Destination Culture deals with agencies of display in museums, festivals, world's fair, historical recreations, and tourist attractions. Drawing on the history of the avant-garde and the implications of its practices, Destination Culture attempts to theorize the artifact and the logic of exhibition in the context of lively debates about the death of museums, ascendancy of tourism, production of heritage, limits of multiculturalism, social efficacy of the arts, and circulation of value in the life world.

This volume inscribes an innovative domain of inquiry, bringing museum and heritage studies to bear on questions of transitional justice, memory and post-conflict reconciliation. As practitioners, artists, curators, activists and academics, the contributors explore the challenges of bearing witness to past conflicts.