The term "Weimar culture," while generally accepted, is in some respects unsatisfactory, if only because political and cultural history seldom coincides in time. Expressionism was not born with the defeat of the Imperial German army, nor is there any obvious connection between abstract painting and atonal music and the escape of the Kaiser, nor were the great scientific discoveries triggered off by the proclamation of the Republic in 1919. As the eminent historian Walter Laqueur demonstrates, the avant-gardism commonly associated with post-World War One precedes the Weimar Republic by a decade.It would no doubt be easier for the historian if the cultural history of Weimar were identical with the plays and theories of Bertolt Brecht; the creations of the Bauhaus and the articles published by the Weltbühne. But there were a great many other individuals and groups at work, and Laqueur gives a full and vivid accounting of their ideas and activities. The realities of Weimar culture comprise the political right as well as the left, the universities as well as the literary intelligentsia. It would not be complete without occasional glances beyond avant-garde thought and creation and their effects upon traditional German social and cultural attitudes and the often violent reactions against "Weimar" that would culminate with the rise of Hitler and the fall of the republic in 1933.This authoritative work is of immense importance to anyone interested in the history of Germany in this critical period of the country's life.

The Nazis developed a social system unprecedented in history. It wasrigidly hierarchical, with the seemingly beneficent and ascetic figure ofHitler at the top - focus for the homage and aspirations of every man,woman and child. How did the 'ordinary citizen' live under such asystem? The author discusses such subjects as beauty in the Third Reich (no cosmetics, no slimming) as well as charting how you progressed to the elite Nazi cadres - administrators, propagandists or coercers. It shows childhood with the Hitler Youth and describes the intense medieval ritual injected into every phase of life from school and university to farm labour. It shows life in the office, in industry, in the professions - doctors, lawyers, artists - and in the Nazi Party itself. Finally, it documents what happened at the two extremes of German society - to the aristocrats and to the Jews.

Founded in 1794 as a frontier city on the Black Sea, Odessa soon grew to be one of Russia's busiest seaports. Settlers of all nationalities went there to seek their fortune, among them Jews who came to form one of the largest, wealthiest, and most culturally fertile Jewish communities in Europe. This history of Jewish Odessa traces the rise of that community from its foundation in 1794 to the pogroms of 1881 that erupted after the assassination of Alexander II. Zipperstein emphasizes Jewish acculturation: changes in behavior, attitude, and ideology as reflected in schools, synagogues, newspapers, and other institutions of the period. The patterns set then affected the community's cultural development well into the second decade of the twentieth century. More a modern metropolis than any other Russian city with a significant Jewish population, Odessa offers a window into the diversity of Russian Jewish experience.