Genius: The Natural History of Creativity presents a novel theory of genius and creativity, based on the personality characteristics of creative persons and geniuses. Starting with the fact that genius and creativity are related to psychopathology, it uses modern research into the causes of cognitive over-inclusiveness to suggest possible applications of these theories to creativity. Professor Eysenck reports experimental research to support these theories in their application to creativity, as well as considering the role of intelligence, social status, gender and many other factors that have been linked with genius and creativity. The theory traces creativity from DNA through personality to special cognitive processes to genius.

"Change is no stranger to us in the twenty-first century. All of us must constantly adjust to an evolving world, to transformation and innovation. But for many thousands of creative artists, a torrent of recent changes has made it all but impossible to earn a living. A persistent economic recession, social shifts, and technological change have combined to put our artists-from graphic designers to indie-rock musicians, from architects to booksellers-out of work. This important book looks deeply and broadly into the roots of the crisis of the creative class in America and tells us why it matters. Scott Timberg considers the human cost as well as the unintended consequences of shuttered record stores, decimated newspapers, music piracy, and a general attitude of indifference. He identifies social tensions and contradictions-most concerning the artist's place in society-that have plunged the creative class into a fight for survival. Timberg shows how America's now-collapsing middlebrow culture-a culture once derided by intellectuals like Dwight Macdonald-appears, from today's vantage point, to have been at least a Silver Age. Timberg's reporting is essential reading for anyone who works in the world of culture, knows someone who does, or cares about the work creative artists produce"--

An exploration of how LSD influences imagination and the creative process. • Based on the results of one of the longest clinical studies of LSD that took place between 1954 and 1962, before LSD was illegal. • Includes personal reports, artwork, and poetry from the original sessions as testimony of the impact of LSD on the creative process. In 1954 a Los Angeles psychiatrist began experimenting with a then new chemical discovery known as LSD-25. Over an eight-year period Dr. Oscar Janiger gave LSD-25 to more than 950 men and women, ranging in age from 18 to 81 and coming from all walks of life. The data collected by the author during those trials and from follow-up studies done 40 years later is now available here for the first time, along with the authors' examination of LSD's ramifications on creativity, imagination, and spirituality. In this book Marlene Dobkin de Rios, a medical anthropologist who has studied the use of hallucinogens in tribal and third world societies, considers the spiritual implications of these findings in comparison with indigenous groups that employ psychoactive substances in their religious ceremonies. The book also examines the nature of the creative process as influenced by psychedelics and provides artwork and poetry from the original experiment sessions, allowing the reader to personally witness LSD's impact on creativity. The studies recounted in LSD, Spirituality, and the Creative Process depict an important moment in the history of consciousness and reveal the psychic unity of humanity.

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.