"Mazur's book treats luck in a fresh light. The philosophy and emotional aspects (along with a little mathematics) are all there. The reader who delves in will be lucky indeed." --Persi Diaconis, Stanford University "Blending math with memoir, probability with psychology, and heuristics with history, Mazur has written an essential book for anyone who wants to get a better idea of why we consistently bet against the odds. From the betting window to Wall Street, he offers insights into both the mechanics of chance and the enduring appeal that luck holds for those who wager every day, whether they call it gambling, speculation, or just hoping for the best. Engaging and illuminating, this is a guaranteed winner." --David G. Schwartz, director of the Center for Gaming Research at the University of Nevada, Las Vegas, and author of Roll the Bones: The History of Gambling "This is a fascinating book. It's a fresh, funny, philosophical look at gambling by a mathematician who knows what he's talking about, and who has quite obviously thought about gambling for a long time. Mazur isn't afraid to make provocative, opinionated statements. I have not seen a gambling book like this before. I think it will attract a lot of readers." --Paul J. Nahin, author of Digital Dice "This book is significant in that it offers a lively and diverse collection of gambling-related ideas. Mazur's robust blend of anecdotes, history, psychology, and mathematics differs from other attempts to discuss these ideas. He offers plenty of insights into the questions and issues he raises." --Edward Packel, author of The Mathematics of Games and Gambling

“The intricacies of family and the complexities of the games they play mingle wonderfully here in a memoir quite unlike any other.”—George Plimpton, author of Truman Capote Katy Lederer grew up on the bucolic campus of an exclusive East Coast boarding school where her father taught English, her mother retreated into crosswords and scotch, and her much older siblings played “grown-up” games like gin rummy and chess. But Katy faced much more than the typical trials of childhood. Within the confines of the Lederer household an unlikely transformation was brewing, one that would turn this darkly intellectual and game-happy group into a family of professional gamblers. Poker Face is Katy Lederer’s perceptive account of her family’s lively history. From the long kitchen table where her mother played what seemed an endless game of solitaire, to the seedy New York bars where her brother first learned to play poker, to the glamorous Bellagio casino in Las Vegas, where her sister and brother wager hundreds of thousands of dollars a night at the tables, Lederer takes us on a tragicomic journey through a world where intelligence and deceit are used equally as currency. Not since Mary McCarthy’s Memories of a Catholic Girlhood has a writer cast such a witty and astringently analytic eye on the demands of growing up. An unflinching exploration of trust and betrayal, competition, suspicion, and unconventional familial love, Poker Face is a testament to the human spirit’s inventiveness when faced with unusually difficult odds.

A classic small celebration and meditation on dice through theages; both brilliant and beautiful. "Jay\'s writing is exactly what one would expect from theextremely erudite, witty and decent author of Learned Pigs &Fireproof Women and Jay\'s Journal of Anomalies. There is anexplanation of the etymology of "craps," and there are varioustales of armless dicers, ingenious hustlers, and Scandinavian kingsof the Middle Ages who diced for islands. Dice turn out to be richsubjects for Purcell\'s photography. She presents them as, in away, monumental ruins on a Stonehenge-type of scale relative to thebook. Their forms are enriched by their disintegration and arebathed in light that their varying translucence seems to containfor a moment before releasing it to the lens . . . The book itselfis, like a die, a modest object, small for a book of photographyand, with a short text, casually organized." -- Crispin Sartwell,Los Angeles Times 21 color photographs.

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