A moving meditation on recent geopolitical crises, viewed through the lens of ancient and modern tragedy "Spare, elegant and poignant. . . . If there is a single contemporary book that should be pressed into the hands of those who decide issues of war and peace, this is it."--John Gray, New Statesman "It is tragic that Robert D. Kaplan's luminous The Tragic Mind is so urgently needed."--George F. Will Some books emerge from a lifetime of hard-won knowledge. Robert D. Kaplan has learned, from a career spent reporting on wars, revolutions, and international politics in Europe, the Middle East, and East Asia, that the essence of geopolitics is tragedy. In The Tragic Mind , he employs the works of ancient Greek dramatists, Shakespeare, German philosophers, and the modern classics to explore the central subjects of international politics: order, disorder, rebellion, ambition, loyalty to family and state, violence, and the mistakes of power. The great dilemmas of international politics, he argues, are not posed by good versus evil--a clear and easy choice--but by contests of good versus good, where the choices are often searing, incompatible, and fraught with consequences. A deeply learned and deeply felt meditation on the importance of lived experience in conducting international relations, this is a book for everyone who wants a profound understanding of the tragic politics of our time.

"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

Booker-winning novelist, playwright, essayist, poet and critic, John Berger has excelled in a variety of literary fields. This collection of essays takes a definitive look at his career. Berger's essays were ground breaking, polemic, reflective, and radically original. Spanning more than 40 years of intellectual enquiry and political engagement, these essays are viewed chronologically to provide a kind of vicarious autobiography and a history of time refracted through the prism of art.

In the three decades since her revolutionary and seminal article "The Character of Hamlet's Mother," Carolyn Heilbrun has been a prophet in the field of women and literature, gender and culture. This collection of graceful and uncompromising essays charts her development as a feminist writer and critic, which has culminated in such groundbreaking works as REINVENTING WOMANHOOD and WRITING A WOMAN'S LIFE. Shakespeare's Gertrude was first among many literary figures illuminated by Heilbrun's feminist sensibility. Others include Homer's Penelope -- an archetypal single parent, weaving herself a new life for which she was given no script; Jo in LITTLE WOMEN, a model of autonomy for generations of female readers; Elizabeth Bennet, remarkable for the promise of friendship in her marriage with Darcy; and Harrriet Vane, outrageously unique on many counts. The consistency and clarity of Heilbrun's vision in matched only by its heterogeneity, as she discusses Margaret Mead and Freud's daughters, Virginia Woolf and James Joyce, resistance to feminist studies in academia, mothers and daughters, fiction and myth, tomboys and surrogate sons, and the detective story, of which Heibrun herself (as Amanda Cross) is one of the ablest practitioners. HAMLET'S MOTHER AND OTHER WOMEN will spark recognition, again and again, in readers on their own quest for female redefinition. "[A] witty, learned collection of essays . . . filled with delicate, sometimes startling gems of perception . . . . Provocative." -- New York Newsday

An original and highly unusual psycholinguistic study of American literature and culture from 1584 to 1860, this volume focuses on the metaphor of 'land-as-woman.' It is the first systematic documentation of the recurrent responses to the American contine

This remarkable collection excerpts and reproduces some of China's most significant and eclectic literary works created between the founding of the Ming Dynasty in 1368 through the era of China under Mao Zedong, which ended with his death in 1976. Expertly rendered into English by noted China expert Sidney Shapiro, these classic works are noted for their unique prose and subtle characterizations which at once dispel the notion of China as outside and mysterious. Instead, we are drawn into the strangeness of a distant land and different culture, where human qualities seem remarkably familiar. This journey through the world of Chinese literature is framed according to four distinct "Feudal Fiction" is represented by "Outlaws of the Marsh", the great picaresque classic novel. "War and Revolution" reflects the uprising of an outraged people against domestic oppression and foreign invasion. "Transition" graphically describes China's intellectual ferment and ethical conflicts in an era of revolution, while "Satiric Verse" gives a glimpse of the bitter, sardonic prose of the twentieth century. This work is an ideal introduction to China's finest fiction and its vivid illumination of Chinese history.

Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts , Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--Choice Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Anarchism is Not Enough is a manifesto against systematic thinking, a difficult book by a famously difficult writer. For the scope of its critical imagination, it is the most radical work of Laura Riding's early period. This period extends from the end of 1925, when she left America for Europe and Robert Graves, to 1939, the year she returned to America, renounced any further writing of poetry, and soon after married Schuyler Jackson. Published in 1928, when Riding was twenty-seven, Anarchism is a kind of early autobiographia literaria . Long out of print and now available for the first time in paperback, this is one of the most imaginative and daring works of literary theory ever written by a modernist figure. Lisa Samuels's edition sets the work in its historical context and elucidates its central intellectual difficulties. Her introduction and notes are a valuable aid to an understanding of Riding's work.