It came in a plain brown wrapper, no return address - an audiocassette recording of a horrifying, soul-lacerating scream, followed by the sound of a childlike voice delivering the enigmatic and haunting message: . Bad love. Bad love. Don't give me the bad love... For Alex Delaware, the chant, repeated over and over like a twisted nursery rhyme, is the first intimation that he is about to enter a living nightmare. Others soon follow: disquieting laughter echoing over a phone line that suddenly goes dead, a chilling trespass outside his home in the middle of the night, a sickening act of vandalism. He has becoine the target of a carefully orchestrated campaign of vague threats and intimidation rapidly building to a crescendo as harassment turns to terror, mischief to madness. Searching his memory for the phrase bad love, Alex recalls a symposium he attended over a decade ago commemorating the work of Dr. Andres de Bosch, the celebrated child psychologist who ran a clinic for troubled adolescents. With the help of his friend LAPD detective Milo Sturgis, Alex discovers a seemingly random series of violent deaths - a hit-and-run, a suicidal leap from a high rise, and a brutal mutilation-murder - that may somehow be related to de Bosch. As he delves deeper into the history of the clinic, the escalating pattern of violence becomes inescapably clear. And if Alex fails to decipher the twisted logic of the stalker's mind games, he will be the next to die. Taut, penetrating, terrifying, Bad Love is vintage Kellerman.

With scores of millions of books in print, translation into two dozen languages, and one of the most popular heroes in contemporary fiction to his name, #1 New York Times bestselling author Jonathan Kellerman is the unequivocal “master of the psychological thriller” (People). In his newest novel Kellerman delivers a tour de force–poignant, dark, and chilling–that illuminates a shadowy world where impulse rules. Tanya Bigelow was a solemn little girl when Dr. Alex Delaware successfully treated her obsessive-compulsive symptoms. Now, at nineteen, she still seems older than her years–but her problems go beyond hyper-maturity. Patty Bigelow, Tanya’s aunt and adoptive mother, has made a deathbed confession of murder and urged the young woman to seek Delaware’s help. The doctor recalls Patty as a selfless E.R. nurse struggling to raise a child on her own–a woman seemingly incapable of the “terrible thing” she has admitted. But for Tanya’s peace of mind, Delaware agrees to investigate, and he enlists LAPD detective Milo Sturgis in the search for the phantom victim of a crime that may never have occurred. Armed with only the vaguest details, psychologist and cop follow a trail twisting from L.A.’s sleaziest low-rent districts to its overblown mansions, retracing Patty and Tanya’s nomadic and increasingly puzzling life to the doorsteps of a sullen heroin addict; a randy real-estate broker; and a brilliant, enigmatic physics student. Suddenly a very real murder tears open a terrifying tunnel into the past, where secrets–and bodies–are buried. As the tension mounts, Delaware and Sturgis uncover a tangled history of desperation, vengeance, and death–a legacy of evil that refuses to die. Dramatic, action-packed, and filled with the psychological detail that only Jonathan Kellerman can provide, Obsession is a whodunit, a whydunit–and something unique: a did-it-even-happen? This is Kellerman at his heart-racing best. From the Hardcover edition.

In Jonathan Kellerman's gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn. Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman's bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses--part Boy Scout, part bulldog, man of few words--is a no-frills LAPD detective. Aaron, sharp dresser and smooth operator, is an ex-cop turned high-end private eye. Usually they go their separate ways. But the disappearance of Caitlin Frostig isn't usual. For Moses, it's an ice-cold mystery he just can't outrun, even with the help of psychologist Alex Delaware and detective Milo Sturgis. For Aaron, it's a billable-hours bonanza from his most lucrative client. Like it or not, Moses and Aaron are in this one together-and the rivalry that rules them won't let either man quit till the case is cracked. A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin's white knight as their primary person of interest, hoping that, like most people in L.A., he has a secret side. But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned: a millionaire movie director turned hatemongering eccentric; a desperate Beverly Hills housewife looking for an exit from the fast lane; a heartthrob actor being eaten alive by personal demons; a hooker who's probably seen it all . . . and might just know too much. And at the center, a dead young woman whose downward spiral and brutal end loom over Moses and Aaron like an omen of what may come to be if the dark end of the street claims another lost soul. From the Hardcover edition.

Assistant DA Alexandra Cooper returns in the new breakneck thriller by the New York Times bestselling author of Death Angel who once again captures the essence of New York City--its glamour, its history, its possibilities, and its endless capacity for darkness. Grand Central Station is hiding more than just an underground train system. When the body of a young woman is found in the tower suite of the Waldorf Astoria, Assistant DA Alex Cooper and Detective Mike Chapman find themselves hunting for a killer whose only signature is a carefully drawn symbol carved into his victims' bodies, a symbol that bears a striking resemblance to train tracks. After a second body is discovered in a terminal alleyway, attention shifts to the iconic transportation hub and the potential for a bigger attack. With the President of the United States set to arrive for a United Nations meeting, Alex and Mike must contend with Grand Central's expansive underground tunnels and century-old dark secrets--as well as their own changing relationship--to find a killer who's cutting a deadly path straight to the heart of the city.

New York Times bestselling author Linda Fairstein is at her explosive best as she plunges into the byzantine world of New York City's most powerful and sacred institutions--and unearths the most sinister of secrets... Prosecutor Alexandra Cooper has been called to a Harlem Baptist Church, where a woman has been decapitated and set on fire on the church steps--with the imprint of a Star of David necklace seared into her flesh. Then a second body is found at a cathedral in Little Italy. Alex is blind to the sick and inconceivable motives feeding a particularly vicious serial killer--until she mines the depths of the city's vast and serpentine religious history. What Alex follows is a dangerous path that takes her far beyond the scope of her investigation, and directly into the path of a frightening and inescapable truth.

New York City. Central Park. For thousands of residents and tourists who fill it every day, it's an enormous urban sanctuary. For one killer it's the perfect hunting ground. A young girl has been found dead in the Ramble, a secluded section of the park made up of winding paths, dense woods, and dead ends. Is she the first victim of a psychopath? Or a clue to other missing women in years past whose remains have never been found? For the answer, Assistant DA Alexandra Cooper and Detective Mike Chapman follow a twisting trail of evidence that takes them deep into the city's dark history--and deeper into the mind of killer whose work has only just begun.

"New York Times" bestseller An unforgettable novel about a young Jewish woman growing up in Boston in the early twentieth century, told "with humor and optimism...through the eyes of an irresistible heroine" ("People")--from the acclaimed author of "The Red Tent." Anita Diamant's "vivid, affectionate portrait of American womanhood" ("Los Angeles Times"), follows the life of one woman, Addie Baum, through a period of dramatic change. Addie is The Boston Girl, the spirited daughter of an immigrant Jewish family, born in 1900 to parents who were unprepared for America and its effect on their three daughters. Growing up in the North End of Boston, then a teeming multicultural neighborhood, Addie's intelligence and curiosity take her to a world her parents can't imagine--a world of short skirts, movies, celebrity culture, and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, to finding the love of her life, eighty-five-year-old Addie recounts her adventures with humor and compassion for the naive girl she once was. Written with the same attention to historical detail and emotional resonance that made Diamant's previous novels bestsellers, "The" "Boston Girl" is a moving portrait of one woman's complicated life in twentieth century America, and a fascinating look at a generation of women finding their places in a changing world. "Diamant brings to life a piece of feminism's forgotten history" ("Good Housekeeping") in this "inspirational...page-turning portrait of immigrant life in the early twentieth century" ("Booklist").

"Cassie and Zoe Griffin were born just a year apart, but the sisters could not have been more different. Zoe, beautiful and charming, grew up with a burning desire for fame, making up for a lack of natural talent with hard work and determination. Cassie, though, had a gift. She was uncomfortable in her plus-sized body and preferred to be in the shadows, she was a musical prodigy. On the threshold of adulthood, the sisters are discovered by a record label and become the Griffin Sisters, a band that quickly skyrockets to fame, reaching the heights of pop stardom: MTV, VH1, the Billboard charts, and every marker of a dream come true. Cassie's musical gifts make her the voice of a generation and while the spotlight tests her spirit, it also opens her heart to possibilities for connection she has never considered. Zoe gets everything she thought she wanted: international fame and the paparazzi, the couture-and the man-that go with it. But twenty years later, everything has changed. Cassie lives in seclusion in Alaska. Zoe has abandoned her music dreams for suburban motherhood in New Jersey. The Griffin Sisters are long gone, and the devil's bargain of celebrity has exacted a high price that drives the sisters apart and nearly destroys them both. And yet Zoe's teenage daughter Cherry has inherited her family's talent and stage presence, and will stop at nothing to achieve the very dream of pop stardom her mother has warned her against-opening the wounds of their shared history in the process. Both sisters must face the consequences of choices from the past: the ones they made and the ones the music industry made for them. Can the mistakes of the past be redeemed, and can broken bonds be repaired? In this stirring and soul-bearing novel, Jennifer Weiner brings to life the heartache, joy, and glory of the glamorous but shattering Golden Age of pop music, and a celebrates the power of love and forgiveness, even after the music stops"--

It is the late summer of 1938, Europe is about to explode, the Hollywood film star Fredric Stahl is on his way to Paris to make a movie for Paramount France. The Nazis know he's coming--a secret bureau within the Reich Foreign Ministry has for years been waging political warfare against France, using bribery, intimidation, and corrupt newspapers to weaken French morale and degrade France's will to defend herself. For their purposes, Fredric Stahl is a perfect agent of influence, and they attack him. What they don't know is that Stahl, horrified by the Nazi war on Jews and intellectuals, has become part of an informal spy service being run out of the American embassy in Paris. From Alan Furst, the bestselling author, often praised as the best spy novelist ever, comes a novel that's truly hard to put down. "Mission to Paris" includes beautifully drawn scenes of romance and intimacy, and the novel is alive with extraordinary characters: the German Baroness von Reschke, a famous hostess deeply involved in Nazi clandestine operations; the assassins Herbert and Lothar; the Russian film actress and spy Olga Orlova; the Hungarian diplomat and spy, Count Janos Polanyi; along with the French cast of Stahl's movie, German film producers, and the magnetic women in Stahl's life, the socialite Kiki de Saint-Ange and the emigre Renate Steiner. But always at the center of the novel is the city of Paris, the heart and soul of Europe--its alleys and bistros, hotels grand and anonymous, and the Parisians, living every night as though it was their last. As always, Alan Furst brings to life both a dark time in history and the passion of the human hearts that fought to survive it. Praise for Alan Furst "Unfolds like a vivid dream . . . One couldn't ask for a more engrossing novel.""--The Wall Street Journal, "about" Spies of the Balkans" " " "Though set in a specific place and time, Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell."--"Los Angeles Times, " about" The Spies of Warsaw" "Alan Furst's novels swing a beam into the shadows at the edges of the great events leading to World War II. Readers come knowing he'll deliver effortless narrative."--"USA Today, " about "The Foreign Correspondent" "Positively bristles with plot, characters and atmosphere . . . "Dark Voyage" has the ingredients of several genres--the mystery, the historical novel, the espionage thriller, the romance--but it rises above all of them."--"The Washington Post, " about" Dark Voyage" "No other espionage writer touches [Furst's] stylish forays into Budapest and Berlin, Moscow and Paris. No other writer today captures so well the terror and absurdity of the spy, the shabby tension and ennui of emigre communities at the time. His characters are hopeless, lethal, charming. His voice is, above all, knowing."--"Boston Sunday Globe, " about "Blood of Victory"

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor--while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father's job at a silent film theater in New York's East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself--as Professor John Woman, a man who will spread Herman's teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

A young man named Henry sits down with his grandmother, a genial lady still called Baby by everyone, in her Manhattan townhouse where he has lived all his life, to record the history of a spiritual movement that has woven itself into the fabric of their family's lives for four generations. What unfolds is a mesmerizing family saga: the imperious great-grandmother Elsa and her husband, an Indian poet, whose marriage is as unconventional as the movement they help to found; Baby, their cheerfully pragmatic daughter, married to the aloof English diplomat Graeme; bemused and brooding Renata, Baby and Graeme's daughter, married to an idle dreamer; and finally Henry, Renata's son, who in many ways bears the legacy of all that has gone before. Their lives--and that of the movement's elusive yet ineluctable founder, known only as the Master--intertwine, diverge, and collide with each other in a masterfully orchestrated story spanning the twentieth century and several continents. By turns brilliantly satiric, insightful, and profoundly moving, Shards Of Memory is a beautifully wrought tale of love and devotion, of family and faith, and of the complex nature of memory itself--a literary tour de force from one of the most distinguished novelists of our time.

Esther Gottesfeld is the last living survivor of the notorious 1911 Triangle Shirtwaist fire and has told her story countless times in the span of her lifetime. Even so, her death at the age of 106 leaves unanswered many questions about what happened that fateful day. How did she manage to survive the fire when at least 146 workers, most of them women, her sister and fiance among them, burned or jumped to their deaths from the sweatshop inferno? Are the discrepancies in her various accounts over the years just ordinary human fallacy, or is there a hidden story in Esther's recollections of that terrible day? Esther's granddaughter Rebecca Gottesfeld, with her partner George Botkin, an ingenious composer, seek to unravel the facts of the matter while Ruth Zion, a zealous feminist historian of the fire, bores in on them with her own mole-like agenda. A brilliant, haunting novel about one of the most terrible tragedies in early-twentieth-century America, "Triangle "forces us to consider how we tell our stories, how we hear them, and how history is forged from unverifiable truths.

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

In 1975, New York City faced a massive budget deficit and feared it could not pay its city workers. Their potential default was national front-page news. Thirty-four years later -- with nationwide bank closings, bankruptcies of major corporations, enormous layoffs and the largest national deficit in history -- might that ugly specter of default be facing New York again? After all, it is currently happening today, in Washington, D.C., where a bankrupt city has lost its public service personnel, garbage litters the streets and rats have made the district buildings their homes.Within the pages of, WALK INTO THE SUN, it is 2009 and the unthinkable has happened to New York City. That city is in default. However, this is not a story of the saving of the city. Rather, it is a tale of the people who make up its body. From the garbage man to the Bowery cop to the sewer-dwelling orphan. From the advertising executive and his dying son to the widow killer and his prey. From the Mayor's aide to the Governor's wife to the last remaining doctor in New York City.The story shows the effects of the default; the walkouts by police, firefighters and sanitation workers. Looters and snipers taking over the streets. Uncollected garbage bringing rats. And rats bringing the worst form of disease. How such varied characters deal with this horror and ultimately come together -- not to save the city, but themselves -- is the basis of WALK INTO THE SUN.

Maxwell Bodenheim's 1934 novel Slow Vision depicts a young couple, a pair of average Americans swept up in labor struggles and reduced to painful subsistence, portraying the protagonists' gradual understanding of labor unions and the psychological, philosophical, and political trials that led to sympathetic affiliations in Socialism and Communism. Thus initiates their "slow vision," a simmering understanding of the manifestations of Leftist movements and of special relevance to the climate of the first two decades of the 21st century. Bodenheim's books-thirteen novels and nine volumes of verse-are mostly out of print. Some were resurrected in the late-1940s through the mid-1950s as cheap pulp paperbacks after Bodenheim had lost the rights to his own work. Slow Vision was not one of them. Presumably, nobody wanted to be reminded of the Great Depression. Slow Vision would be Bodenheim's last published novel and literary history has forgotten it.