In this sixth entry in the New York Time Bestselling biography series, humor is the heroic trait, and modern icon Lucille Ball is celebrated. Lucille Ball could make any situation funny. By making people around the world laugh, she proved that humor can take on anything. She never changed how she behaved to seem "proper," even when other people pressured her to. By remaining true to who she was, she made her mark in comedy and television—even becoming the first female CEO of a major Hollywood studio! This friendly, fun biography series inspired the PBS Kids TV show Xavier Riddle and the Secret Museum. One great role model at a time, these books encourage kids to dream big. Included in each book are: • A timeline of key events in the hero’s history • Photos that bring the story more fully to life • Comic-book-style illustrations that are irresistibly adorable • Childhood moments that influenced the hero • Facts that make great conversation-starters • A virtue this person embodies: Lucille Ball's humor and how it carried her to success is highlighted here. You’ll want to collect each book in this dynamic, informative series!

A dazzling tour through the world of singular entertainers, con men, and unusual phenomena. For the past four years, the multitalented Ricky Jay (sleight-of-hand artist, author, actor, film consultant, and scholar of the unusual) has published a unique and beautifully designed quarterly called Jay's Journal of Anomalies. Already a coveted collector's item, the complete set is gathered here for the first time. A brilliant excursion into the history of bizarre entertainments, the journal covered such subjects as dogs stealing acts from other dogs, an anthropological hoax involving the only survivors of a caste of ancient Aztec priests, and the ultimate diet: ingesting only air.In a delectably deadpan and winning style, Jay conveys his admiration and affection for the offbeat that characterized his bestselling Learned Pigs and Fireproof Women. He explains how wags since the sixteenth century have cheated at bowling; he explores the ancient relationship between conjuring and dentistry; and he chronicles the exploits of ceiling walkers and human flies. Crammed full of illustrations drawn from the author's massive personal archive, Jay's Journal of Anomalies will baffle, instruct, and, above all, delight.

A magician himself, the author offers a history of magicians and other performers, including animals trained to do arithmetic and limbless people able to play musical instruments.

A giant in the history of American entertainment, Eddie Cantor (1892-1964) won over the American public time and time again, first on stage, bowling audiences over in the Ziegfeld Follies, then in films, on the radio, and on television. His career ran from Vaudeville to video making all stops in between. A tireless person even when not on the stage, Cantor helped found the March of Dimes, and was the first national president of the Screen Actor's Guild (SAG), the American Federation of Radio Artists (later AFTRA), and the Jewish Theatrical Guild. Yet another medium in which Cantor succeeded was print. He authored and co-authored several books that upheld his standing as one of America's leading comedians. My Life Is In Your Hands & Take My Life combines for the first time in a single volume two memoirs written in 1928 and 1957, in which Eddie remembers his beginnings as an orphan on the Lower East Side and his hard-won climb from poverty to the bright lights of Broadway. The book also contains a lost chapter in which Eddie recalls his reactions to the stock market crash of 1929, along with a new complete index, discography, and filmography. In My Life Is In Your Hands & Take My Life, Cantor's humor is as sharp as ever and his sentiment is 100% genuine. While not at all modest about his decades of public adoration, Cantor shows a willingness to laugh at his blunders (such as his second film, "Special Delivery"), and to praise the many talented people with whom he collaborated. Along with telling the story of show business in the first half of the 20th century, Cantor also lets readers in on fond stories of his friends, from Jimmy Durante (who worked as a pianist in the Coney Island restaurant where Cantor was a singing waiter), to Ziegfeld alumni Will Rogers and W. C. Fields, to fellow entertainers Clara Bow and Fanny Brice.

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

From the late 1930's to the early 1960's, Chinese nightclubs fourished in San Francisco's Chinatown. They were the first, and in those days the only venues for talented Asians who sang or danced professionally. Asian entertainers came from everywhere to perform in Chinatown, and they all found a home in the Chinese Nightclubs. For publicity purposes, many of the entertainers were compared to famous Caucasian stars. They were billed as "The Chinese Fred Astair and Ginger Rogers," "the Chinese Frank Sinatra", the "Chinese Sophie Tucker." They sang and danced for the GIs during the war, and Hollywood stars like Ronald Reagan and Jane Wyman came to their shows. In this book the men and women who performed in the nightclubs from 1937 to 1964, tell their stories in their own words. Forbidden city brings back to life an age of glamour and a long neglected slice of Asian-American history.