"In this enthralling book, Merav Mack and Benjamin Balint explore Jerusalem's libraries to tell the story of this city as a place where some of the world's most enduring ideas were put into words. The writers of Jerusalem, although renowned the world over, are not usually thought of as a distinct school; their story as Jerusalemites has never before been woven into a single narrative. Nor have the stories of the custodians, past and present, who safeguard Jerusalem's literary legacies. By showing how Jerusalem has been imagined by its writers and shelved by its librarians, Mack and Balint tell the untold history of how the peoples of the book have populated the city with texts. In their hands, Jerusalem itself-perched between East and West, antiquity and modernity, violence and piety-comes alive as a kind of labyrinthine library"--Jacket flap.

A rare and fascinating view into the creative process of one of the most notorious, talented and colorful figures of American cinema. When production began in 1928, writer/director Erich von Stroheim predicted the silent epic Queen Kelly would be his greatest cinematic achievement. Within a few weeks, however, the film was behind schedule, over budget, and filled with scenes of such frank eroticism and immorality that it was doubtful the film could ever pass the censors. With the film only partially completed, a frustrated and disgusted producer/star Gloria Swanson eventually shut down production. The demise of Queen Kelly marked the turning point in the career of one of silent cinema's greatest directors, who would never be given another filmmaking opportunity of this scale. The long-awaited publication of the complete screenplay (presented in cooperation with the Gloria Swanson estate) offers a richly detailed picture of von Stroheim's unrealized masterpiece that inarguably would have been one of the last great spectacles of the silent era. In addition to the extensively annotated 230-page shooting script, this volume includes 90 pages from an earlier draft. The original ending is dramatically different from the final version and had been discarded and rewritten by von Stroheim in an effort to cut costs during production. Also included are photographs, full production credits and an introduction detailing the troubled history of this most remarkable film. This book offers a thought-provoking view of the masterpiece that might have been.