Is social media destroying democracy? Are Russian propaganda or "Fake news" entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a "post-truth" moment in which disinformation and propaganda thrives. Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analyzing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment. The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics

From the Publisher: A cultural history of the last forty years, The Age of American Unreason focuses on the convergence of social forces-usually treated as separate entities-that has created a perfect storm of anti-rationalism. These include the upsurge of religious fundamentalism, with more political power today than ever before; the failure of public education to create an informed citizenry; and the triumph of video over print culture. Sparing neither the right nor the left, Jacoby asserts that Americans today have embraced a universe of "junk thought" that makes almost no effort to separate fact from opinion

""Amy Goodman has taken investigative journalism to new heights of exciting, informative, and probing analysis."-Noam Chomsky Amy Goodman and Denis Moynihan began writing a weekly column, "Breaking the Sound Barrier," for King Features Syndicate in 2006. This timely new sequel to Goodman's New York Times bestseller of the same name gives voice to the many ordinary people standing up to corporate and government power-and refusing to be silent. The Silenced Majority pulls back the veil of corporate media reporting to dig deep into the politics of "climate apartheid," the implications of the Fukushima nuclear disaster, the movement to halt the execution of Troy Anthony Davis, and the globalization of dissent "From Tahrir Square to Liberty Plaza." Throughout Goodman and Moynihan show the power of ordinary people to change their media-and change the world. Amy Goodman is a multiple New York Times best-selling author and the host and executive producer of Democracy Now! a daily independent news program airing on more than one thousand television and radio stations. Time named Democracy Now! its "Pick of the Podcasts," along with NBC's Meet the Press. Goodman is the first journalist to receive the Right Livelihood Award, widely known as the "Alternative Nobel Prize." Denis Moynihan, since helping co-found Democracy Now! as an independent production company in 2002, has participated in the organization's growth, focusing primarily on distribution, infrastructure development, and coordinating complex live broadcasts from all continents (save Antarctica). He lives in Denver, Colorado. "--

"Bad News is a response to Thomas Frank's 2004 book "What's the Matter with Kansas." I ask the same question he asked about the right, but about the left: Why is the media obsessed with racism, even though it's getting objectively better by every measure we have? I argue that the liberal media is mainstreaming a woke culture war based on ideas that were relegated to the academic fringe as recently as a decade ago because it's in their economic interests to do so. It explores how digital media and social media supplied journalists, now part of the American elite, with an alternative way to feel like heroes while further consolidating power and wealth in the hands of the few rather than the many. The book then explores the larger context of the great American class divide, and how journalism has been both a product and accelerator of inequality"--

"From the editor in chief of Breitbart News, a firsthand account of how the establishment media became weaponized against Donald Trump and his supporters on behalf of the political left"--

A stimulating, eclectic accountof new media that finds its origins in old media, particularly the cinema. In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.

"If you want to understand not only what happened in 2016, but what's going to happen tomorrow, this book is essential reading. Susan Bordo brings a scholar's rigor and a lioness' heart to this important work." --Paul Begala "Among the best books I've read on the 2016 election . . . the perfect companion to Clinton's What Happened ." --Peter Daou The Destruction of Hillary Clinton is an answer to the question many have been asking: How did an extraordinarily well-qualified, experienced, and admired candidate--whose victory would have been as historic as Barack Obama's--come to be seen as a tool of the establishment, a chronic liar, and a talentless politician? In this masterful narrative of the 2016 campaign year and the events that led up to it, Susan Bordo unpacks the Rights' assault on Clinton and her reputation, the way the left provoked suspicion and indifference among the youth vote, the inescapable presence of James Comey, questions about Russian influence, and the media's malpractice in covering the candidate. Urgent, insightful, and engrossing, The Destruction of Hillary Clinton is an essential guide to understanding the most controversial presidential election in American history.

"According to the media, Donald Trump could never become president. Now many are on a mission to prove he shouldn't be president. The Trump administration and the press are at war -- and as in any war, the first casualty has been truth. Bestselling author Howard Kurtz, host of Fox News's Media Buzz and former Washington Post columnist, offers a stunning exposé of how supposedly objective journalists, alarmed by Trump's success, have moved into the opposing camp. Kurtz's exclusive, in-depth, behind-the-scenes interviews with reporters, anchors, and insiders within the Trump White House reveal the unprecedented hostility between the media and the president they cover."--Jacket.

Constituting a new television genre, live broadcasts of "historic" events have become, in effect, world rituals--high holidays of mass communication. Daniel Dayan and Elihu Katz show us that these media events have the potential for transforming societies as they transfix viewers around the globe. The authors apply this original thesis to public spectacles such as the Olympic Games, Anwar el-Sadat's journey to Jerusalem, the wedding of Prince Charles and Lady Diana, John.

To most Westerners, the Iranian revolution was a shocking spectacle, a distant mass upheaval suddenly breaking into the daily news. It was, in fact, a revolution of the television era, as this book demonstrates. This account of the role of culture and communication in the Iranian revolution also considers revolution as communication in the modern world. Co-authored by participants in the revolutionary upheaval, this study reflects a wide perspective. Drawing on ten years of research, the authors vividly show how the processes and products of modernization actually helped to undermine the very foundation of modernity in Iran. Their work reveals how deeply embedded cultural modes of communication coupled with crucial media technologies were able to mobilize a population within a repressive political context. Tracing the use of small media (audio and video cassettes) to disseminate the revolution, the authors challenge much of the theory that has dominated international communication studies and, in doing so, question the credibility of the established media. Their book also examines the dilemmas of cultural policymaking based on Islamic principles in a media-saturated domestic and international environment. Annabelle Sreberny-Mohammadi and Ali Mohammadi are co-editors of "Questioning the Media".

Every week on the public radio show On the Media , the award-winning journalist Brooke Gladstone analyzes the media and how it shapes our perceptions of the world. Now, from her front-row perch on the day’s events, Gladstone brings her genius for making insightful, unexpected connections to help us understand what she calls—and what so many of us can acknowledge having—“trouble with reality.” Reality, as she shows us, was never what we thought it was—there is always a bubble, people are always subjective and prey to stereotypes. And that makes reality actually more vulnerable than we ever thought. Enter Donald J. Trump and his team of advisors. For them, as she writes, lying is the point . The more blatant the lie, the easier it is to hijack reality and assert power over the truth. Drawing on writers as diverse as Hannah Arendt, Walter Lippmann, Philip K. Dick, and Jonathan Swift, she dissects this strategy, straight out of the authoritarian playbook, and shows how the Trump team mastered it, down to the five types of tweets that Trump uses to distort our notions of what’s real and what’s not. And she offers hope. There is meaningful action, a time-tested treatment for moral panic. And there is also the inevitable reckoning. History tells us we can count on it. Brief and bracing, The Trouble with Reality shows exactly why so many of us didn’t see it coming, and how we can recover both our belief in reality—and our sanity.

When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.

When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.

Robert Maxwell was driven by an obsession to be remembered by posterity, to create and re-create his own life in order to become part of the Establishment. Tom Bower's compelling portrait, the subject of numerous libel suits brought by Maxwell in Britain before his death, is now published for the first time--in a thoroughly updated edition--in the United States. It provides a fascinating look at the man who was relentless in his attempts to obtain media power and respectability, attempts that would eventually destroy him. Born into a life of poverty, an outsider forever trying to get in, Robert Maxwell was plagued by a deep sense of alienation. His career as publisher, printer, politician, financier, industrialist, and tycoon extraordinary was charged with both magnificent coups and controversial setbacks. He built his fortune on a mixture of engineered leaks and secrecy at the expense of long-term stability. Accused of everything from creative bookkeeping to outright fraud, Maxwell withstood each debacle until the end, surviving troubles that would have felled a less determined personality. Bower describes the many suspect strategies of Maxwell's business dealings while he was alive and the disintegration of his empire after his death, focusing along the way on Maxwell's often nebulous business dealings and his immense skills at bullying and deception. Beginning with Maxwell's early years, Bower describes in depth the period after World War II during which Maxwell made a fortune out of barter deals and the export of scientific journals from Germany, which became the basis for his Pergamon Press flagship; the Pergamon-Leasco affair in the late 1960s (involving two millionaires, Maxwelland Saul Steinberg), an ill-fated takeover deal that fell apart with Maxwell declared unfit to hold office in a public company; and his revival of the loss-making British Printing Corporation. The author explains Maxwell's numerous acquisitions and his competitive obsession with Rupert Murdoch. We learn of the mysteries surrounding Maxwell's private banking in Liechtenstein, his strange links with the Soviet Union and Eastern Europe, the notorious "Mirrorgate" affair and Maxwell's close relationship with Israel. Going beyond recent media coverage, the author provides up-to-the-minute facts on missing corporate assets and pension funds as well as the nefarious share-support schemes. In this powerful biography, Tom Bower comes as close as anyone ever will to understanding Robert Maxwell and his demons.

Available for the first time in paperback after being widely reviewed and discussed upon its hardcover publication, Historians in Trouble is investigative journalist and historian Jon Wiener's "incisive and entertaining" ( New Statesman ) account of several of the most notorious history scandals of the last few years. Focusing on a dozen key controversies ranging across the political spectrum and representing a wide array of charges, Wiener seeks to understand why some cases make the headlines and end careers, while others do not. He looks at the well publicized cases of Michael Bellesiles, the historian of gun culture accused of research fraud; accused plagiarists and "celebrity historians" Stephen Ambrose and Doris Kearns Goodwin; Pulitzer Prize winner Joseph J. Ellis, who lied in his classroom at Mount Holyoke about having fought in Vietnam; and the allegations of misconduct by Harvard's Stephan Thernstrom and Emory's Elizabeth Fox-Genovese, who nevertheless were appointed by George W. Bush to the National Council on the Humanities. As the Bancroft Prize-winning historian Linda Gordon wrote in Dissent, Wiener's "very readable book . . . reveal[s] not only scholarly misdeeds but also recent increases in threats to free debate and intellectual integrity."

Easy to read, and highly topical, Messages writes a history of mass communication in Europe and its outreaches, as a search for the origins of media forms from print and stage, to photography, film and broadcasting. Arguing that the development of the mass media has been an essential engine driving the western concept of an individual, Brian Winston examines how the right of free expression is under attack, and how the roots of media expression need to be recalled to make a case for the media's importance for the protection of individual liberty. Relating to the US constitution, and key laws in the UK which form the foundation of our society, this is a highly useful book for students of media, communication, history, and journalism.

The 1980s saw constant reports of an information revolution. This book, first published in 1986, challenges this view. It argues that the information revolution is an illusion, a rhetorical gambit, an expression of profound historical ignorance, and a movement dedicated to purveying misunderstanding and disseminating disinformation. In this historically based attack on the information revolution, Professor Winston takes a had look at the four central information technologies - telephones, television, computers and satellites. He describes how these technologies were created and diffused, showing that instead of revolution we just have 'business as usual'. He formulates a 'law' of the suppression of radical potential - a law which states that new telecommunication technologies are introduced into society only insofar as their disruptive potential is contained. Despite the so-called information revolution, the major institutions of society remain unchanged, and most of us remain in total ignorance of the history of technology.

"Eli Noam provides a comprehensive and balanced survey of media concentration with a methodical, scientific approach. He assembles a wealth of data from the last 25 years about mass media such as radio, television, film, music, and print publishing, as well as the Internet, telecommunications, and media-related information technology." "Media Ownership and Concentration in America will be essential reading and a trove of information for scholars and students in media, telecommunications, IT, economics, and the history of business, as well as media industry professionals, business researchers, and policy makers around the world. Critics and defenders of media alike will find much that confirms and refutes their worldview."--BOOK JACKET.