"The Black Death was a pandemic of unimaginable proportions, taking the lives of 75 - 200 million people worldwide. Lauren Tarshis's story of one girl surviving the plague pulses with terror, action, and hope. The deadliest disease in the history of the world ... Elsie dreams of becoming a brave warrior like her father, who is an archer fighting in England's war against France. But life isn't fair in 1348 Europe. Peasant girls like Elsie can't be archers or knights or anything exciting. Then one day in the forest, Elsie and her best friend, Humphrey, discover a chest filled with stolen treasures--and a dangerous secret. At last Elsie has a chance to prove that she's as brave as any knight. Little does she know that a deadly illness -- the Black Death--has begun its attack on England. It's already killed millions around the world. And now it's come for Elsie"--Provided by the publisher.

This inspiring true story of how classical music saved a young girl's life during World War II is a book for history and music lovers and the perfect choice for book clubs. Mona Golabek tells the tale of her mother Lisa Jura Golabek's escape from Nazi-controlled Austria to England on the infamous Kindertransport. Jewish musical prodigy Lisa Jura has a wonderful life in Vienna. But when the Nazis start closing in on the city, life changes irreversibly. Although he has three daughters, Lisa's father is able to secure only one berth on the Kindertransport. The family decides to send Lisa to London so that she may pursue her dreams of a career as a concert pianist. Separated from her beloved family, Lisa bravely endures the trip and a disastrous posting outside London before finding her way to the Willesden Lane Orphanage. Her music inspires the other orphanage children, and they, in turn, cheer her on in her efforts to make good on her promise to her family to realize her musical potential. Through hard work and sheer pluck, Lisa wins a scholarship to study piano at the Royal Academy. As she supports herself and studies, she makes a new life for herself and dreams of reconnecting with the family she was forced to leave behind. The resulting tale delivers a message of the power of music to uplift the human spirit and to grant the individual soul endurance, patience, and peace. *Includes a reading group guide*

In 1766, a boy, Billy Marvel, is shipwrecked, rescued, and goes on to found a brilliant family of actors that flourishes in London until 1900--and nearly a century later, Joseph Jervis, runs away from home, seeking refuge with his uncle in London, and is captivated by the Marvel house, with its portraits and ghostly presences.

264 wood and ivory carvings, none of them larger than a matchbox: potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his great uncle Iggie.

Hugh Prentice has never had patience for dramatic females, and if Lady Sarah Pleinsworth has ever been acquainted with the words "shy" or "retiring", she's long since tossed them out the window. Besides, even if Hugh did grow to enjoy her company, it wouldn't matter. A reckless duel has left this brilliant mathematician with a ruined leg, and now, unable to run, ride, or even waltz, he could never court a woman like Sarah, much less dream of marrying her. Sarah Pleinsworth can’t forgive Hugh Prentice for the duel he fought three years ago that nearly destroyed her family, sent her cousin fleeing, and left Hugh himself with a badly injured leg. That’s fine with Hugh, who can’t tolerate Sarah’s dramatic ways. But when the two are forced to spend a week together, they find that unexpected kisses, and mutual passion, may have the power to change both of their minds.

"While you were sleeping ... With her brother Thomas injured on the battlefront in the Colonies, orphaned Cecilia Harcourt has two unbearable choices: move in with a maiden aunt or marry a scheming cousin. Instead, she chooses option three and travels across the Atlantic, determined to nurse her brother back to health. But after a week of searching, she finds not her brother but his best friend, the handsome officer Edward Rokesby. He's unconscious and in desperate need of her care, and Cecilia vows that she will save this soldier's life, even if staying by his side means telling one little lie ... I told everyone I was your wife When Edward comes to, he's more than a little confused. The blow to his head knocked out three months of his memory, but surely he would recall getting married. He knows who Cecilia Harcourt is--even if he does not recall her face--and with everyone calling her his wife, he decides it must be true, even though he'd always assumed he'd marry his neighbor back in England. If only it were true ... Cecilia risks her entire future by giving herself--completely--to the man she loves. But when the truth comes out, Edward may have a few surprises of his own for the new Mrs. Rokesby."--Provided by publisher.

An account of the libel trial brought against the author and Penguin Books by Holocaust denier David Irving in the year 2000 in London. Relates how Irving's attempts to foil Lipstadt's criticism of his acts of Holocaust denial were frustrated; the trial culminated in Irving's total defeat. Expert historians disproved Irving's claims, e.g. that Hitler was not responsible for the Holocaust and that there were no gas chambers at Auschwitz, highlighting his falsification of history. The trial also substantianted his antisemitism.

This book recounts the libel suit against historian Deborah Lipstadt by David Irving, which resulted in a formal denunciation of a Holocaust denier.

In her acclaimed 1993 book Denying the Holocaust, Deborah Lipstadt called putative WWII historian David Irving "one of the most dangerous spokespersons for Holocaust denial." A prolific author of books on Nazi Germany who has claimed that more people died in Ted Kennedy's car at Chappaquiddick than in the gas chambers at Auschwitz, Irving responded by filing a libel lawsuit in the United Kingdom -- where the burden of proof lies on the defendant, not on the plaintiff. At stake were not only the reputations of two historians but the record of history itself

The titanic team of Jeph Loeb and Tim Sale (Spider-Man: Blue, Captain America: White, Hulk: Gray) take on the X-Men's two most dangerous mutants in this international thriller that brings Wolverine and Gambit to the shores of England! There's a serial killer tearing through London, leaving beautiful young women as his victims. Do these brutal slayings mark the return of the 19th-century serial killer known as Jack the Ripper? Or could one of the X-Men be the real killer?! Wolverine is the prime suspect - and Gambit is out to prove him guilty! Now they're grudgingly forced to work together in order to find the truth - without killing each other! It's a fast-paced murder mystery that will keep you guessing right up until the last page. COLLECTING: Wol verine /Gambit: Victims 1-4

Loeb and Sale bring the X-Men's outlaw heroes to London in the wake of the brutal slayings that may mark the return of the 19th-century serial killer, Jack the Ripper. Or could Wolverine or Gambit be the real killer.

Discusses the views of great thinkers from 1750 to 1850-- including Adam Smith, Thomas Carlyle, Thomas Paine, Edmund Burke, Charles Dickens, Benjamin Disraeli, and Friedrich Engels-- toward the condition of the poor in England.

The book of Genesis tells us that God made a covenant with Abraham, promising him a glorious posterity on the condition that he and all his male descendents must be circumcised. For thousands of years thereafter, the distinctive practice of circumcision served to set the Jews apart from their neighbors. The apostle Paul rejected it as a worthless practice, emblematic of Judaism's fixation on physical matters. Christian theologians followed his lead, arguing that whereas Christians sought spiritual fulfillment, Jews remained mired in such pointless concerns as diet and circumcision. As time went on, Europeans developed folklore about malicious Jews who performed sacrificial murders of Christian children and delighted in genital mutilation. But Jews held unwaveringly to the belief that being a Jewish male meant being physically circumcised and to this day even most non-observant Jews continue to follow this practice. In this book, Leonard B. Glick offers a history of Jewish and Christian beliefs about circumcision from its ancient origins to the current controversy. By the turn of the century, more and more physicians in America and England--but not, interestingly, in continental Europe--were performing the procedure routinely. Glick shows that Jewish American physicians were and continue to be especially vocal and influential champions of the practice which, he notes, serves to erase the visible difference between Jewish and gentile males. Informed medical opinion is now unanimous that circumcision confers no benefit and the practice has declined. In Jewish circles it is virtually taboo to question circumcision, but Glick does not flinch from asking whether this procedure should continue to be the defining feature of modern Jewish identity.

What led to the Fourth Amendment's protection of the people against unreasonable searches and seizures, codified in written law for the first time in history, and are we in danger of losing that protection? Celebrated lawyer Samuel Dash, known for his role as Chief Counsel of the Watergate Committee, explores the struggle for privacy. He does so by telling the dramatic tales of the people who were involved in influential legal battles, including landmark Supreme Court cases. Covering almost eight-hundred years of history, Dash begins with the time of King John of England and the Magna Carta, then moves to colonial America as colonists resisted searches mandated under King George. These tensions contributed to the birth of the United States and the adoption of our Bill of Rights with its Fourth Amendment, protecting people against unreasonable searches and seizures. How effective that protection has been is the story of the next two centuries. Dash explores U.S. Supreme Court cases through the sometimes humorous experiences of the people involved, including the unlucky gambler with a shoplifting wife and the police lieutenant turned king of bootleggers. To some extent, judicial safeguarding of Fourth Amendment protections depended on who made up the majority of the Court at any given time. By 2001 a conservative majority of the Court had given law enforcement agents greater search powers than ever before. Dash challenges the legal justification of the Bush Administration's grab for greater search, seizure, and wiretap powers after the 9/11 terrorists' attacks. He reminds us of government abuses of power in prior emergencies in American history. For Dash, the best security is our belief in individual liberty and the enforcement of our Bill of Rights.

Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really even look like?! And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and popular culture Bordo probes the complexities of one of history's most infamous relationships. In her inimitable, straight-talking style Bordo dares to confront the established histories, stepping off the well-trodden paths of Tudoriana to expertly tease out the human being behind the myths.

"Taking as his point of departure the authors, the audience, and the texts of Victorian writings on sex in general and of Victorian pornography in particular, Steven Marcus offers a startling and revolutionary perspective on the underside of Victorian culture. The way these subjects were regarded--and the way our notions of the Victorians continue to change, as the efforts of contemporary scholarship restore them to their full historical dimensions--are matters today of some surprise and wonder. Marcus first examines the writings of Dr. William Acton, who may be said to represent the "official views" of sexuality held by Victorian society, and Henry Spencer Ashby, the first and most important bibliographer-scholar of pornography. He then turns to the most significant work of its kind from the period, the eleven-volume anonymous autobiography My Secret Life. There follows an analysis of four pornographic Victorian novels--an analysis that throws an oblique but fascinating light on the classics of Victorian literature--and a review of the odd flood of Victorian publications devoted to flagellation. The books concludes with a chapter propounding a general theory of pornography as a sociological phenomenon. Most of the writers and writing being discussed by Marcus belong to Victorian sub-literature rather than to literature proper; in this way the work remains connected to a consideration of the exotic sub-literature. A brilliantly written book in its own right, this work transformed the study of the Victorian period as did no other." -- Provided by publisher

In response to a declaration by the last royal governor of Virginia that any rebel-owned slave who escaped and served the King would be emancipated, tens of thousands of slaves--Americans who clung to the sentimental notion of British freedom--escaped from farms, plantations and cities to try to reach the British camp. This mass movement lasted as long as the war did, and a military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in American history. Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture at the war's end, into inhospitable Nova Scotia, where thousands who had served the Crown were betrayed and, in a little-known hegira of the slave epic, sent across the broad, stormy ocean to Sierra Leone.--From publisher description.̓

A journalist's account of the London trial of David Irving vs. Penguin Books and Deborah Lipstadt, held in January-April 2000, interspersed with reflections on Holocaust memory and denial. The case became a Holocaust trial, albeit without perpetrators and victims. It did not generate a new narrative of the Holocaust, a revisionist one, as Irving had hoped. Without endorsing Irving's views, defends his right to historical dissent and regrets that his reputation as an outstanding historian was undermined. Contends that the critics of Irving's views, including Lipstadt, misinterpreted his writing as an outgrowth of postmodern deconstruction; what Irving assaulted was not rationalism and history as a science, but the Jews. His main motive was antisemitism. Contends that the depoliticized myth of the "Nazi war against the Jews", characteristic of some historiographic works, made the deniers' task easier. Believes that the Jews are not immune to critical analysis of their history; however, Irving crossed the divide between legitimate criticism and prejudiced vilification of the Jews as a people.