The Jesus Discovery shows how a recent major archeological discovery in Jerusalem is revolutionizing our understanding of Jesus and the earliest years of Christianity. The Jesus Discovery is the story of a stunning new discovery that provides the first physical evidence of Christians in Jerusalem during the time of Jesus and his apostles. In 2010, using a specialized robotic camera, authors Tabor and Jacobovici explored a previously unexcavated tomb in Jerusalem from around the time of Jesus. They made a remarkable discovery—two ossuaries, or bone boxes, one carved with the earliest known image of Jonah; the other displaying a reference to resurrection. Since the newly discovered ossuaries can be reliably dated to before 70 AD, it is possible that whoever was buried in this tomb knew Jesus and heard him preach. In addition, the newly examined tomb is in close proximity to the so-called Jesus Family Tomb , and its discovery increases the likelihood that the “Jesus Family Tomb” is, indeed, the real tomb of Jesus of Nazareth.

Now available in trade paper! New York Times bestselling author Kathie Lee Gifford reveals heartwarming, entertaining conversations between people and personalities who both agree and disagree about who Jesus is, his role throughout history, and his presence in our lives today. For decades Kathie Lee has had deep conversations about her faith with anyone who is interested in talking about it. What she discovered early on is most people are very willing to talk about Jesus: atheists, agnostics, Scientologists, Jews, broken-hearted Catholics, confused Baptists, Pentecostals, Sikhs, Buddhists, and Hindus alike. While some of the people Kathie Lee has spoken with do not share her belief that Jesus is the Messiah--as prophesied for centuries by prophets in the Hebrew scriptures--they nonetheless have a universal fascination with Him. This singular man who lived more than two thousand years ago, and never traveled more than one hundred miles from where He was born, managed to change the entire world. Even the way we delineate history (BC/AD) comes from His short thirty-three years of life. In The Jesus I Know, Kathie Lee shares cherished conversations that she's had with others who find Jesus to be an ancient historical figure who somehow continues to be an undeniably magnetic, relevant presence in the modern world. Those conversations include actors like Kristin Chenoweth and Cynthia Garrett, with stories of Craig Ferguson and Kevin Costner, newsmakers and news personalities like Kris Jenner, Megyn Kelly, Jason Kennedy, and Janice Dean, performers like Chynna Phillips Baldwin, Brian Welch, Jimmie Allen, and Jimmy Wayne, hitmakers like Louis York and David Pomeranz, as well as those coming from other faith traditions. Using Kathie Lee's favorite Scripture passages as scaffolding, these thought-provoking exchanges will bring His teachings to life before your very eyes.

""'A painstakingly researched, meticulously documented, cogently reasoned and eminently readable book. It represents an important step forward in New Testament study which henceforward scholars, even if they do not agree with it will not be able to ignore.' Times Literary Supplement 'For those who are concerned to penetrate to the historical realities within the gospel records this is an extremely important book.' Expository Times 'Can only be described as epoch-making.' Jewish Chronicle"" In this, Geza Vermes' best known book, there emerges perhaps the closest portrayal that we have of a genuinely historical Jesus. Freed from the weight and onus of Christian doctrine or Jewish animus, Jesus here appears as a vividly human, yet profoundly misunderstood, figure, thoroughly grounded and contextualised within the extraordinary intellectual and cultural cross currents of his day. Jesus the Jew is a remarkable portrait by a brilliant scholar writing at the height of his powers, informed by insights from the New Testament, Jewish literature, and the Dead Sea Scrolls alike.

A picture universally recognized, endlessly scrutinized and described, incessantly copied, adapted, lampooned: does Leonardo's near-ruined Last Supper still offer anything new to be seen or to be said? This book is a resounding Yes to both questions. With direct perception -- -and with attention paid to the work of earlier scholars and to the criticism embodied in the production of copyists over the past five hundred years -- Leo Steinberg demonstrates that Leonardo's mural has been consistently oversimplified. This most thought-out picture in Western art, painted in the 1490s on the north wall of the refectory of Santa Maria delle Grazie, Milan, is a marvel of compressed meanings. Its subject is not one arrested moment, but successiveness and duration. It is not only Christ's announcement of the forthcoming betrayal, but in equal measure the institution of the Eucharist. More than the spur of the moment animates the disciples, and more than perspective determines their housing. Though Leonardo's geometry obeys all rules, it responds as well to Christ's action at center, as if in emanation from the prime mover. The picture is simultaneously narrative and sacramental. As its protagonist is two-natured, as the twofold event of this night is both human submission and divine dispensation -- -so the entire picture is shown to have been conceived in duplexity: a sublime pun.Meanwhile, the unending disagreement as to what exactly is represented, what the depicted actions express, how and where this assembly is seated -- -all these still-raging disputes are traced to a single mistaken assumption: that Leonardo intended throughout to be unambiguous and clear, and that any one meaning necessarily rules out every other.As Steinberg reveals an abundance of significant interrelations previously overlooked, Leonardo's masterpiece regains the freshness of its initial conception and the power to fascinate.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This work takes up two related questions with regard to Jesus: his intention and his relationship to his contemporaries in Judaism. These questions immediately lead to two others: the reason for his death (did his intention involve an opposition to Judaism which led to death?) and the motivating force behind the rise of Christianity (did the split between the Christian movement and Judaism originate in opposition during Jesus' lifetime?).

Biblical historian Max Dimont, author of the classic Jews, God, and History, explores the mystery surrounding the predictions Jesus made about his fate. Examining the gospel, Dimont recreates the drama in three acts using his knowledge of the events recorded in the Bible. Thoughtful and fascinating, Appointment in Jerusalem, examines the questions that have surrounded religion for centuries. Who was Jesus, the Christian messiah or a member of a Jewish Sect? Dimont's insight is intelligent and surprising.