"From the coauthors of the New York Times bestseller Start-Up Nation: The Story of Israel's Economic Miracle comes the highly anticipated follow up, The Genius of Israel, which outlines the defining factors behind Israel's successful track record of innovation and explaining how other nations can learn from its development.In Start-Up Nation, Saul Singer and Dan Senor addressed the trillion dollar question: How is it that Israel-a country of 7.1 million, only sixty years old, surrounded by enemies, in a constant state of war since its founding, with no natural resources-produces more start-up companies than large, peaceful, and stable nations like Japan, China, India, Korea, Canada, and the UK? Providing an astute analysis of Israel's unique policies and culture, and practical conclusions about how other nations could learn from its example, Start-Up Nation became a worldwide bestseller, translated into thirty languages. Now in their illuminating follow-up, The Genius of Israel, Senor and Singer study the global innovation race and present a new universal metric to evaluate where different nations stand in the quest to achieve new levels of innovation. They analyze the favorable and unfavorable circumstances that affect a country's chance of making a dramatic leap forward, and illustrate how the world has greatly changed over the last decade. Bold, timely, and remarkably insightful, Senor and Singer's latest work shines an important light on the impressive innovative accomplishments of Israel"--.

"Shlomo Sand was born in 1946, in a displaced person's camp in Austria, to a Jewish mother and non-Jewish father; the family later migrated to Palestine. As a young man, Sand came to question his Jewish identity, even that of a "secular Jew." With this meditative and thoughtful mixture of essay and personal recollection, he articulates the problems at the center of modern Jewish identity. How I Stopped Being a Jew discusses the negative effects of the Israeli exploitation of the "chosen people" myth and its "holocaust industry." Sand criticizes the fact that, in the current context, what "Jewish" means is, above all, not being Arab and reflects on the possibility of a secular, non-exclusive Israeli identity, beyond the legends of Zionism"--

"Part memoir, part history, part political commentary - and all Richler - This Year in Jerusalem is a personal, passionate, and quirkily comic examination of the idea of Israel-as-homeland: for Jews, for Palestinians, and, not least, for the author himself. Richler re-creates the Montreal of his adolescence - the local Zionist youth organization functioning as an escape from the zealous Hasidism of his grandfathers; the idea of emigration to Israel growing into a shimmering dream for himself and his friends. And, going to Israel to look up his old pals from St. Urbain Street, he shows us what happened to those who actually did "make aliyah"--Who settled in the cities and on the kibbutzim, survived the turmoils of war, and are faced today with the opportunities and dangers of peace with the Palestinians. He shows us, as well, the course of his own migration - away from Zionism and through the maze of his own sense of Judaism until he rediscovers his true homeland: "I owe as much to the thin gruel of my Canadian experience as I do to my Jewish provenance." Woven through his story are his fond (and not so fond) recollections of his family, his encounters in today's Israel with the kids he grew up with in Montreal a million years ago, and his most mordant observations on the state of the state of Israel and the Israeli-Palestinian conflict. Witty, intelligent, well reasoned, and across-the-board provocative, here is Mordecai Richler at his inimitable - and controversial - best." -- dust jacket

Drawing on newly declassified documents, this behind-the-scenes story of Israel's first year as a sovereign state presents revelations about the attitudes and actions of the Jewish state-builders

In his many works of history, Tom Segev has challenged the entrenched understanding of crucial moments in Israel's past. Now, in a short, sharp, polemical book, Segev has turned his sights from Israeli history to confront some revered assumptions about the country today.Drawing on personal experience as well as all kinds of artifacts from Israeli popular culture -- shopping malls, fast food, public art, television, religious kitsch -- Segev offers a controversial point of view: the sweeping Americanization of the country, rued by most, has had an extraordinarily beneficial influence, bringing not only McDonald's and Dunkin' Donuts but the virtues of pragmatism, tolerance, and individualism. And, in the fierce battle over the future of Zionism, Segev welcomes the diffusion of national identity and ideology that has taken place in the last decade as a harbinger of a new spirit of compromise and openness.At a time of crisis, as Israelis and Palestinians retreat to their most embattled positions, Segev's colorful, provocative book is sure to spark heated debate.

When Zionists first advocated a national home for the Jewish people, they also propounded a revolution in the values that Jews should live by, a whole new way of thinking about Jewish life and Jewish history. Has this revolution in fact occurred? And what the consequences been for Jews and their neighbors? Especially given the extraordinary circumstances that link the United States and Israel, Americans may find the answers to such questions vexing - but the remarkable work of Avishai Margalit goes far to clarify the issues and enlighten the debate. Over the past two decades, Margalit has written major essays for American readers about the political leaders, cultural crises, and historical background of the contemporary Israeli scene. In Views in Review these essays are brought together with new commentary and observations, and their publication in one volume clearly shows that the whole is much more that the sum of its parts. From Ben Gurion to Netanyahu, from "Israeli kitsch" to the meaning of the Holocaust for "the seventh million," Margalit's work traverses the terrain of Israeli life and history and brings a tragically conflicted country into sharp and memorable focus.