here retrieves individual lives from historical obscurity to give us a window onto the early modern world. As women living in the seventeenth century, Glikl bas Judah Leib, Marie de l'Incarnation, and Maria Sibylla Merian, equally remarkable though very different, were not queens or noblewomen, their every move publicly noted. Rather, they were living "on the margins" in seventeenth-century Europe, North America, and South America. Yet these women - one Jewish, one Catholic, one Protestant - left behind memoirs and writings that make for a spellbinding tale and that, in Davis' deft narrative, tell us more about the life of early modern Europe than many an official history. All these women were originally city folk. Glikl bas Judah Leib was a merchant of Hamburg and Metz whose Yiddish autobiography blends folktales with anecdotes about her two marriages, her twelve children, and her business. Marie de L'Incarnation, widowed young, became a mystic visionary among the Ursuline sisters and cofounder of the first Christian school for Amerindian women in North America. Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname. The resulting triptych suggests the range of experience, self-consciousness, and expression possible in seventeenth-century Europe and its outposts. It also shows how persons removed from the centers of power and learning ventured in novel directions, modifying in their own way Europe's troubled and ambivalent relations with other "marginal" peoples.

This work portrays the giants of jazz, relates what they achieved, and tells how they made their way in a world not always ready for them. The text offers a clear, informative history of the art, and the photographs present Coleman Hawkins, Count Basie, Charles Mingus, Benny Godman, Louis Armstrong and scores of others. These haunting photographs are supplemented with some rare vintage prints to tell the whole story of jazz from Buddy Bolden to Anthony Braxton.

"A group biography of Pasquale Paoli, George Washington, Toussaint Louverture, Napoleon Bonaparte, and Simon Bolivar with an emphasis on charismatic leadership." ; A group biography of Pasquale Paoli, George Washington, Toussaint Louverture, Napoleon Bonaparte, and Simon Bolivar with an emphasis on charismatic leadership. Bell argues that the history of democracy is inextricable from the history of charisma. He shows how political leadership was reinvented for a revolutionary world eager to do without kings and queens. -- adapted from jacket

Here is the story of Dona Gracia, one of the most remarkable women in Jewish history. The pride of sixteenth century Jewry, she is acknowledged today for her courageous defense of her people and the promotion of their culture. This JPS classic presents the first full-length biography of Dona Gracia in English. It is an epic drama featuring extraordinary characters who risked their lives for freedom of conscience, playing for high stakes among the palaces and political courts of Renaissance Europe.

Text: English, German

Is Faith Darwin Asbury really Grace Paley? Or is it coincidental that the personal history, politics, and relationships of the fictional Asbury seem to mirror those of the well-known author? And do other characters in Paley's stories represent individuals she has known, in scenes and entire episodes she has experienced? A writer who translates her life into art not only "saves" her own life, according to Paley, but offers others the revelation of its meaning. That idea is at the core of Judith Arcana's biographical reading of this strongly autobiographical writer. Grace Paley's Life Stories interweaves details about Paley with critical discussions of her works, examining her as a woman, mother, activist, and Jew. Arcana visited and interviewed Paley at her homes in Vermont and New York over a period of several years. She also interviewed Paley's family, friends, and colleagues. Such extensive research is unmatched in Paley scholarship; Arcana's focus on the political crucible of Paley's consciousness is rare in contemporary literary criticism.

A significant political figure in twentieth-century Russia, Alexander Yakovlev was the intellectual force behind the processes of perestroika (reconstruction) and glasnost (openness) that liberated the Soviet Union and Eastern Europe from Communist rule between 1989 and 1991. Yet, until now, not a single full-scale biography has been devoted to him. In his study of the unsung hero, Richard Pipes seeks to rectify this lacuna and give Yakovlev his historical due. Yakovlev's life provides a unique instance of a leading figure in the Soviet government who evolved from a dedicated Communist and Stalinist into an equally ardent foe of everything the Leninist-Stalinist regime stood for. He quit government service in 1991 and lived until 2005, becoming toward the end of his life a classical western liberal who shared none of the traditional Russian values. Pipes's illuminating study consists of two parts: a biography of Yakovlev and Pipes's translation of two important articles by Yakovlev. It will appeal to specialists and students of Soviet and post-Soviet studies, government officials involved with foreign policy, and general readers interested in the history of Russia and the Soviet Union.