A tribute to more than two dozen legendary music artists who significantly influenced the landscape of music for generations to come, from Ray Charles and Bob Dylan to Chuck Berry and Johnny Cash.

A half-century of previously unpublished interviews with legendary musicians, in a brand-new book from America's foremost oral historian "I'm one of these people that thinks that everybody has certain gifts, you know, when they're born I used to play the guitar when I was ten, you know. So I figured maybe my thing is playing the guitar, maybe that's my little gift."Bob Dylan, interviewed in 1963, from And They All Sang Throughout the second half of the twentieth century, Pulitzer Prize-winning oral historian Studs Terkel hosted a legendary daily radio program on WFMT in Chicago, presenting listeners with his inimitable take on a wide range of music from classical opera to jazz, blues, gospel, folk, and rock. His latest work of oral history shows us this completely different side of Studs Terkelthat of a brilliant and far-ranging musicologist. And They All Sang features over forty conversations with some of the greatest musical luminaries of the past century: rock icons Bob Dylan and Janis Joplin, influential folk singer Pete Seeger, jazz geniuses Louis Armstrong and Dizzy Gillespie, composers Aaron Copland and Leonard Bernstein, classical musicians Andres Segovia and Ravi Shankar, legendary opera divas Rosa Raisa and Edith Mason, and gospel giants Thomas A. Dorsey and Mahalia Jackson. Transcending genres and generations, Studs Terkel goes behind the music and doesn't miss a beat. Musicians featured include: Marian Anderson, Louis Armstrong, Leonard Bernstein, Aaron Copland, Bob Dylan, Dizzy Gillespie, Woody Guthrie, Mahalia Jackson, Janis Joplin, Keith Jarrett, Alan Lomax, Catherine Malfitano, Jean Ritchie, Pete Seeger, Ravi Shankar, Richard Tucker.

An eloquent accompaniment to an upcoming PBS documentary offers an inclusive musical portrait of the Mississippi River, showing its effect on the culture of America and including interviews with over more than five hundred musicians whose music flows with the river. TV tie-in. 15,000 first printing.

Summary: Introduces the leading performers from around the world. This work explores the breadth of the world music experience through the voices of the musicians themselves. It gives a view of the interactions of a globalizing society and introduces readers to some thoughtful artists.

Traces the history of the popular British new wave group, offers brief profiles of all five band members, and looks at their recordings

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin . On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly