Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

The author of the classic Keep the River on Your Right here tells the remarkable story of his four years among the Asmat of New Guinea, a jungle-dwelling people rumored to have killed Michael Rockefeller. Instead of ferocious cannibals, Schneebaum found a regal, loving, gentle people who freely accepted him and initiated him into a way of life no outsider had ever seen before. Adopted into an Asmat family in the village whose people were said to have killed Rockefeller, he crossed the boundaries into another culture and another age, learning secrets no other outsider had been allowed to see before. But it wasn't until Schneebaum met Akatpitsjin, a handsome married man with five children, that he entered the erotic world of the Asmat, when the two became "exchange friends' and lovers, a practice basic to the sexual life of the village. Schneebaum's encounter with the Asmat ultimately became something more intimate and liberating for him than the mere discovery of tribal secrets. He confronted himself. His odyssey is as much the record of a journey into himself as it is a unique and sensitively observed account of a vanishing society, written with a shimmering sensuality that has no equal in the literature of anthropology or self-confession.

Presents the major ideas that have formed the modern Latin American political mind and profiles influential revolutionaries, thinkers, poets, and novelists, from Che Guevara to Octavio Paz and Gabriel García Márquez

Where and why was democracy successful in the twentieth century? In The Democratic Century , Seymour Martin Lipset and Jason Lakin combine social, cultural, economic, and institutional analyses to explain why democracy has succeeded in some countries and failed in others. Defining democracy as a political system in which all adults may vote in contested elections to choose their representatives, Lipset and Lakin argue that the mainstays of a successful system are institutions that encourage the diffusion of power—such as competitive parties, an independent civil society, and federalist arrangements. But central to their argument is the notion that culture, at least as much as any other variable, is responsible for the establishment of democracy. The authors’ concept of culture is not static, however. They argue that, because cultures interact with social, economic, and political variables, they can change and become compatible with democracy. Consequently, Lipset and Lakin hope for a democratic twenty-first century. The Democratic Century revisits theories from Lipset’s earlier works, including the classics Agrarian Socialism and Political Man . But the authors do more than update Lipset’s work; they offer an expansive view of democratic systems and of the vast body of relevant literature.

"Like a García Márquez novel that has suddenly, horrifyingly, come to real life" ( New York Newsday ), Fear in Chile is an extraordinary collection of firstperson accounts of life under dictatorship. In the 1980s, shortly after Chile emerged from one of the century's most notorious reigns of terror, Chilean journalist Patricia Politzer interviewed figures including a revolutionary activist, a military leader loyal to General Augusto Pinochet, a bank clerk concerned with the status quo, the mother of one of the "disappeared," as well as a dozen other men and women from every political position and social stratum of Chilean life. The result is a broad, vivid, yet nonideological view of modern life under military rule, about which Ariel Dorfman writes, "I can think of no better introduction to my country." With the October 1998 arrest of General Pinochet in Great Britain and renewed world awareness of the horrendous crimes committed during his regime, Fear in Chile , updated with a new afterword by the author that considers the recent attempts to prosecute Pinochet for human-rights violations, offers a vivid portrait of Chile's Pinochet era.

The War of Gods traces the intimate relationship between religion, politics and social issues in Latin America over the last three decades, as liberation theology has reinterpreted the vocation of the Catholic Church and as Protestantism has made inroads on traditional Catholic strongholds. In the 1960s liberation theology addressed itself to the problems of a continent racked by poverty and oppression. Comprising a network of localized communities and pastoral organizations, it soon became something much more than a doctrinal current. Liberationist Christianity defined itself in a multitude of social struggles, particularly in Brazil and Central America. Many of the most momentous events in the continent’s recent history—the Nicaraguan revolution, the development of the PT (Workers’ Party) in Brazil, the tortuous ascent of President Aristide in Haiti and the uprising in Chiapas—have borne witness to the influence of a distinctive liberationist Christianity. Michael Löwy proposes here a new interpretation—inspired by the sociology of culture—both of liberation theology and of the rival religious projects in Latin America.

The purpose of this anthology of writings by Latin American Marxists is to provide a working tool for both students and activists. While including theoretical, sociological, historical and economic writings, the majority of the documents centres on political struggles through the continent. The anthology's method is historical, considering the evolution of Marxist thought in the context of social and political struggles during the different historical periods in Latin America, as well as in connection with developments in the international workers' movement.

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.

A journalist describes his experiences in Nicaragua during the Sandinista revolution and looks at the nation after Somoza's demise

From small village communities to prosperous city-states that culminated in the magnificent empires of the Aztecs and Incas, this classic work traces the development of pre-Columbian America, its inhabitants, agriculture, and cultural sphere. "...a product of judicious reflection by an able mind fully abreast of a widely dispersed literature..."-- American Historical Review. "...a fine example of how a scholar can tap both archeological and historical resources to produce a lucid synthesis of an area."-- Latin American Research Review.

The first landings in the Atlantic World generated striking and terrifying impressions of unknown peoples who were entirely foreign to anything in European explorers experience. From the first recorded encounters with the native inhabitants of the Canary Islands in 1341 to Columbus's explorations in 1492 and Cabral's discovery of Brazil in 1500, western Europeans struggled to make sense of the existence of the peoples they met. Were they Adam's children, of a common lineage with the peoples of the Old World, or were they a separate creation, the monstrous races of medieval legend? Should they govern themselves? Did they have the right to be free? Did they know God? Could they know God? Emphasizing contact between peoples rather than the discovery of lands, and using archaeological findings as well as eyewitness accounts, David Abulafia explores the social lives of the New World inhabitants, the motivations and tensions of the first transactions with Europeans, and the swift transmutation of wonder to vicious exploitation. Lucid, readable, and scrupulously researched, this is a work of humane engagement with a period in which a tragically violent standard was set for European conquest across the world.

Lamenting not having more time to get to know each of the nineteen countries he visits after winning the prestigious Premio Alfaguara, Andrés Neuman begins to suspect that world travel consists mostly of "not seeing." But then he realizes that the fleeting nature of his trip provides him with a unique opportunity: touring and comparing every country of Latin America in a single stroke. Neuman writes on the move, generating a kinetic work that is at once puckish and poetic, aphoristic and brimming with curiosity. Even so-called non-places--airports, hotels, taxis--are turned into powerful symbols full of meaning. A dual Argentine-Spanish citizen, he incisively explores cultural identity and nationality, immigration and globalization, history and language, and turbulent current events. Above all, Neuman investigates the artistic lifeblood of Latin America, tackling with gusto not only literary heavyweights such as Bolaño, Vargas Llosa, Lorca, and Galeano, but also an emerging generation of authors and filmmakers whose impact is now making ripples worldwide.

For almost twenty years, Ilan Stavans—described by the Washington Post as "Latin America’s liveliest and boldest critic and most innovative cultural enthusiast"—has interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume Stavans’s most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande. Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.

As Western Europe expanded its empires in the sixteenth and seventeenth centuries, it came to dominate many peoples, especially in America, whose cultures and legal systems differed dramatically from its own. The resulting conflicts of both law and custom posed difficult problems: How could these conflicting laws and customs be adjusted within a common political administration? And, in particular, how could legal remedy be provided for groups of lesser political weight? Woodrow Borah vividly depicts one of the more unusual institutions that arose in response to these problems—the General Indian Court of New Spain. In what is today Mexico, the conquering Spaniards had at first attempted to preserve such Indian customs as were deemed not contrary to reason or Christianity. However, as interpreted by Spanish judges, so much turned out to be "contrary" to these standards that native customs were soon recast in largely Spanish norms. At the same time, the conquered Indians discovered the uses of the Spanish courts, unleashing a flood of litigation. The ensuing social and economic upheaval sparked great concern among Spanish administrators and jurists. The result was the establishment of the General Indian Court, a remarkably innovative special jurisdiction vested in the viceroy and corps of legal aides. Expenses were paid from a small contribution by each Indian family—in effect, legal insurance. Woodrow Borah analyzes the kinds of cases that came before this court, the decisions it reached, and the policies underlying these decisions. He enriches this study by examining the separate but parallel structures in the Yucatan peninsula and on the seigneurial estate of Hernán Cortés, and by comparing the General Indian Court to the tribunals of Guadalajara, which had no similar special arrangements. The development of the General Indian Court and the relation of the legal aides to their Indian clients and to other lawyers form a complicated story of both service and exploitation and contribute an important chapter to the history of colonial Mexico. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.

An analysis, using demographic data, of the Mexican colonial economy in the sixteenth and seventeenth centuries.

Mariano Siskind’s groundbreaking debut book redefines the scope of world literature, particularly regarding the place of Latin America in its imaginaries and mappings. In Siskind’s formulation, world literature is a modernizing discursive strategy, a way in which cultures negotiate their aspirations to participate in global networks of cultural exchange, and an original tool to reorganize literary history. Working with novels, poems, essays, travel narratives, and historical documents, Siskind reads the way Latin American literary modernity was produced as a global relation, from the rise of planetary novels in the 1870s and the cosmopolitan imaginaries of modernism at the turn of the twentieth century, to the global spread of magical realism. With its unusual breadth of reference and firm but unobtrusive grounding in philosophy, literary theory, and psychoanalysis, Cosmopolitan Desires will have a major impact in the fields of Latin American studies and comparative literature.