Reefer Madness , a classic in the annals of hemp literature, is the popular social history of marijuana use in America. Beginning with the hemp farming if George Washington, author Larry "Ratso" Sloman traces the fascinating story of our nation's love-hate relationship with the resilient weed we know as marijuana. Herein we find antiheroes such as Allen Ginsberg, Robert Mitchum (the first Hollywood actor busted for pot), Louis Armstrong (who smoked pot every day), the Beatles, and more rapscallions standing up for, supporting, smoking, and politicizing the bounties of marijuana. With a new afterword by Michael Simmons, who has written for Rolling Stone , LA Weekly , and High Times , on the progress of the hemp movement and the importance of medical marijuana, Reefer Madness is a classic that goes on.

For two hundred years, addiction to opiates has seemed both dangerous and glamorous. Countless writers, from Coleridge and De Quincey to William Burroughs and Irving Walsh, have invested it with deep philosophical significance. Addicts are presumed to be in touch with profound mysteries of which non-addicts are ignorant. Dalrymple shows that doctors, psychologists and social workers, all of them uncritically accepting addicts' descriptions of addiction, have employed these literary myths in creating an equal and opposite myth of quasi-treatment. Using evidence from literature and pharmacology and drawing on examples from his own clinical experience, Dalrymple shows that addiction is not a disease, but a response to personal and existential problems. He argues that withdrawal from opiates is not the serious medical condition, but a relatively trivial experience. He says that criminality causes addiction far more often than addiction causes criminality. Romancing Opiates will make you wonder if the most obvious facts about addiction have been overlooked because of myths that suit the interests both of the addicts and the addiction bureaucracy that serves them.