This is the untold story of the American federal agent who captured the world's most-wanted drug-lord. Every generation has its larger-than-life criminal legend living beyond the reach of the law: Billy the Kid, Al Capone, Ronnie Biggs, Pablo Escobar. But for every one of these criminals, there's a Wyatt Earp, Pat Garrett or Slipper of the Yard. For Joaquin Archivaldo Guzman-Loera a.k.a. `El Chapo' - the 21st century's most notorious criminal - that man is D.E.A. Special Agent Andrew Hogan. This is the incredible story of Hogan's seven-year-long chase to capture El Chapo, a multibillionaire drug-lord and escape-artist posing as a Mexican Robin Hood, who in reality was a brutal sociopath responsible for the murders of thousands. His greedy campaign to take over his rivals' territories resulted in an unprecedented war with a body count of over 100,000. We follow Hogan on his quest to achieve the seemingly impossible: to cross the border into Mexico and arrest El Chapo, the leader of the Sinaloa Cartel, a billionaire and Public Enemy No. 1, who had been evading capture for more than a decade and had earned a reputation for being utterly untouchable. This intimate thriller tells how Hogan single-mindedly and methodically climbed the ladder within the hierarchy of the Sinaloa Cartel - the world's wealthiest and most powerful drug-trafficking organization - by creating one of the most sophisticated undercover operations in the history of the D.E.A. From infiltrating Chapo's inner circle to leading a white-knuckle manhunt with an elite brigade of Mexican Marines, Hogan left no stone unturned in his hunt for the world's most powerful drug kingpin.[Bokinfo]

The concentration of power in the caudillo (leader) is as much a formative element of Mexican culture and politics as the historical legacy of the Aztec emperors, Cortez, the Spanish Crown, the Mother Church and the mixing of the Spanish and Indian population into a mestizo culture. Krauze shows how history becomes biography during the century of caudillos from the insurgent priests in 1810 to Porfirio and the Revolution in 1910. The Revolutionary era, ending in 1940, was dominated by the lives of seven presidents -- Madero, Zapata, Villa, Carranza, Obregon, Calles and Cardenas. Since 1940, the dominant power of the presidency has continued through years of boom and bust and crisis. A major question for the modern state, with today's president Zedillo, is whether that power can be decentralized, to end the cycles of history as biographies of power.

Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from the sixteenth-century holocaust to contemporary Mexican American identity politics, anthropologist Claudio Lomnitz’s innovative study marks a turning point in understanding Mexico’s rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico’s national identity. It is tempting to view this rich elaboration of death imagery as yet another example of an “invented tradition,” that is, a cult shaped by the modern state’s cultural policies or by the narrow interests of contemporary identity politics. Lomnitz takes a different approach. Rather than flattening out the tradition by insisting only on the ways it is willfully manipulated, this book focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history ― within a history in which the key institutions of society are built around the claims of the fallen. Based on a wide range of sources ― from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations ― Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of their social compact. This work effects a novel turn in the classical historiography of death ― a turn that can be characterized by a move from social and cultural history to political history. The move toward the politics of death gives readers a unique insight into the peculiar story of death in the Americas.

Since childhood, Oliver Sacks has been fascinated by ferns: an ancient class of plants able to survive and adapt in many climates. Along with a delightful group of fellow fern aficionados—mathematicians, poets, artists, and assorted botanists and birders—he embarks on an exploration of Southern Mexico, a region that is also rich in human history and culture. He muses on the origins of chocolate and mescal, pre-Columbian culture and hallucinogens, the vibrant sights and sounds of the marketplace, and the peculiar passions of botanists. What other species would comb ancient Zapotec ruins on their hands and knees, searching for a new type of fern? Combining Sacks's enthusiasm for natural history and the richness of humanity with his sharp and observant eye for detail, Oaxaca Journal is a rare treat.

Alongside Moctezuma and Benito Juárez, Pancho Villa is probably the best-known figure in Mexican history. Villa legends pervade not only Mexico but the United States and beyond, existing not only in the popular mind and tradition but in ballads and movies. There are legends of Villa the Robin Hood, Villa the womanizer, and Villa as the only foreigner who has attacked the mainland of the United States since the War of 1812 and gotten away with it. Whether exaggerated or true to life, these legends have resulted in Pancho Villa the leader obscuring his revolutionary movement, and the myth in turn obscuring the leader. Based on decades of research in the archives of seven countries, this definitive study of Villa aims to separate myth from history. So much attention has focused on Villa himself that the characteristics of his movement, which is unique in Latin American history and in some ways unique among twentieth-century revolutions, have been forgotten or neglected. Villa’s División del Norte was probably the largest revolutionary army that Latin America ever produced. Moreover, this was one of the few revolutionary movements with which a U.S. administration attempted, not only to come to terms, but even to forge an alliance. In contrast to Lenin, Mao Zedong, Ho Chi Minh, and Fidel Castro, Villa came from the lower classes of society, had little education, and organized no political party. The first part of the book deals with Villa’s early life as an outlaw and his emergence as a secondary leader of the Mexican Revolution, and also discusses the special conditions that transformed the state of Chihuahua into a leading center of revolution. In the second part, beginning in 1913, Villa emerges as a national leader. The author analyzes the nature of his revolutionary movement and the impact of Villismo as an ideology and as a social movement. The third part of the book deals with the years 1915 to 1920: Villa’s guerrilla warfare, his attack on Columbus, New Mexico, and his subsequent decline. The last part describes Villa’s surrender, his brief life as a hacendado, his assassination and its aftermath, and the evolution of the Villa legend. The book concludes with an assessment of Villa’s personality and the character and impact of his movement.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege. When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful, 15th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will.

Americo Paredes, in a distinguished career spanning the last forty years, has often set the pace and the standard in the two fields with which he is most strongly identified: folklore and Chicano studies. In folklore, he has been instrumental in establishing a new theoretical and methodological framework; in Chicano studies, he has exerted a seminal influence, inspiring an entire generation of scholars. For this book, the noted folklorist Richard Bauman has selected eleven of Americo Paredes's most significant scholarly articles. The selected articles, first published during the years 1958-1987, faithfully reflect the depth and breadth of Paredes's scholarship, as well as the rigor and eloquence of his writing. They represent scholarly discourse at its best: at once erudite and clear, demanding yet accessible, rich in both substance and style. Throughout his career, Paredes has centered his work on the folklore and culture of the Lower Rio Grande Border of South Texas and northeastern Mexico. His studies have always been contextualized, though, by a deep knowledge of Greater Mexico, and by the comparative scope of the folklorist. The essays collected here illustrate the transdisciplinary richness of Paredes's perspective - a synthesis of folkloric, anthropological, literary, and historical theory and method. They also demonstrate the revisionist power of his analysis, which challenges traditionalist conceptions and constructions of Texas-Mexican culture, the social base of folklore, and folklore genres. Paredes is best known for his studies of the corrido, and several articles on this ballad form are included in the collection. Other essays focus variously on decimas, jokes, legends, and the "neighborly names" of ethnic slurs. More general subjects are also addressed, including the nature of the ethnographic encounter, machismo in the United States and Mexico, and the clash of cultures along the Lower Rio Grande Border. What emerges is perhaps the most well wrought and subtle portrait to date of the life and culture of the Mexican American people. An introduction by Richard Bauman discusses the principal themes and focuses of Paredes's work, and his substantive, theoretical, and methodological contributions to scholarship. In addition, the volume includes a complete bibliography of Paredes's scholarly writings, compiled by Linda Adams.

The World of Lucha Libre is an insider’s account of lucha libre , the popular Mexican form of professional wrestling. Heather Levi spent more than a year immersed in the world of wrestling in Mexico City. Not only did she observe live events and interview wrestlers, referees, officials, promoters, and reporters; she also apprenticed with a retired luchador (wrestler). Drawing on her insider’s perspective, she explores lucha libre as a cultural performance, an occupational subculture, and a set of symbols that circulate through Mexican culture and politics. Levi argues that the broad appeal of lucha libre lies in its capacity to stage contradictions at the heart of Mexican national identity: between the rural and the urban, tradition and modernity, ritual and parody, machismo and feminism, politics and spectacle. Levi considers lucha libre in light of scholarship about sport, modernization, and the formation of the Mexican nation-state, and in connection to professional wrestling in the United States. She examines the role of secrecy in wrestling, the relationship between wrestlers and the characters they embody, and the meanings of the masks worn by luchadors. She discusses male wrestlers who perform masculine roles, those who cross-dress and perform feminine roles, and female wrestlers who wrestle each other. Investigating the relationship between lucha libre and the mass media, she highlights the history of the sport’s engagement with television: it was televised briefly in the early 1950s, but not again until 1991. Finally, Levi traces the circulation of lucha libre symbols in avant-garde artistic movements and its appropriation in left-wing political discourse. The World of Lucha Libre shows how a sport imported from the United States in the 1930s came to be an iconic symbol of Mexican cultural authenticity.

This English-language translation of the autobiography of Gabriela Brimmer (1947-2000) tells an amazing story in three voices. Gaby, who had cerebral palsy, communicated largely by typing with her left foot on an electric typewriter, and also by using that foot to point at letters and numbers on an "alphabet board" at the base of her wheelchair. She gained admission to Mexico City public schools, attended the prestigious National Autonomous University of Mexico, and became a key figure in launching Mexico's disability rights movement. Brimmer was raised by her parents, Austrian Jews who fled the Nazis in the late 1930s, and a devoted Mexican caregiver, Florencia Morales Sanchez. Renowned writer Elena Poniatowska structured this text by alternating Gaby's voice with those of her mother, Sari, and Florencia. Memorable not just as the memoir of an extraordinary woman, but as a unique and imaginative form of autobiographical writing, the volume opens with a foreword by Judith E. Heumann and Jorge Pineda, and features a new introduction by Lauri Umansky and afterword by Avital Bloch providing additional context about Gaby's life and writing, as well as disability, women's, and Jewish/Mexican history.

Everyday Forms of State Formation is the first book to systematically examine the relationship between popular cultures and state formation in revolutionary and post-revolutionary Mexico. While most accounts have emphasized either the role of peasants and peasant rebellions or that of state formation in Mexico's past, these original essays reveal the state's day-to-day engagement with grassroots society by examining popular cultures and forms of the state simultaneously and in relation to one another. Structured in the form of a dialogue between a distinguished array of Mexicanists and comparative social theorists, this volume boldly reassesses past analyses of the Mexican revolution and suggests new directions for future study. Showcasing a wealth of original archival and ethnographic research, this collection provides a new and deeper understanding of Mexico's revolutionary experience. It also speaks more broadly to a problem of extraordinary contemporary relevance: the manner in which local societies and self-proclaimed "revolutionary" states are articulated historically. The result is a unique collection bridging social history, anthropology, historical sociology, and cultural studies in its formulation of new approaches for rethinking the multifaceted relationship between power, culture, and resistance. Contributors . Ana María Alonso, Armando Bartra, Marjorie Becker, Barry Carr, Philip Corrigan, Romana Falcón, Gilbert M. Joseph, Alan Knight, Florencia E. Mallon, Daniel Nugent, Elsie Rockwell, William Roseberry, Jan Rus, Derek Sayer, James C. Scott

Before returning to the Old World after World War II, Sybille Bedford resolved to see something more of the New. "I had a great longing to move," she said, "to hear another language, eat new food, to be in a country with a long nasty history in the past and as little present history as possible." And so she set out for Mexico - and, incidentally, to write what Bruce Chatwin called the best travel book of the twentieth century, "a book of marvels, to be read again and again and again."

What happens to a revolutionary town after the revolution? This apparently simple question frames Spent Cartridges of Revolution, an anthropological history of Namiquipa, Chihuahua, Mexico. Officially, the revolution of 1910-20 restored control over land and local politics to the peasantry. But Namiquipan peasants, who fought alongside Pancho Villa, have seen little progress and consider themselves mere "spent cartridges" of a struggle that benefited other classes. Daniel Nugent's approach combines an emphasis on peasants' own perceptions of Mexican society after the revolution with an analysis of the organization and formation of state power. He shows that popular discontent in Chihuahua is motivated not only by immediate economic crises but by two centuries of struggle between the people of Northern Mexico and the government.

Rural Revolt in Mexico is a historical investigation of how subaltern political activity engages imperialism, capitalism, and the United States. In this volume, Daniel Nugent has gathered a group of leading scholars whose work examines the relationship of revolts by peasants and Indians in Mexico to the past century of U.S. intervention—from the rural rebellions of the 1840s through the 1910 revolution to the 1994 uprising in Chiapas. Through their studies of social movements and popular mobilization in the Mexican countryside, the contributors argue for understanding rural revolts in terms of the specific historical contexts of particular regions and peoples, as well as the broader context of unequal cultural, political, and economic relations between Mexico and the United States. Exploring the connections between external and internal factors in social movements, these essays reveal the wide range of organized efforts through which peasants and Indians have struggled to shape their own destiny while confronted by the influence of U.S. capital and military might. Originally published as a limited edition in 1988 by the Center for U. S.–Mexican Studies, this volume presents a pioneering effort by Latin Americanist scholars to sympathetically embrace and enrich work begun in Subaltern Studies between 1982 and 1987 by projecting it onto a different region of historical experience. This revised and expanded edition includes a new introduction by Daniel Nugent and an extensive essay by Adolfo Gilly on the recent Chiapas uprising.

In 1908 Franciso I. Madero wrote to arouse his people to free themselves from the domination of the Díaz Administration by taking advantage of the opportunity afforded in the scheduled elections of 1910. His program voiced the rationale for the Mexican Revolution, 1910-1917: Effective suffrage, No re-election. Now in a precise translation one may read the true story of Madero's political program - a milestone in Mexican History.

Stavans (Latin American and Latino culture, Amherst College, Massachusetts) offers an extended essay on Mexican poet and intellectual Paz (1914-98). Earlier versions have been published in a variety of periodicals and anthologies. Annotation copyrighted by Book News, Inc., Portland, OR

An analysis, using demographic data, of the Mexican colonial economy in the sixteenth and seventeenth centuries.

Poetry. Latino/Latina Studies. Jewish Studies. Translated from the Spanish by Antena. The narrator of TELA DE SEVOYA / ONIONCLOTH travels to Bulgaria, searching for traces of her Sephardic heritage. Her journey becomes an autobiographical and imagined exploration of childhood, diaspora, and the possibilities of her family language: Ladino or Judeo- Spanish, the living tongue spoken by descendants of the Jews expelled from Spain in 1492. Memoir, poetry, storytelling, songs, and dreams are interwoven in this visionary text--this tela or cloth that brings the past to life, if only for a moment, and that looks at the present though the lens of history. In 2012, TELA DE SEVOYA / ONIONCLOTH was awarded one of Mexico's most prestigious literary prizes, the Premio Xavier Villaurrutia, whose previous winners include Octavio Paz, Carlos Fuentes, and Mario Bellatin. "TELA DE SEVOYA / ONIONCLOTH is an absolutely extraordinary text... it successfully joins past and present, life and death, memory and imagination."--Juan Gelman "Readers will find, through this tale of the relationship between a girl and her embittered grandmother, an entirely singular world narrated from the point of view of an 'I' whose range exceeds the territory of any private life."--Mario Bellatin

A history of trade, from establishment to maturity, between Mexico and Peru in the 16th century.

This book presents the history of the Gomez, an elite family of Mexico that today includes several hundred individuals, plus their spouses and the families of their spouses, all living in Mexico City. Tracing the family from its origins in mid-nineteenth-century Mexico through its rise under the Porfirio Diaz regime and focusing especially on the last three generations, the work shows how the Gomez have evolved a distinctive subculture and an ability to advance their economic interests under changing political and economic conditions. One of the authors' major findings is the importance of the kinship system, particularly the three-generation "grandfamily" as a basic unit binding together people of different generations and different classes. The authors show that the top entrepreneurs in the family, the direct descendants of its founder, remain the acknowledged leaders of the kin, each one ruling his business as a patron-owner through a network of clienty2Drelatives. Other family members, though belonging to the middle class, identify ideologically with the family leadership and the bourgeoisie, and family values tend to overrule considerations of strictly business interest even among entrepreneurs.