NEW YORK TIMES BESTSELLER Now in paperback--Peggy Orenstein, author of the groundbreaking New York Times bestseller Girls & Sex, turns her focus to the sexual lives of young men. "Eye-opening.... Every few pages, the boy world cracks open a little bit.... Even in the most anxiety-provoking moments of Boys & Sex, it's clear that Orenstein believes in the goodness of boys and the men they can become, and she believes in us, as parents, to raise them" (New York Times Book Review). Peggy Orenstein's Girls & Sex broke ground, shattered taboos, and launched conversations about young women's right to pleasure and agency in sexual encounters. It also had an unexpected effect on its author: Orenstein realized that talking about girls is only half the conversation. Boys are subject to the same cultural forces as girls--steeped in the same distorted media images and binary stereotypes of female sexiness and toxic masculinity--which equally affect how they navigate sexual and emotional relationships. In Boys & Sex, Peggy Orenstein dives back into the lives of young people to once again give voice to the unspoken, revealing how young men understand and negotiate the new rules of physical and emotional intimacy. Drawing on comprehensive interviews with young men, psychologists, academics, and experts in the field, Boys & Sex dissects so-called locker room talk; how the word "hilarious" robs boys of empathy; pornography as the new sex education; boys' understanding of hookup culture and consent; and their experience as both victims and perpetrators of sexual violence. By surfacing young men's experience in all its complexity, Orenstein is able to unravel the hidden truths, hard lessons, and important realities of young male sexuality in today's world. The result is a provocative and paradigm-shifting work that offers a much-needed vision of how boys can truly move forward as better men.

The Fifties is a sweeping social, political, economic, and cultural history of the ten years that Halberstam regards as seminal in determining what our nation is today. Halberstam offers portraits of not only the titans of the age: Eisenhower Dulles, Oppenheimer, MacArthur, Hoover, and Nixon, but also of Harley Earl, who put fins on cars; Dick and Mac McDonald and Ray Kroc, who mass-produced the American hamburger; Kemmons Wilson, who placed his Holiday Inns along the nation's roadsides; U-2 pilot Gary Francis Powers; Grace Metalious, who wrote Peyton Place; and "Goody" Pincus, who led the team that invented the Pill. A NEW YORK TIMES BESTSELLER "From the Trade Paperback edition.

From the Publisher: A cultural history of the last forty years, The Age of American Unreason focuses on the convergence of social forces-usually treated as separate entities-that has created a perfect storm of anti-rationalism. These include the upsurge of religious fundamentalism, with more political power today than ever before; the failure of public education to create an informed citizenry; and the triumph of video over print culture. Sparing neither the right nor the left, Jacoby asserts that Americans today have embraced a universe of "junk thought" that makes almost no effort to separate fact from opinion

Tastemaker, n. Anyone with the power to make you eat quinoa. Kale. Spicy sriracha sauce. Honeycrisp apples. Cupcakes. These days, it seems we are constantly discovering a new food that will make us healthier, happier, or even somehow cooler. Chia seeds, after a brief life as a novelty houseplant and I Love the '80s punchline, are suddenly a superfood. Not long ago, that same distinction was held by pomegranate seeds, açai berries, and the fermented drink known as kombucha. So what happened? Did these foods suddenly cease to be healthy a few years ago? And by the way, what exactly is a "superfood" again? In this eye-opening, witty work of reportage, David Sax uncovers the world of food trends: Where they come from, how they grow, and where they end up. Traveling from the South Carolina rice plot of America's premier grain guru to Chicago's gluttonous Baconfest, Sax reveals a world of influence, money, and activism that helps decide what goes on your plate. On his journey, he meets entrepreneurs, chefs, and even data analysts who have made food trends a mission and a business. The Tastemakers is full of entertaining stories and surprising truths about what we eat, how we eat it, and why.

Foreword by Neil Gaiman The world's leading Arthurian authority reimagines one of the most beloved and influential legends--the story of King Arthur and his Knights--for a new century in this gorgeous keepsake edition, illustrated with luminous full-color paintings and drawings by internationally acclaimed Tolkien artist John Howe. The stories of King Arthur and Merlin, Lancelot and Guinevere, Galahad, Gawain, Tristan and the rest of the Knights of the Roundtable, and the search for the Holy Grail have been beloved for centuries and are the inspiration of many modern fantasy novels, films, and shows. These legends began when an obscure Celtic hero named Arthur stepped on to the stage of history sometime in the sixth century, generating a host of oral tales that would be inscribed some 900 years later by Thomas Malory in his classic Morte D'Arthur (The Death of Arthur). The Great Book of King Arthur brings these legends into the modern age, using accessible prose for contemporary readers for the first time. In addition to the stories in Morte D'Arthur, John Matthews includes many tales of Arthur and his knights either unknown to Malory or written in other languages, such as the story of Avenable, the girl brought up as a boy who becomes a famous knight; Morien, whose adventures are as fantastic and exciting as any found in Malory's work; and a retelling of the life of Round Table favorite Gawain, from his strange birth to his upbringing among the poor to his ascension to the highest position--Emperor of Rome. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. The epic hero is represented in such powerful stories as "The Adventures of Eagle-boy" and "The Coming of Merlin," which is based on the early medieval text Vita Merlini and tells a completely new version of the great enchanter's story. The Great Book of King Arthur includes 15 full-color paintings and 25 pencil drawings.

Primetime Propaganda is the story of how television has been used over the past sixty years by Hollywood writers, producers, actors, and executives to promote their liberal ideals, to push the envelope on social and political issues, and to shape America in their own leftist image. In this thoroughly researched and detailed history of the television industry, the conservative columnist and bestselling author Ben Shapiro argues that left-leaning entertainment kingpins in Los Angeles and New York have leveraged—and continue to use—their positions and power to push liberal messages and to promote the Democratic Party while actively discriminating against their opponents on the right. According to Shapiro, television isn't just about entertainment—it's an attempt to convince Americans that the social, economic, and foreign policy shaped by leftism is morally righteous. But don't take his word for it. Shapiro interviewed more than one hundred of the industry's biggest players, including Larry Gelbart ( M*A*S*H ), Marta Kauffman ( Friends ), David Shore ( House ), and Mark Burnett ( Survivor ). Many of these insiders boast that not only is Hollywood biased against conservatives, but that many of the shows being broadcast have secret political messages. After reading this groundbreaking exposÉ, readers will never watch television the same way again.

Named a Best Book of the Year by The Economist , Financial Times , Inc. , Prospect Magazine , and The Conversation “The most comprehensive and reasonable story of this shift that has yet been attempted . . . Mounk has told the story of the Great Awokening better than any other writer who has attempted to make sense of it.” — The Washington Post “An intellectual tour de force about the origins of identity politics and the threat it presents to genuine, honest, old-fashioned liberalism.” — Bret Stephens, The New York Times “Among the most insightful and important books written in the last decade on American democracy and its current torments, because it also shows us a way out of the trap.” —Jonathan Haidt, author of The Righteous Mind , and coauthor of The Coddling of the American Mind “Outstanding.” — David Brooks, The New York Times A fascinating account of the origins of “wokeness”—and a trenchant explanation for why the noble goals of identity politics are doomed to fail For much of history, societies have violently oppressed ethnic, religious, and sexual minorities. It is no surprise that many came to believe that members of mar­ginalized groups need to take pride in their identity to resist injustice. But over the past decades, a healthy appreciation for the culture and heritage of minority groups transformed into our contemporary form of identity politics, a counterproductive obsession with group identity. This new ideology denies that members of different groups can truly understand each other and insists that the way governments treat their citizens should depend on the color of their skin. This, Yascha Mounk argues, is the identity trap. Those who battle for these ideas are often full of good intentions. But they ultimately stand in the way of the genuine equality we desperately need. Mounk was one of the first to warn of the risks that right-wing populists pose to American democracy, a danger that remains as serious as ever. But as he shows here, the identitarian left and the populist right actually reinforce each other; to vanquish one, it is necessary to oppose both. In The Identity Trap , Mounk provides the most ambitious and comprehensive account to date of the origins, consequences, and limitations of “wokeness.” He shows how postmodernism, postcolonialism, and critical race theory conquered many college campuses and forged an “identity synthesis” that gained tremendous influence in business, media, and government by 2020. Finally, Mounk makes a nuanced philosophical case for why these ideas are so counterproductive—and why universal, humanist values can best serve the vital goal of true equality. The Identity Trap provides truth and clarity where they are needed most.

“Step aside Tom Friedman, Sam Huntington, and Amy Chua. Franklin Foer’s dark and witty tale of the soccer world reveals the meaning of globalization in all its joys and horrors.”—Robert Kagan Just in time for the 2026 World Cup in North America—a reissue of the bestselling sports classic, featuring a new preface from the author. With the 2026 World Cup in all three nations of North America, the power and scope of soccer has truly become global. In this remarkably insightful, wide-ranging work, Franklin Foer argues that soccer is much more than a game, or even a way of life. It is a unique window into the crosscurrents of modern globalization, with all of its benefits and pitfalls. Soccer clubs don’t represent geographic areas; they stand for social classes and political ideologies. Unlike baseball or tennis, soccer is freighted with ancient hatreds and history. It’s a sport with real stakes—a catalyst capable of ruining regimes and launching liberation movements. Foer takes us on a surprising tour through the world of soccer, shattering myths and dire predictions. Instead of destroying local cultures, as the left warned, globalization has revived tribalism. Far from the triumph of capitalism that the right anticipated, it has entrenched corruption. From Brazil to Bosnia, Italy to Iraq, How Soccer Explains the World is an eye-opening chronicle of how a beautiful sport and its fanatical followers can illuminate the fault lines of a society, whether it’s terrorism, poverty, anti-Semitism, authoritarianism, or radical Islam—issues that continue to affect all of us. At a time when globalization is under attack and many Americans yearn for retrenchment and retreat from the world, this remarkable book—filled with blazing intelligence, colorful characters, wry humor, and an equal passion for soccer and humanity—continues to make sense of our troubled times.

When the Beatles touched down in New York on February 7, 1964 for their first visit to America, they brought with them a sound that hadn't been heard before. By the time they returned to England two weeks later, major changes in music, fashion, the record industry, and the image of an entire generation had been set into motion. Coming less than three months after the assassination of President Kennedy, the Beatles' visit helped rouse the country out of mourning. A breathless and condescending media concentrated on the band's hairstyles and their adoring fans, but their enduring importance lay in their music, their wit, and style, a disconnect that signaled the beginning of the generation gap. In this intriguing cultural history, Martin Goldsmith examines how and why the Beatles struck such a lasting chord.

NEW YORK TIMES BESTSELLER - A powerful collection of the influential columnist's most important works--featuring rare speeches and a major new essay about today's populist movements and the future of global democracy "Charles will be remembered as one of the greatest public intellects of his generation."--John McCain In his decades of work as America's preeminent political commentator, whether writing about statecraft and foreign policy or reflecting on more esoteric topics such as baseball, spaceflight and medical ethics, Charles Krauthammer elevated the opinion column to a form of art. This collection features the columns, speeches and unpublished writings that showcase the best of his original thought and his last, enduring words on the state of American politics, the nature of liberal democracy and the course of world history. The book also includes a deeply personal section offering insight into Krauthammer's beliefs about what mattered most to him: friendship, family and the principles he lived by. The Point of It All is a timely demonstration of what made Charles Krauthammer the most celebrated American columnist and political thinker of his generation, a revealing look at the man behind the words and a lasting testament to his belief that anyone with an open and honest mind can grapple deeply with the most urgent questions in politics and in life.

"Pronged ants, horned humans, a landscape carved on a fruit pit--some of the displays in David Wilson's Museum of Jurassic Technology are hoaxes. But which ones? As he guides readers through an intellectual hall of mirrors, Lawrence Weschler revisits the 16th-century "wonder cabinets" that were the first museums and compels readers to examine the imaginative origins of both art and science"

In this thoroughly researched, scrupulously annotated and shockingly provocative book you’ll learn: how and why Cannabis prohibition began and what that has meant to America ; all the uses of hemp as medicine, food, fuel, fiber, paper, and as a plastic replacement ; the straight dope on marijuana smoke and its effect on the human body ; who profits from the prohibition and criminalization of Cannabis ; what you can do to speed up legalization and profit from the coming changes.

Since 2000, America s most ambitious young evangelicals have been making their way to Patrick Henry College, a small Christian school just outside the nation s capital. Most of them are homeschoolers whose idealism and discipline put the average American teenager to shame. At "God s Harvard" they are groomed to become tomorrow s elite. Diplomas in hand, they are dispatched to the front lines of politics, entertainment, and science, where they will lead the battle to take back a godless nation. Hanna Rosin spent a year and a half embedded at the college, following students from the campus to the White House, Congress, conservative think tanks, Hollywood, and other centers of influence. Her account captures this nerve center of the evangelical movement at a moment of maximum influence and also of crisis, as it struggles to avoid the temptations of modern life and still remake the world in its own image. "

A revised edition of this celebrated cultural history features a new afterword and three new chapters focusing on the global K-pop phenomenon BTS, as well as the Academy Award–winning film Parasite and the hit Netflix series Squid Game. In this fresh, funny, and insightful cultural history, Euny Hong recounts how South Korea vaulted itself into the twenty-first century, becoming a global leader in business, technology, education, and pop culture. Along the way we meet teachers, cultural critics, Michelin-starred chefs, pop music superstars, and government ministers in charge of creating boy bands with highly synchronized dance moves. The strict rigors of the Korean education system now lead to a society that works and plays hard—with a Ministry of Culture that churns out movies, television dramas, pop bands, and video games exported throughout the world. The Birth of Korean Cool reveals how a really uncool country became cool, and how a nation that once banned miniskirts, long hair on men, and rock and roll could come to be known for its pop music and the smartphone in everyone’s pocket. This revised edition features a new afterword and three new chapters focusing on the global K-pop phenomenon BTS, as well as the Academy Award-winning film Parasite and the hit Netflix series Squid Game.

The number one New York Times bestselling author of Bias delivers another bombshell—this time aimed at . . . 100 People Who Are Screwing Up America No preaching. No pontificating. Just some uncommon sense about the things that have made this country great—and the culprits who are screwing it up. Bernard Goldberg takes dead aim at the America Bashers (the cultural elites who look down their snobby noses at "ordinary" Americans) . . . the Hollywood Blowhards (incredibly ditzy celebrities who think they're smart just because they're famous) . . . the TV Schlockmeisters (including the one whose show has been compared to a churning mass of maggots devouring rotten meat) . . . the Intellectual Thugs (bigwigs at some of our best colleges, whose views run the gamut from left wing to far left wing) . . . and many more. Goldberg names names, counting down the villains in his rogues' gallery from 100 all the way to 1—and, yes, you-know-who is number 37. Some supposedly "serious" journalists also made the list, including the journalist-diva who sold out her integrity and hosted one of the dumbest hours in the history of network television news. And there are those famous miscreants who have made America a nastier place than it ought to be—a far more selfish, vulgar, and cynical place. But Goldberg doesn't just round up the usual suspects we have come to know and detest. He also exposes some of the people who operate away from the limelight but still manage to pull a lot of strings and do all sorts of harm to our culture. Most of all, 100 People Who Are Screwing Up America is about a country where as long as anything goes, as one of the good guys in the book puts it, sooner or later everything will go. This is serious stuff for sure. But Goldberg will also make you laugh as he harpoons scoundrels like the congresswoman who thinks there aren't enough hurricanes named after black people, and the environmentalist to the stars who yells at total strangers driving SUVs—even though she tools around the country in a gas-guzzling private jet. With Bias, Bernard Goldberg took us behind the scenes and exposed the way Big Journalism distorts the news. Now he has written a book that goes even further. This time he casts his eye on American culture at large—and the result is a book that is sure to become the voice of all those Americans who feel that no one is speaking for them on perhaps the most vital issue of all: the kind of country in which we want to live.

It’s the summer of 1966... The fundamental old ways: chastity, rationality, harmony, sobriety, even democracy: blasted to nothing or crumbling under siege. The city glows. It echoes. It pulses. It bleeds pastel and fuzzy, spicy, paisley and soft. This is how it's always going to be: smashing clothes, brilliant music, easy sex, eternal youth, the eyes of everybody, everyone's first thought, the top of the world, right here, right now: Swinging London. Shawn Levy has a genius for unearthing the secret history of popular culture. The Los Angeles Times called King of Comedy , his biography of Jerry Lewis, "a model of what a celebrity bio ought to be–smart, knowing, insightful, often funny, full of fascinating insiders' stories," and the Boston Globe declared that Rat Pack Confidential "evokes the time in question with the power of a novel, as well as James Ellroy's American Tabloid and better by far than Don DeLillo's Underworld. " In Ready, Steady, Go! Levy captures the spirit of the sixties in all its exuberance. A portrait of London from roughly 1961 to 1969, it chronicles the explosion of creativity–in art, music and fashion–and the revolutions–sexual, social and political–that reshaped the world. Levy deftly blends the enthusiasm of a fan, the discerning eye of a social critic and a historian's objectivity as he re-creates the hectic pace and daring experimentation of the times–from the utter transformation of rock 'n' roll by the Beatles and the Rolling Stones to the new aesthetics introduced by fashion designers like Mary Quant, haircutters like Vidal Sassoon, photographers like David Bailey, actors like Michael Caine and Terence Stamp and filmmakers like Richard Lester and Nicolas Roeg to the wild clothing shops and cutting-edge clubs that made Carnaby Street and King's Road the hippest thoroughfares in the world. Spiced with the reminiscences of some of the leading icons of that period, their fans and followers, and featuring a photographic gallery of well-known faces and far-out fashions, Ready, Steady, Go! is an irresistible re-creation of a time and place that seemed almost impossibly fun.

Dancing in the Dark shows how our worst economic crisis, as it eroded American individualism and punctured the American dream, produced in the 1930s some of the greatest writing, photography, and mass entertainment ever seen in this country.

"Dancing in the Dark shows how our worst economic crisis, as it eroded American individualism and punctured the American dream, produced in the 1930s some of the greatest writing, photography, and mass entertainment ever seen in this country"--OCLC

The popular authority on movies, television, and video now tunes in to the Golden Age of Radio. This fascinating and long-overdue celebration of the way things were includes... -- Behind the scenes stories about Orson Welles, Lucille Ball, Jack Benny, Bob Hope, Kirk Douglas, Joan Crawford, Bette Davis, and many, many others -- The history of radio soap operas, westerns, variety shows, comedies, and thrillers -- Hundreds of revealing personal interviews with radio legends -- More than 125 rare photographs and illustrations

Almost from the moment its inaugural issue appeared in September 1995, The Weekly Standard has been widely considered the nation's preeminent journal of political opinion and cultural commentary -- and the one magazine you've absolutely got to read if you want to keep up with American conservatism. Beyond reporting the events of the times, The Weekly Standard has played a central role in every major political drama of the past decade. In fact, so influential has it proved in Washington -- year in and year out, no matter which party controlled the White House -- that it's become a must-read for anyone who wants to understand American politics and society as a whole. Now, in The Weekly Standard: A Reader, editor William Kristol gathers together some of the very best articles and essays the magazine has published in its first decade. The dramas are here, of course: the "Republican Revolution" in Congress; Monica Lewinsky; the Florida recount of 2000; and, above all, 9/11 and the war on terrorism. And on hand to recount and reflect on them is The Weekly Standard's matchless, all-star stable of writers: Fred Barnes, David Brooks, Tucker Carlson, and P. J. O'Rourke, to name just a few. But there's always been much more to The Weekly Standard than just the week's news. So The Weekly Standard: A Reader is not merely an anthology of unsurpassed opinion journalism. Here readers will find an enormous treasury of timeless writing about dozens of subjects -- art, books, music, movies, you name it -- each handled with the same unique blend of insider savvy, reflective wisdom, and mordant wit that's earned The Weekly Standard an authoritative place in American public life.