Victor S. Navasky is the renowned editor, writer, and teacher who has been at the helm of "The Nation" for almost thirty years. "A Matter of Opinion," a scintillating reflection on his journalistic experiences, is also an extraordinary political document-a spirited, provocative argument for independent journals of opinion as vital to the health of democracy. Whether at the satirical magazine "Monocle" (which he founded when he was in law school), or at "The New York Times," or finally at "The Nation," Navasky's commitment to political engagement and to the social and intellectual values of independent cultural activity has always been front and center. In a wonderfully entertaining narrative, he tells of his innovative efforts to find money to keep "The Nation" afloat and to keep its pages lively, honest, and relevant, and he embellishes it with unforgettable stories-about his colleagues and opponents, from E. L. Doctorow to Bill Buckley; his heroes, from I. F. Stone to Jurgen Habermas; and his precedessors, from Daniel Defoe to Carey McWilliams. Navasky's accomplishments have been legion, despite the threats of revenue-driven multinational media corporations, and despite the sometimes ugly, sometimes hilarious problems that fearless muckrakers face in any culture. "A Matter of Opinion" is a passionately written, irresistibly charming account of a great journalistic tradition.

Miriam Gross, as a journalist and editor, has worked with some of the most influential figures of the 20th century poets, philosophers, playwrights and politicians. This book offers recollections from 40 years at the heart of English cultural life. Brought up in wartime Jerusalem, she was deposited by her parents, speaking no English, at the bohemian Dartington Hall School; and then continued her education at Oxford where eschewing her quiet, tea-drinking contemporaries at St Anne s she found her way into more glamorous academic circles. From there it was a short hop to pre-spell-check Fleet Street. Her descriptions whether she is having to mend her boss's bra on her first day at work, or rewriting Angus Wilson's slapdash book reviews, or being asked to make the women s pages of the Observer more raunchy show a merciless eye for the bogus and the absurd. Alongside reflections on everything from feminism and motherhood to education and anti-semitism, she recounts her numerous infatuations, both requited and unrequited, with the sort of self-deprecating candour that makes this memoir a classic of its kind.