A NEW YORK TIMES BESTSELLER! A growing number of Americans want to tear down what it's taken us 250 years to build--and they'll start by canceling our shared history, ideals, and culture. Traditional areas of civic agreement are vanishing. We can't agree on what makes America special. We can't even agree that America is special. We're coming to the point that we can't even agree what the word America itself means. "Disintegrationists" say we're stronger together, but their assault on America's history, philosophy, and culture will only tear us apart. Who are the disintegrationists From Howard Zinn's A People's History of the United States to the New York Times' 1619 project, many modern analyses view American history through the lens of competing oppressions, a racist and corrupt experiment from the very beginning. They see American philosophy as a lie - beautiful words pasted over a thoroughly rotted system. They see America's culture of rights as a façade that merely reinforces traditional hierarchies of power, instead of being the only culture that guarantees freedom for individuals. Disintegrationist attacks on the values that built our nation are insidious because they replace each foundational belief, from the rights to free speech and self-defense to the importance of marriage and faith communities, with nothing more than an increased reliance on the government. This twisted disintegrationist vision replaces the traditional "unionist" understanding that all Americans are united in a shared striving toward the perfection of universal ideals. How to Destroy America in Three Easy Steps shows that to be a cohesive nation we have to uphold foundational truths about ourselves, our history, and reality itself--to be unionists instead of disintegrationists. Shapiro offers a vital warning that if we don't recover these shared truths, our future--our union--as a great country is threatened with destruction.

"The definitive biography of an American icon, from a New York Times best-selling author with unique access to Ali's inner circle. He was the wittiest, the prettiest, the strongest, the bravest, and, of course, the greatest (as he told us himself). Muhammad Ali was one of the twentieth century's most fantastic figures and arguably the most famous man on the planet. But until now, he has never been the subject of a complete, unauthorized biography. Jonathan Eig, hailed by Ken Burns as one of America's master storytellers, radically reshapes our understanding of the complicated man who was Ali. Eig had access to all the key people in Ali's life, including his three surviving wives and his managers. He conducted more than 500 interviews and uncovered thousands of pages of previously unreleased FBI and Justice Department files, as well dozens of hours of newly discovered audiotaped interviews from the 1960s. Collectively, they tell Ali's story like never before--the story of a man who was flawed and uncertain and brave beyond belief. "I am America," he once declared. "I am the part you won't recognize. But get used to me--black, confident, cocky; my name, not yours; my religion, not yours; my goals, my own. Get used to me." He was born Cassius Clay in racially segregated Louisville, Kentucky, the son of a sign painter and a housekeeper. He went on to become a heavyweight boxer with a dazzling mix of power and speed, a warrior for racial pride, a comedian, a preacher, a poet, a draft resister, an actor, and a lover. Millions hated him when he changed his religion, changed his name, and refused to fight in the Vietnam War. He fought his way back, winning hearts, but at great cost. Like so many boxers, he stayed too long. Jonathan Eig's Ali reveals Ali in the complexity he deserves, shedding important new light on his politics, religion, personal life, and neurological condition. Ali is a story about America, about race, about a brutal sport, and about a courageous man who shook up the world."--Publisher's description

How to Be a Parisian brilliantly deconstructs the French woman's views on culture, fashion and attitude. Unlike other books on French style, this illustrated handbook is full of wit and self deprecating humour. Authors Anne Berest, Audrey Diwan, Caroline De Maigret and Sophie Mas are bohemian free thinkers and iconoclasts, and they are not afraid to cut through some of the myths. They say what you don't expect to hear, just the way you want to hear it. They are not against smoking in bed, and all for art, politics and culture, making everything look easy, and going against the grain.

“Beryl Satter's Family Properties is really an incredible book. It is, by far, the best book I've ever read on the relationship between blacks and Jews. That's because it hones in on the relationship between one specific black community and one specific Jewish community and thus revels in the particular humanity of all its actors.” —Ta-Nehisi Coates, The Atlantic Part family story and part urban history, a landmark investigation of segregation and urban decay in Chicago -- and cities across the nation The "promised land" for thousands of Southern blacks, postwar Chicago quickly became the most segregated city in the North, the site of the nation's worst ghettos and the target of Martin Luther King Jr.'s first campaign beyond the South. In this powerful book, Beryl Satter identifies the true causes of the city's black slums and the ruin of urban neighborhoods throughout the country: not, as some have argued, black pathology, the culture of poverty, or white flight, but a widespread and institutionalized system of legal and financial exploitation. In Satter's riveting account of a city in crisis, unscrupulous lawyers, slumlords, and speculators are pitched against religious reformers, community organizers, and an impassioned attorney who launched a crusade against the profiteers—the author's father, Mark J. Satter. At the heart of the struggle stand the black migrants who, having left the South with its legacy of sharecropping, suddenly find themselves caught in a new kind of debt peonage. Satter shows the interlocking forces at work in their oppression: the discriminatory practices of the banking industry; the federal policies that created the country's shameful "dual housing market"; the economic anxieties that fueled white violence; and the tempting profits to be made by preying on the city's most vulnerable population. Family Properties: Race, Real Estate, and the Exploitation of Black Urban America is a monumental work of history, this tale of racism and real estate, politics and finance, will forever change our understanding of the forces that transformed urban America. "Gripping . . . This painstaking portrayal of the human costs of financial racism is the most important book yet written on the black freedom struggle in the urban North."—David Garrow, The Washington Post

"Defensive lineman Michael Bennett adds his voice to discussions of racism and police violence, Black athletes and their relationship to powerful institutions like the NCAA and the NFL, the role of protest in history, and the responsibilities of athletes as role models to speak out against injustice. Following in the footsteps of activist-athletes from Muhammad Ali to Colin Kaepernick, Bennett demonstrates his outspoken leadership both on and off the field."--Provided by publisher.

George Soros made billions anticipating seismic changes in the financial markets and has used that money to try and change the world. In this book he brings that commitment to the subject that has preoccupied him since 2001: the state of America. He looks at the fatal flaws not merely of the current Administration - with whom his antagonism is well documented-but with the wider American view of the world. The "stateless statesman," uninhibited by the need to temper his message to suit partisan politics, here delivers his most forceful and penetrating description of how the country that should provide a beacon for good governance around the world has lost direction - such that it believes its own rhetoric and myth-making, in defiance of the facts that will shape all our futures. Soros insists that "America must undergo a change of heart." And if we're looking for somewhere to start, he says, America had better begin by renouncing the "feel-good" misconceptions implicit in the War on Terror.

The idea that taxpayers should pay reparations to African Americans for the damages of slavery and segregation is quickly becoming a central demand of some civil rights leaders. It has the backing of important black politicians like Rep. John Conyers (D-Mich), distinguished black intellectuals like Henry Louis Gates and activists like Randall Robinson, who led the successful boycott movement against South Africa a decade ago. The Chicago City Council has overwhelmingly endorsed the concept and municipalities and state governments around the country are considering giving it support. In this well researched and carefully argued book, David Horowitz traces the origins of the reparations movement. He examines the case made by its advocates and concludes that it is "morally questionable and racially incendiary." He notes that only a tiny minority of Americans ever owned slaves; and most Americans living today (white and otherwise) are descended from post-Civil War immigrants who have no lineal connection to slavery at all. More intriguingly, he also points out that the GNP of black America is so large that it makes the African American community the tenth most prosperous "nation" in the world. But this book is more than just an in depth casebook on the hot button issue of reparations. In the hope of initiating a dialogue, Horowitz originally presented a summary of his ideas on this subject in the form of an advertisement that appeared in several college newspapers and was rejected by many more. Editorialists in America's leading papers and several chapters of the American Civil Liberties Union weighed on Horowitz's side. With the assistance of Richard Poe, Horowitz uses the response to the reparations issue to show how the new racial orthodoxy collides with the free speech battle and what its implications are for American education and culture.

"American values are quite complex," writes Seymour Martin Lipset, "particularly because of paradoxes within our culture that permit pernicious and beneficial social phenomena to arise simultaneously from the same basic beliefs."Born out of revolution, the United States has always considered itself an exceptional country of citizens unified by an allegiance to a common set of ideals, individualism, anti-statism, populism, and egalitarianism. This ideology, Professor Lipset observes, defines the limits of political debate in the United States and shapes our society.American Exceptionalism explains why socialism has never taken hold in the United States, why Americans are resistant to absolute quotas as a way to integrate blacks and other minorities, and why American religion and foreign policy have a moralistic, crusading streak.

Selected readings shed new light on important events in black history and current developments in Negro protest movements

Hear Me Talkin' to Ya (Dover Books On Music: History) "Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn." - Charlie Parker "What is jazz? The rhythm - the feeling." - Coleman Hawkins "The best sound usually comes the first time you do something. If it's spontaneous, it's going to be rough, not clean, but it's going to have the spirit which is the essence of jazz." - Dave Brubeck Here, in their own words, such famous jazz musicians as Louis Armstrong, King Oliver, Fletcher Henderson, Bunk Johnson, Duke Ellington, Fats Waller, Clarence Williams, Jo Jones, Jelly Roll Morton, Mezz Mezzrow, Billie Holiday, and many others recall the birth, growth, and changes in jazz over the years. From its beginnings at the turn of the twentieth century in the red-light district in New Orleans (or Storyville, as it came to be known), to Chicago's Downtown section and the Original Dixieland Jazz Band and Chicago's South Side to jam sessions in Kansas City to Harlem during the Depression years, the West Coast and modern developments, the story of jazz is vividly and colorfully documented in hundreds of personal interviews, letters, tape recorded and telephone conversations, and excerpts from previously printed articles that appeared in books and magazines. There is no more fascinating and lively history of jazz than this firsthand telling by the men who made it. It should be read and re-read by all jazz enthusiasts, musicians, students of music and culture, students of American history, and other readers. "A lively book bearing the stamp of honesty and naturalness." - Library Journal. "A work of considerable substance." - The New Yorker. "Some of the quotations are a bit racy but they give the book a wonderful flavor." - San Francisco Chronicle. Read less

A leading authority's panoramic history compares the experiences of immigrant-ethnic groups, African-Americans, and Native Americans to each other and in relation to the national political culture. Winner of the John Hope Franklin Prize (1991) Winner of the Theodore Saloutos Award from the Immigration History Society (1993) Do recent changes in American law and politics mean that our national motto — e pluribus unum — is at last becoming a reality? Lawrence H. Fuchs searches for answers to this question by examining the historical patterns of American ethnicity and the ways in which a national political culture has evolved to accommodate ethnic diversity. Fuchs looks first at white European immigrants, showing how most of them and especially their children became part of a unifying political culture. He also describes the ways in which systems of coercive pluralism kept persons of color from fully participating in the civic culture. He documents the dismantling of those systems and the emergence of a more inclusive and stronger civic culture in which voluntary pluralism flourishes. In comparing past patterns of ethnicity in America with those of today, Fuchs finds reasons for optimism. Diversity itself has become a unifying principle, and Americans now celebrate ethnicity. One encouraging result is the acculturation of recent immigrants from Third World countries. But Fuchs also examines the tough issues of racial and ethnic conflict and the problems of the ethno-underclass, the new outsiders. The American Kaleidoscope ends with a searching analysis of public policies that protect individual rights and enable ethnic diversity to prosper. Because of his lifelong involvement with issues of race relations and ethnicity, Lawrence H. Fuchs is singularly qualified to write on a grand scale about the interdependence in the United States of the unum and the pluribus. His book helps to clarify some difficult issues that policymakers will surely face in the future, such as those dealing with immigration, language, and affirmative action.

The contributions of Afro-Americans to United States history since its beginnings are delineated through contemporary documents and firsthand accounts

When Thomas Harding discovered that his mother's family had made money from the slave plantations worked by people of African descent, what began as an interrogation into the choices of his ancestors soon became a quest to learn more about Britain's role in slavery. It was a history that he knew surprisingly little about - the myth that we are often taught in schools is that Britain's role in slavery was as the abolisher, but the reality is much more sinister. In this book, Harding vividly brings to life the story of the uprising by enslaved people that took place in the British colony of Demerara (now Guyana) in the Caribbean in 1823.

Through two award-winning National Public Radio documentaries, and now this powerful book, LeAlan Jones and Lloyd Newman have made it their mission to be loud voices from one of this country's darkest places, Chicago's Ida B. Wells housing project. Set against the stunning photographs of a talented young photographer from the projects, Our America evokes the unforgiving world of these two amazing young men, and their struggle to survive unrelenting tragedy. With a gift for clear-eyed journalism, they tell their own stories and others, including that of the death of Eric Morse, a five-year-old who was dropped to his death from the fourteenth floor of an Ida B. Wells apartment building by two other little boys. Sometimes funny, often painful, but always charged with their dream of Our America, LeAlan Jones and Lloyd Newman reach out to grab your attention and break your heart.

Reissued in a new trade paperback format and design, "This richly researched, sensitively edited, annotated volume portrays indelibly, in their own words, the lives of American black women before, during, and immediately after the Civil War. . . ". Following a successful run in New York, an acclaimed stage adaptation of this work is touring nationally in 1997. Photos.

The Ojibwa Woman is a book written by Ruth Landes that explores the life and culture of the Ojibwa people, specifically focusing on the experiences of Ojibwa women. The book is based on Landes' fieldwork among the Ojibwa people in the early 1930s, during which she lived among the tribe and conducted extensive interviews with women to gain a better understanding of their lives, beliefs, and customs.The book covers a wide range of topics related to Ojibwa women, including their roles in the community, their relationships with men and other women, their experiences of motherhood and childbirth, and their spiritual beliefs and practices. Landes also explores the impact of colonialism and Christianity on the Ojibwa people, and the ways in which these forces have affected the lives of Ojibwa women.Throughout the book, Landes presents a nuanced and empathetic portrait of the Ojibwa people and their culture, drawing on her own observations and the insights of the women she interviewed. The book is a valuable resource for anyone interested in the history and culture of indigenous peoples, as well as for those interested in the experiences of women in different cultures and societies.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

What does is it mean to be a citizen of the United States? Susan Griffin’s provocative investigation of that question takes us from the Declaration of Independence to the Iraq War, with many stops in between. Her conclusion: democracy is nothing less than a revolution of consciousness, and the revolution has just begun.

From its founding by Huey P. Newton and Bobby Seale in 1966, the Black Panther Party has aroused fear, hope, misunderstanding, pride, and vilification. In The Black Panthers Speak, the best single source of original material on and by the Black Panther Party, Philip S. Foner separates philosophy from propaganda.

first edition of 1945, dustwrapper.