"Professor Ueno speaks these words to his faithful dog before boarding the train to work every morning. And every afternoon, just before three o'clock, Hachi is at the train station to greet his beloved master. One day, the train arrives at the station without the professor. Hachi waits. For ten years, Hachi waits for his master to return. Not even Yasuo, the young boy who takes care of Hachi, can persuade him to leave his post"--Page 4 of cover

Dogs are invented creatures -- invented by humans, who have been shaping the lives of these four-legged companions for more than 14,000 years. However, we often forget that, just as dogs live in our world, we live in theirs. The Modern Dog is a look at our coevolution, interpreting both canine and human points of view, by Dr. Stanley Coren, the most consistently popular author of dog books ever. A fascinating treasure trove of information gleaned from science, folklore, religious writing, tradition, and politics, The Modern Dog explores not only how dogs behave, but also how we share our lives with our dogs. Much more a romp than a formal exposition, The Modern Dog 's profiles and tales are funny, sweet, quirky, and reveal a lot about both species and our centuries-long partnership. This book will show you how the mutually beneficial relationship between humans and dogs might very well be the reason why early Homo sapiens evolved and survived while Neanderthals became extinct. You will see how dogs have played many prominent roles in human history, from ancient Egypt, where Pharaoh Ramses II was buried with the names and statues of four of his dogs, to modern American politics, where many U.S. presidents have derived comfort from canine companionship. Our modern dog is quite different from the dogs that existed even a century ago, its job having changed dramatically from the hunting, herding, retrieving, and guarding for which many were bred. In this book, you will see that it is often how people respond to and interpret the actions of dogs (and dog owners) that has a greater effect on the dog's life than the behavior patterns that have been programmed into the dog's genes. The Modern Dog will show you how some of your dog's strange and funny habits are his own and some come from you. Illustrated throughout with Dr. Coren's own charming drawings, The Modern Dog chronicles the various aspects of how we interact with dogs, how society responds to dogs, how our relationships with dogs have changed over history, and where dogs fit into our personal and emotional lives. It does this by telling the stories of dogs that work, dogs that love, dogs that behave badly, and dogs that will make you laugh.

In humanity’s more than 100,000 year history, we have evolved from vulnerable creatures clawing sustenance from Earth to a sophisticated global society manipulating every inch of it. In short, we have become the dominant animal. Why, then, are we creating a world that threatens our own species? What can we do to change the current trajectory toward more climate change, increased famine, and epidemic disease? Renowned Stanford scientists Paul R. Ehrlich and Anne H. Ehrlich believe that intelligently addressing those questions depends on a clear understanding of how we evolved and how and why we’re changing the planet in ways that darken our descendants’ future. The Dominant Animal arms readers with that knowledge, tracing the interplay between environmental change and genetic and cultural evolution since the dawn of humanity. In lucid and engaging prose, they describe how Homo sapiens adapted to their surroundings, eventually developing the vibrant cultures, vast scientific knowledge, and technological wizardry we know today. But the Ehrlichs also explore the flip side of this triumphant story of innovation and conquest. As we clear forests to raise crops and build cities, lace the continents with highways, and create chemicals never before seen in nature, we may be undermining our own supremacy. The threats of environmental damage are clear from the daily headlines, but the outcome is far from destined. Humanity can again adapt—if we learn from our evolutionary past. Those lessons are crystallized in The Dominant Animal. Tackling the fundamental challenge of the human predicament, Paul and Anne Ehrlich offer a vivid and unique exploration of our origins, our evolution, and our future.

When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.

Esther Woolfson considers pre-historic human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She also examines ethical issues surrounding our treatment of animals.