"This is the fifth edition of 'Music Since 1900', first published in 1937 and most recently updated in 1971. In the introduction to the first edition, Nicolas Slonimsky stated that the book, "is intended to be a sort of newsreel reflecting the 'inner headlines' of musical events" containing "elements of evolutionary power that subtly but surely influence the entire future of music." 'Music Since 1900' is just such a newsreel, following both stylistic trends in music and bringing to life the human element missing in so many biographical references. The book is divided into three parts. the Descriptive Chronology, 1900-1991, lists the dates, names, and places of the important musical events of the century. This section covers a great variety of subjects: exact dates of world premières of hundreds of operas, discussions on developments in popular music, entries that reveal the "passing sights and sounds of the general musicorama of the period." The second section, Letters and Documents, contains fascinating new material first published in a supplement to the book in 1986. Slonimsky searched for evidence connecting musical practices with political events. For example, he found a document previously classified by the Department of the Army that discusses the methods used to influence the policies of the Soviet Union by broadcasting Western music. This section also includes a reply to a query addressed to George Bernard Shaw, a radio broadcast by Alban Berg, manifestos of the Italian futurists issued early in the century, and a remarkable collection of letters from Charles Ives. The third section, a Dictionary of Terms, has been enlarged to include a detailed analysis of modern musical techniques. Written by one of the foremost musical authorities of our time, 'Music Since 1900' is a unique compilation that not only gives readers the facts, but also illustrates the styles, tastes, and epoch-making ideas that have marked this century's musical departure from the past."--

This highly anticipated follow-up to Bruce Spizer's critically acclaimed "The Beatles Records on Vee-Jay" contains detailed information on the group's Capitol singles from "I Want To Hold Your Hand" through "Lady Madonna", as well as chapters on Beatlemania in America, how Capitol marketed the Beatles, Capitol's Beatles related singles, the history of Capitol Records, the Capitol Record Club and other fascinating stories. Hard cover with over 500 color photos throughout, including all picture sleeves, label variations, trade advertisements and press kits. Essential and entertaining for both casual fans and serious collectors.

This pioneering study wrestles with the perpetual problem of chronology in the Books of Kings. Starting from the conservative assumptions that the courts of Israel and Judah maintained regnal records, and that these for the most part accurately reflect regnal length, the author arrives at a new and persuasive dating for the reigns and their synchronisms. In addition, his chronological scheme includes all points of contact between Israel and Judah and external powers, especially Assyria. The result is one of the most responsible and yet most critical chronologies proposed to date, and will be the standard chronological reference for the next decade, if not longer.

This is the first volume of the series Ages in Chaos, in which Immanuel Velikovsky undertakes a reconstruction of the history of antiquity. With utmost precision and the exciting style of a presentation that's typical for him he shows, beyond doubt, what nobody would consider possible: in the conventional history of Egypt - and therefore also of many neighboring cultures - a span of 600 years is described, which has never happened! This assertion is as unbelievable and outrageous as the assertions in Worlds in Collision or Earth in Upheaval. But Velikovsky takes us on a detailed and highly interesting journey through the - corrected - history and makes us a witness to how many question marks disappear, doubts vanish and corresponding facts from the entire Near East furnish a picture of overall conformity and correctness. You will meet an Egyptian eyewitness of the biblical plagues and the mysterious Queen of Sheba. You will find out to where her legendary visit led her. You will, moreover, learn surprising details about the temple of Solomon and learn who was behind its sacking. In the end you do not only wonder how conventional historiography has come into existence, but why it is still taught and published. Just as Velikovsky became the father of "neo-catastrophism" by Worlds in Collision, he became the father of "new chronology" by Ages in Chaos.