Leo Gursky is trying to survive a little bit longer, tapping his radiator each evening to let his upstairs neighbor know he's still alive, drawing attention to himself at the milk counter of Starbucks. But life wasn't always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And although he doesn't know it, that book also survived: it crossed oceans and generations, and changed lives. Fourteen-year-old Alma was named after a character in that book. She has her hands full keeping track of her little brother Bird (who thinks he might be the Messiah) and taking copious notes in her book, How to Survive in the Wild Volume Three. But when a mysterious letter arrives in the mail she undertakes an adventure to find her namesake and save her family. In her extraordinary new novel Nicole Krauss has created some of the most memorable and moving characters in recent fiction. A tale brimming with laughter, passion, and soaring imaginative power, The History of Love confirms Krauss as one of the most remarkable writers of her generation.

"The Declaration of Independence identified "the pursuit of happiness" as one of our unalienable rights, along with life and liberty. Jeffrey Rosen, the president of the National Constitution Center, profiles six of the most influential founders--Benjamin Franklin, George Washington, John Adams, Thomas Jefferson, James Madison, and Alexander Hamilton--to show what pursuing happiness meant in their lives, and to give us the "best and most readable introduction to the ideas of the Founders that we have" (Gordon Wood, author of Power and Liberty). By reading the classical Greek and Roman moral philosophers who inspired the Founders, Rosen shows us how they understood the pursuit of happiness as a quest for being good, not feeling good--the pursuit of lifelong virtue, not short-term pleasure. Among those virtues were the habits of industry, temperance, moderation, and sincerity, which the Founders viewed as part of a daily struggle for self-improvement, character development, and calm self-mastery. They believed that political self-government required personal self-government. For all six Founders, the pursuit of virtue was incompatible with enslavement of African Americans, although the Virginians betrayed their own principles." -- From the publisher's website.

"In his first book devoted exclusively to narrative fiction, America's most original and controversial literary critic and legendary Yale professor writes trenchantly about fifty-two masterworks spanning the Western tradition"--

"In arguably his most personal and lasting book, America's most daringly original and controversial critic gives us brief, luminous readings of more than eighty texts by canonical authors-- texts he has had by heart since childhood"--

"A collection of bestselling, NBCC prize-winning author Jonathan Lethem's finest writing on the subject of writers and writing. A readerly wake-up call from one of America's finest and most acclaimed working writers. Picking up where his NBCC Award finalist collection The Ecstasy of Influence left off, More Alive and Less Lonely collects more than a decade of Lethem's finest writing on writing, with new and previously unpublished material, including: impassioned appeals for forgotten writers and overlooked books, razor-sharp essays, and personal accounts of his most extraordinary literary encounters and discoveries. Only Lethem, with his love of cult favorites and the canon alike, can write with equal insight about the stories of modern masters like Lorrie Moore and Salman Rushdie, graphic novelist Chester Brown, science fiction outlier Philip K. Dick, and classic icons like Moby-Dick. Edited by novelist Christopher Boucher (Golden Delicious), More Alive and Less Lonely deserves a place on every serious reader's bookshelf. Lethem's joyful approach to literature will inspire you to dive back into your favorite books and then point you towards what to read next"--

"Stella loves books so much, she starts her own library--but then a storm threatens to destroy everything"--

From one of our premier literary scholars, here is a learned and witty introduction to the "sheer vitality of literature and the satisfactions of a close, informed engagement with it" (New York Times). Robert Alter's illumination of the unique power of reading literature is especially valuable at a time when we are surrounded by electronic texts that distract more than engage and when the special claims of literature are disparaged by the high priests of literary theory. Alter explores the strategies that distinguish literature--the resources of style, the dynamics of allusion, the formal design of structure, the play of perspective in narrative. He draws on copious examples from the great works of literary art--from the Book of Genesis to Shakespeare, Conrad, and Nabokov--to illustrate his analysis of what makes reading a source of complex pleasure and insight.

A unique memoir that celebrates not just one life, but all of the lives connected through the past ownership of second-hand books. Every second-hand book tells two stories: one within its pages and another of the life it lived before changing hands. Whether mundane or extraordinary, on a grand scale or intensely personal, every second-hand book conceals the story of its past life. Lives filled with love, loss, scandal and conflict, these are the intimate and incredible stories that author Josh Spero uncovered after tracking down the previous owners of twelve of his second-hand books. Tom Dunbabin, a Classics scholar who became a spy, leading the resistance against the Germans in Crete in the Second World War. Peter Levi, a priest who fell in love with his friend's wife. Belinda Dennis, a contrary Latin teacher, and Emilie Vleminckx, an equally contrary Latin student. And James Naylor, a boy the author once loved. Combined with stories from the author's own life -- from growing up in London as a poor boy at a public school to becoming a scholar Oxford and later a tutor in Hampstead -- and his lifelong love and pursuit of classical education, "Second-Hand Stories" is a unique memoir that celebrates not just one life, but all the lives connected through second-hand books. It will make you reconsider your own second-hand books, the people who owned them and what stories they have to tell."

"This book considers the development of science fiction for children and teens between 1950 and 2010, exploring why it differs from science fiction aimed at adults. In a broader sense, this examination of 400 texts sheds light on changing attitudes toward children and teenagers, toward science education, and toward the authors' expectations and sociological views of their audience"--Provided by publisher.

Peter Pan, Jacqueline Rose contends, forces us to question what it is we are doing in the endless production and dissemination of children's fiction. In a preface, written for this edition, Rose considers some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.

"The fairy tale is arguably one of the most important cultural and social influences on children's lives. But until the first publication of Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives -- their behavior, values, and relationship to society. As Jack Zipes convincingly shows in this classic work, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture. How and why did certain authors try to influence children or social images of children? How were fairy tales shaped by the changes in European society in the sixteenth and seventeenth centuries? Zipes examines famous writers of fairy tales such as Charles Perrault, Jacob and Wilhelm Grimm, Hans Christian Andersen and L.Frank Baum and considers the extraordinary impact of Walt Disney on the genre as a fairy tale filmmaker." --BarnesandNoble.com.

From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed.

Jack Zipes develops a social history of the fairy tale and shows how educated writers purposefully appropriated the oral folk tale in the eighteenth century and made it into a discourse about mores, values, and manners.

Lyons surveys the changing relationships enjoyed by ordinary men and women with the written word, from early times to the present day.

Who is the greatest living essayist writing in English? Unquestionably Joseph Epstein. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. How easy it is today to forget the simple delight of reading for no intended purpose. Each of the 39 pieces in this book is a pure pleasure to read

Who is the greatest living essayist writing in English? Joseph Epstein would surely be at the top of anybody’s list. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. Joseph Epstein’s The Ideal of Culture: Essays is the fourth such volume from Axios Press and contains 63 essays. Subjects range from domestic life to current social trends to an appraisal of “contemporary nuttiness.” It follows the much acclaimed Essays in Biography , 2012, A Literary Education and Other Essays , 2014, and Wind Sprints: Shorter Essays, 2016. After reading Epstein, we see life with a fresh eye. We also see ourselves a little more clearly. This is what Plutarch intended: life teaching by example, but with a wry smile and such a sure hand that we hardly notice the instruction. It is just pure pleasure.

Born in Berlin at the end of the nineteenth century, Walter Mehring inherited both his father's respect for the civilizing power of literature and his formidable library of thousands of books. Like his father, believed that books and reading were essential to progress, mutual understanding, and contentment. After having served in World War I, Mehring spent the years between the world wars as part of the exhilarating avant-garde coffeehouse culture of Europe's capitals; he himself was a poet, cabaret lyricist, and founder of the Dadaist movement in Berlin. But with the rise of fascism, Europe became a dangerous place for free-thinking artists. Mehring never envisioned that the culture of books celebrated in his father's library would be rejected by the sudden rise to prominence of the Nationalist Socialist Party. Soon, even his own books were burned by the Brownshirts and Mehring was forced to roam Europe as a literary fugitive. From a precarious exile in Vienna, he arranged for his father's books to be smuggled out of Germany, but their fate would be worse than his--while Mehring managed to slip out of Austria and avoid capture, his library was confiscated and destroyed by the Nazis in 1938. In The Lost Library: The Autobiography of a Culture , translated by Richard and Clara Winston and presented in paperback for the first time, Mehring takes the reader with him as he unpacks the crates of books in his mind, and in the process recalls what each book meant to him and his father. Writing with wit and insight, Mehring successfully compares the humanism of his father's era with the chaos of Europe at war, using his father's library as a metaphor for how the optimism of nineteenth-century progress gave way to the disorder and book-burning of the twentieth. "It is with love and not a little bitterness that the author touches on the various tomes of his father's library [and through them] on the history of man's ideas, on the magnificence of our cultural progress, . . . and on the eventual destruction of the beauty and ideals that man had been able to create. . . . Beautifully conceived and beautifully executed."-- The Atlantic "Whoever cares for books will love this book about books."-- New York Times " The Lost Library cannot be read without profit."-- Times Literary Supplement