A retrospective article on Leslie Fiedler in the New York Times Book Review in 1965 referred to Love and Death in the American Novel as "one of the great, essential books on the American imagination . . . an accepted major work." This groundbreaking work views in depth both American literature and character from the time of the American Revolution to the present. From it, there emerges Fiedler's once scandalous--now increasingly accepted--judgment that our literature is incapable of dealing with adult sexuality and is pathologically obsessed with death.

In a rambling series of essays -- partly analytical, partly polemical, and partly autobiographical -- Fiedler takes issue with the elitist and prescriptive tendency among the self-appointed guardians of art, and with the modern split between 'high' and 'low' forms of literature. He argues that traditional approaches to and standards of literature have become obsolete, and a criticism which ignores or condescends to Uncle Tom's Cabin, Gone with the Wind, Roots et alia can have little to say about American culture.

A revisionist interpretation of Anglo-Saxon England. Nicholas Howe proposes that the Anglo-Saxons fashioned a myth out of the 5th-century migration of their Germanic ancestors to Britain. Through the retelling of this story, the Anglo-Saxons ordered their complex history and identified their destiny as a people. Howe traces the migration myth throughout the literature of the Anglo-Saxon period, in poems, sermons, letters and histories from the sixth to the eleventh centuries.