"The Black Death was a pandemic of unimaginable proportions, taking the lives of 75 - 200 million people worldwide. Lauren Tarshis's story of one girl surviving the plague pulses with terror, action, and hope. The deadliest disease in the history of the world ... Elsie dreams of becoming a brave warrior like her father, who is an archer fighting in England's war against France. But life isn't fair in 1348 Europe. Peasant girls like Elsie can't be archers or knights or anything exciting. Then one day in the forest, Elsie and her best friend, Humphrey, discover a chest filled with stolen treasures--and a dangerous secret. At last Elsie has a chance to prove that she's as brave as any knight. Little does she know that a deadly illness -- the Black Death--has begun its attack on England. It's already killed millions around the world. And now it's come for Elsie"--Provided by the publisher.

In 1766, a boy, Billy Marvel, is shipwrecked, rescued, and goes on to found a brilliant family of actors that flourishes in London until 1900--and nearly a century later, Joseph Jervis, runs away from home, seeking refuge with his uncle in London, and is captivated by the Marvel house, with its portraits and ghostly presences.

An account of the libel trial brought against the author and Penguin Books by Holocaust denier David Irving in the year 2000 in London. Relates how Irving's attempts to foil Lipstadt's criticism of his acts of Holocaust denial were frustrated; the trial culminated in Irving's total defeat. Expert historians disproved Irving's claims, e.g. that Hitler was not responsible for the Holocaust and that there were no gas chambers at Auschwitz, highlighting his falsification of history. The trial also substantianted his antisemitism.

This book recounts the libel suit against historian Deborah Lipstadt by David Irving, which resulted in a formal denunciation of a Holocaust denier.

In her acclaimed 1993 book Denying the Holocaust, Deborah Lipstadt called putative WWII historian David Irving "one of the most dangerous spokespersons for Holocaust denial." A prolific author of books on Nazi Germany who has claimed that more people died in Ted Kennedy's car at Chappaquiddick than in the gas chambers at Auschwitz, Irving responded by filing a libel lawsuit in the United Kingdom -- where the burden of proof lies on the defendant, not on the plaintiff. At stake were not only the reputations of two historians but the record of history itself

The titanic team of Jeph Loeb and Tim Sale (Spider-Man: Blue, Captain America: White, Hulk: Gray) take on the X-Men's two most dangerous mutants in this international thriller that brings Wolverine and Gambit to the shores of England! There's a serial killer tearing through London, leaving beautiful young women as his victims. Do these brutal slayings mark the return of the 19th-century serial killer known as Jack the Ripper? Or could one of the X-Men be the real killer?! Wolverine is the prime suspect - and Gambit is out to prove him guilty! Now they're grudgingly forced to work together in order to find the truth - without killing each other! It's a fast-paced murder mystery that will keep you guessing right up until the last page. COLLECTING: Wol verine /Gambit: Victims 1-4

Loeb and Sale bring the X-Men's outlaw heroes to London in the wake of the brutal slayings that may mark the return of the 19th-century serial killer, Jack the Ripper. Or could Wolverine or Gambit be the real killer.

A journalist's account of the London trial of David Irving vs. Penguin Books and Deborah Lipstadt, held in January-April 2000, interspersed with reflections on Holocaust memory and denial. The case became a Holocaust trial, albeit without perpetrators and victims. It did not generate a new narrative of the Holocaust, a revisionist one, as Irving had hoped. Without endorsing Irving's views, defends his right to historical dissent and regrets that his reputation as an outstanding historian was undermined. Contends that the critics of Irving's views, including Lipstadt, misinterpreted his writing as an outgrowth of postmodern deconstruction; what Irving assaulted was not rationalism and history as a science, but the Jews. His main motive was antisemitism. Contends that the depoliticized myth of the "Nazi war against the Jews", characteristic of some historiographic works, made the deniers' task easier. Believes that the Jews are not immune to critical analysis of their history; however, Irving crossed the divide between legitimate criticism and prejudiced vilification of the Jews as a people.

A groundbreaking examination of a terrifying murder and its aftermath by the bestselling author of Hanns and Rudolf and The House by the Lake. In June 2006, police were called to number 9 Downshire Hill in Hampstead. The owner of the house, Allan Chappelow, was an award-winning photographer and biographer, an expert on George Bernard Shaw, and a notorious recluse, who had not been seen for several weeks. Someone had recently accessed his bank accounts, and attempted to withdraw large amounts of money. Inside the darkened house, officers found piles of rubbish, trees growing through the floor, and, in what was once the living room, the body of Chappelow, battered to death, partially burned and buried under four feet of paper. The man eventually arrested on suspicion of his murder was a Chinese dissident named Wang Yam- a man who claimed to be the grandson of one of Mao's closest aides, and a key negotiator in the Tiananmen Square protests. His trial was the first in modern British history to be held 'in camera'- closed, carefully controlled, secret. Wang Yam was found guilty, but has always protested his innocence. Thomas Harding has spent the past two years investigating the case, interviewing key witnesses, investigating officers, forensic experts and the journalists who broke the story, and has unearthed shocking and revelatory new material on the killing, the victim and the supposed perpetrator. It is a crime that has been described in the press and by the leading detective as 'the greatest whodunnit' of recent years- an extraordinary tale of isolation, deception and brutal violence, stretching from the quiet streets of north London to the Palace of Westminster and beyond.

"When Penguin released a new, unexpurgated edition of D.H. Lawrence's Lady Chatterley's Lover in 1960 they were charged with the crime of publishing obscene material. Penguin was forced to defend the book's literary merit in a court of law -- thus beginning one of the most famous trials of the 20th century. There to take it all in, armed with her pencil and paper, was Sybille Bedford -- who wastes no time complaining about the claustrophobia of Courtroom 1 at the Old Bailey. With her trademark wit and flair, Bedford presents us with a play-by-play of the trial: from the prosecution's questioning of the novel's thirteen sexual encounters and their listing of all 66 instances of swear words, to the dozens of witnesses who testified -- including the Bishop of Woolwich and E. M. Forster. Bedford gives us a timeless and dramatic account that captures one of the most fascinating and absurd moments in both legal and publishing history, when attitudes and morals shifted forever."--Inside cover

A brilliant, alternative take on sixties swinging London, Jenny Diski offers radical reconsiderations of the social, political, and personal meaning of that turbulent era. What was Jenny Diski doing in the sixties? A lot: dropping out, taking drugs, buying clothes, having sex, demonstrating, and spending time in mental hospitals. Now, as Diski herself turns sixty years old, she examines what has been lost in the purple haze of nostalgia and selective memory of that era, what endures, and what has always been the same. From the vantage point of London, she takes stock of the Sexual Revolution, the fashion, the drug culture, and the psychiatric movements and education systems of the day. What she discovers is that the ideas of the sixties often paved the way for their antithesis, and that by confusing liberation and libertarianism, a new kind of radicalism would take over both in the UK and America. Witty, provocative, and gorgeously written, Jenny Diski promises to feed your head with new insights about everything that was, and is , the sixties.

"The House of Twenty Thousand Books is journalist Sasha Abramsky's elegy to the vanished intellectual world of his grandparents, Chimen and Miriam, and their vast library of socialist literature and Jewish history. A rare book dealer and self-educated polymath who would go on to teach at Oxford and consult for Sotheby's, Chimen Abramsky drew great writers and thinkers like Isaiah Berlin and Eric Hobsbawm to his north London home; his library grew from his abiding passion for books and his search for an enduring ideology. The books, documents, and manuscripts that covered every shelf at 5 Hillway were testaments to Chimen's quest -- from the Jewish orthodoxy of his boyhood, to the Communism of his youth, to the liberalism of his mature years. The House of Twenty Thousand Books is at once the story of a fascinating family and chronicle of the embattled twentieth century. The House of Twenty Thousand Books includes 43 photos. "--

"An epic and beautifully written World War II family history that spans Europe, telling of two happy families uprooted by war, their incredible suffering in Hitler's and Stalin's camps, and the near-miraculous survival and rescue of the author's parents who met after the war. Daniel Finkelstein's grandfather Alfred Wiener was a German Jewish intellectual leader who tolled an early warning of the impending Holocaust and became an archivist of Nazi crimes. He relocated his family to safety in Amsterdam, where they became close with Anne Frank's family. But they were eventually separated, and Daniel's mother Mirjam was sent to Bergen-Belsen with her mother and sisters while Alfred worked feverishly to free them. Finkelstein's father, Ludwik, grew up in a prosperous Jewish family in Poland where his father was a patriotic hero of the Great War. But when Stalin took control, Finkelstein's grandfather was deported to Siberia, while Ludwik and his mother were sent to Kazahkstan, where they barely survived freezing winters and harrowing forced labor conditions. Love and Murder is a page-turning account of ingenuity, bravery and the almost unbelievable coincidences that brought Daniel's parents together. The story features secret archives, forgery and theft, and sweeps across Europe to show the expanse of the war. Moving, engrossing and inspiring, Love and Murder will profoundly touch all who read it"--

Michael Meyer's translations of Strindberg and Ibsen have often been described as definitive, as have his biographies of both writers. His Strindberg translations made him the first Englishman to receive the Gold Medal of the Swedish Academy, and his life of Ibsen won the Whitbread Biography prize. He has now turned his attention to his own life and his friendships with some of this century's most famous literary and theatrical names.

Tales tell of how Charles II, fearful of ancient legends that "Britain will fall" if the ravens at the Tower of London ever leave their abode, ordered that the wings of the six ravens be clipped.But the truth is that the ravens only arrived at the Tower in 1883, when they were brought in as props in tales of Gothic horror that were told to tourists. The legend itself originated from the summer of 1944, when ravens in London were used as unofficial spotters for enemy bombs and planes.

With the rare gift of a storyteller, David Landau takes the reader inside the little-known world of the haredim - the bearded, black-clothed Jewish fundamentalists. Decimated by the Holocaust, this sect has enjoyed a dramatic revival that has caused tensions everywhere and a bitter battle for the soul of Israel. Piety and Power describes life in the self-contained haredi ghettos in London, New York, and Jerusalem, where Hasidic rabbis reign supreme and strict rules govern every aspect of life. Landau takes the reader into homes marked by warm family life and strict sexual codes, and into yeshivas, the intellectual core of the community, where young men spend decades as full-time students of the Torah. For many readers, Jews and Gentiles alike, this will be a disturbing book. It depicts an aggressive, assertive fundamentalism in an expansive and self-confident mood, certain of its divine right to win souls and influence the Jewish people and to dictate its views on who is a Jew.

The novel centres on a colourful group of refugee Tibetans. One of the group's members, the charismatic (and slightly dubious) Rabbi Chod, recognises himself as the reincarnation of Moses, and various friends as reincarnations of key Biblical figures. Despite condemnation from both the mainstream Jewish and Tibetan communities, he declares his followers the true 'lost tribe of Israel', and defiantly opens up a synagogue in a pet shop. a family where suppression and dysfunction are common currency. Both of his parents are Tibetan Jews, followers of Rabbi Chod. His father owns a cafe called 'Hush Hush', so called because within the cafe, all forms of noise are forbidden. Any customer who speaks is instantly banned and a Polaroid photo of them is pinned to a cork board in case they should dare to return. way not into the future, but the past. He falls asleep each night only to wake up the day before. In this way, as he grows up his parents get younger. By the end of the book his parents are children - too young to manage by themselves - and the adult Monlam has to look after them. In this way he witnesses his own family history, quite literally living backwards into their lives.

Professor William Fishman, son of an immigrant tailor, describes London's East End at a time of mass immigration from Eastern Europe to the shabby tenements of Stepney and Whitechapel. He describes the spread of libertarian and socialist ideals among the Jewish community culminating in the great strikes of 1889 and 1912. It was in London's East End that Rudolf Rocker taught himself Yiddish and helped politicize a generation. An extraordinary period of Jewish, immigrant and radical history, described by an inspired storyteller. "An immensely readable work, it should attract a large and enthusiastic audience." - Paul Avrich