"Phillip Lopate is a lifelong movie-lover-and an award-winning essayist-so it was perhaps inevitable that he would write so much on film. Coming of age, cinematically speaking, in the early 1960s, Lopate immersed himself in the films of the French New Wave, the Italian Neorealists, and directors such as Satyji Ray and Akira Kurosawa, and American independent filmmakers like John Cassavettes and Shirley Clarke. The formal qualities and innovation he found in many of those films along with their emotional intensity have continued to set the bar for Lopate's viewing and his interest in what he terms, art house cinema as well as classic Hollywood films given new life in retrospectives. In My Affair with Art House Cinema, Phillip Lopate writes about those movies that have most captivated him over the past twenty-five years upon rewatching or watching for the first time. He discusses films by leading global contemporary filmmakers such as Olivier Assayas, Youssef Chahine, Claire Denis, Abbas Kiarostami, David Lynch, Richard Linklater, Lena Dunham, David Cronenberg, Jafar Panahi, Hong Sang-soo Hou Hsaio-hsien, and Chantal Akerman. He also returns to the works of older filmmakers ranging from Godard and Ozu to John Ford and Alfred Hitchcock. Throughout these essays, Lopate's critiques and celebration of a wide variety of films convey the excitement and appreciation for the visceral pleasures and profound insight that movies offer"--

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Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.