It came in a plain brown wrapper, no return address - an audiocassette recording of a horrifying, soul-lacerating scream, followed by the sound of a childlike voice delivering the enigmatic and haunting message: . Bad love. Bad love. Don't give me the bad love... For Alex Delaware, the chant, repeated over and over like a twisted nursery rhyme, is the first intimation that he is about to enter a living nightmare. Others soon follow: disquieting laughter echoing over a phone line that suddenly goes dead, a chilling trespass outside his home in the middle of the night, a sickening act of vandalism. He has becoine the target of a carefully orchestrated campaign of vague threats and intimidation rapidly building to a crescendo as harassment turns to terror, mischief to madness. Searching his memory for the phrase bad love, Alex recalls a symposium he attended over a decade ago commemorating the work of Dr. Andres de Bosch, the celebrated child psychologist who ran a clinic for troubled adolescents. With the help of his friend LAPD detective Milo Sturgis, Alex discovers a seemingly random series of violent deaths - a hit-and-run, a suicidal leap from a high rise, and a brutal mutilation-murder - that may somehow be related to de Bosch. As he delves deeper into the history of the clinic, the escalating pattern of violence becomes inescapably clear. And if Alex fails to decipher the twisted logic of the stalker's mind games, he will be the next to die. Taut, penetrating, terrifying, Bad Love is vintage Kellerman.

This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, th[Bokinfo]

When the phone rings in the middle of the night, child psychologist Alex Delaware does not hesitate. Driving through the dream-lit San Fernando Valley, Alex rushes to Jamey Cadmus, the patient he had failed five years before—and who now calls with a bizarre cry for help. But by the time Alex reaches Canyon Oaks Psychiatric Hospital, Jamey is gone, surfacing a day later in the hands of the police, who believe Jamey is the infamous Lavender Slasher, a psychotic serial killer. Wooed by a high-powered attorney to build a defense, Alex will get a chance to do what he couldn’t five years ago. And when he peers into a family’s troubled history and Jamey’s brilliant, tormented mind, the psychologist puts himself at the heart of a high-profile case. Because Alex knows that in a realm of money, loss, and madness, something terrible pushed Jamie over the edge—or else someone is getting away with murder.

With scores of millions of books in print, translation into two dozen languages, and one of the most popular heroes in contemporary fiction to his name, #1 New York Times bestselling author Jonathan Kellerman is the unequivocal “master of the psychological thriller” (People). In his newest novel Kellerman delivers a tour de force–poignant, dark, and chilling–that illuminates a shadowy world where impulse rules. Tanya Bigelow was a solemn little girl when Dr. Alex Delaware successfully treated her obsessive-compulsive symptoms. Now, at nineteen, she still seems older than her years–but her problems go beyond hyper-maturity. Patty Bigelow, Tanya’s aunt and adoptive mother, has made a deathbed confession of murder and urged the young woman to seek Delaware’s help. The doctor recalls Patty as a selfless E.R. nurse struggling to raise a child on her own–a woman seemingly incapable of the “terrible thing” she has admitted. But for Tanya’s peace of mind, Delaware agrees to investigate, and he enlists LAPD detective Milo Sturgis in the search for the phantom victim of a crime that may never have occurred. Armed with only the vaguest details, psychologist and cop follow a trail twisting from L.A.’s sleaziest low-rent districts to its overblown mansions, retracing Patty and Tanya’s nomadic and increasingly puzzling life to the doorsteps of a sullen heroin addict; a randy real-estate broker; and a brilliant, enigmatic physics student. Suddenly a very real murder tears open a terrifying tunnel into the past, where secrets–and bodies–are buried. As the tension mounts, Delaware and Sturgis uncover a tangled history of desperation, vengeance, and death–a legacy of evil that refuses to die. Dramatic, action-packed, and filled with the psychological detail that only Jonathan Kellerman can provide, Obsession is a whodunit, a whydunit–and something unique: a did-it-even-happen? This is Kellerman at his heart-racing best. From the Hardcover edition.

Longlisted for the Booker Prize Named a Best Book of the Year By: The New York Times Book Review (Notable Books of the Year) * The New York Public Library * The Washington Post * Time.com * The New York Times Critics' (Parul Seghal's Top Books of the Year) * St. Louis Post Dispatch * Apple * Publisher's Weekly An electrifying novel about beauty, envy, and carelessness from Deborah Levy, author of the Booker Prize finalists Hot Milk and Swimming Home. It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life. The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine, East and West, past and present--to reveal the full spectrum of our world.

Acclaimed novelist Austin Grossman reimagines the ultimate American antihero. Richard Milhous Nixon lived one of the most improbable lives of the twentieth century. Our thirty-seventh president's political career spanned the button-down fifties, the Mad Men sixties, and the turbulent seventies. He faced down the Russians, the Chinese, and ultimately his own government. The man went from political mastermind to a national joke, sobbing in the Oval Office, leaving us with one burning question: how could he have lost it all? Here for the first time is the tale told in his own words: the terrifying supernatural secret he stumbled upon as a young man, and the truth behind the Cold War. What if the man we call our worst president was, in truth, our greatest? Combining Lovecraftian suspense and international intrigue, Crooked is a masterwork of alternative history, equal parts mesmerizing character study and nail-biting Faustian thriller.

Originally published in 1973, the groundbreaking, uninhibited story of Isadora Wing and her desire to fly free caused a national sensation. In "The New York Times," Henry Miller compared it to his own classic, "Tropic of Cancer" and predicted that "this book will make literary history..." It has sold more than twelve million copies. Now, after thirty years, the revolutionary novel known as "Fear of Flying" still stands as a timeless tale of self-discovery, liberation, and womanhood.

Former child prodigy Ben Ziskind—5'6", 123 pounds and legally blind—steals a Marc Chagall painting at the end of an alienating singles cocktail hour at a local museum, determined to prove that its provenance is tainted and that it belongs to his family. With surety and accomplishment, Horn telescopes out into Ziskind's familial history through an exploration of Chagall's life; that of Chagall's friend the Yiddish novelist Der Nister; 1920s Soviet Russia and its horrific toll on Russian Jews; the nullifying brutality of Vietnam (where Ben's father, Daniel, served a short, terrifying stint); and the paradoxes of American suburbia, a place where native Ben feels less at home than the teenage Soviet refugee Leonid Shcharansky. Ben's relationship with his pregnant twin sister, Sara, a painter who eventually tries to render a forgery of the painting to return to the museum, is a damply compelling exposition of what it means to have someone biologically close but emotionally distant.

"Cassie and Zoe Griffin were born just a year apart, but the sisters could not have been more different. Zoe, beautiful and charming, grew up with a burning desire for fame, making up for a lack of natural talent with hard work and determination. Cassie, though, had a gift. She was uncomfortable in her plus-sized body and preferred to be in the shadows, she was a musical prodigy. On the threshold of adulthood, the sisters are discovered by a record label and become the Griffin Sisters, a band that quickly skyrockets to fame, reaching the heights of pop stardom: MTV, VH1, the Billboard charts, and every marker of a dream come true. Cassie's musical gifts make her the voice of a generation and while the spotlight tests her spirit, it also opens her heart to possibilities for connection she has never considered. Zoe gets everything she thought she wanted: international fame and the paparazzi, the couture-and the man-that go with it. But twenty years later, everything has changed. Cassie lives in seclusion in Alaska. Zoe has abandoned her music dreams for suburban motherhood in New Jersey. The Griffin Sisters are long gone, and the devil's bargain of celebrity has exacted a high price that drives the sisters apart and nearly destroys them both. And yet Zoe's teenage daughter Cherry has inherited her family's talent and stage presence, and will stop at nothing to achieve the very dream of pop stardom her mother has warned her against-opening the wounds of their shared history in the process. Both sisters must face the consequences of choices from the past: the ones they made and the ones the music industry made for them. Can the mistakes of the past be redeemed, and can broken bonds be repaired? In this stirring and soul-bearing novel, Jennifer Weiner brings to life the heartache, joy, and glory of the glamorous but shattering Golden Age of pop music, and a celebrates the power of love and forgiveness, even after the music stops"--

Michelle Huneven, Richard Russo once wrote, is "a writer of extraordinary and thrilling talent." That talent explodes with her third book, "Blame," a spellbinding novel of guilt and love, family and shame, sobriety and the lack of it, and the moral ambiguities that ensnare us all. The story: Patsy MacLemoore, a history professor in her late twenties with a brand-new Ph.D. from Berkeley and a wild streak, wakes up in jail--"yet again"--after another epic alcoholic blackout. "Okay, what'd I do?" she asks her lawyer and jailers. "I really don't remember." She adds, jokingly: "Did I kill someone?" In fact, two Jehovah's Witnesses, a mother and daughter, are dead, run over in Patsy's driveway. Patsy, who was driving with a revoked license, will spend the rest of her life--in prison, getting sober, finding a new community (and a husband) in AA--trying to atone for this unpardonable act. Then, decades later, another unimaginable piece of information turns up. For the reader, it is an electrifying moment, a joyous, fall-off-the-couch-with-surprise moment. For Patsy, it is more complicated. Blame must be reapportioned, her life reassessed. What does it mean that her life has been based on wrong assumptions? What can she cleave to? What must be relinquished? When Huneven's first novel, "Round Rock," was published, Valerie Miner, in the "Los Angeles Times Book Review," celebrated Huneven's "moral nerve, sharp wit and uncommon generosity." The same spirit electrifies "Blame." The novel crackles with life--and, like life, can leave you breathless.

This brilliant new novel by an American master, the author of Ragtime, The Book of Daniel, Billy Bathgate, and The March, takes us on a radical trip into the mind of a man who, more than once in his life, has been the inadvertent agent of disaster. Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. And as he confesses, peeling back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Written with psychological depth and great lyrical precision, this suspenseful and groundbreaking novel delivers a voice for our times—funny, probing, skeptical, mischievous, profound. Andrew's Brain is a surprising turn and a singular achievement in the canon of a writer whose prose has the power to create its own landscape, and whose great topic, in the words of Don DeLillo, is “the reach of American possibility, in which plain lives take on the cadences of history.” Praise for Andrew's Brain “Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow's remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.” — USA Today “ Andrew's Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he's both maddeningly self-delusive and scarily self-aware: He's a fool, but he's no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character's whirligig consciousness, can.” — The New York Times Book Review “A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [ Andrew's Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.” — The Sunday Times (London) “Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.” — San Francisco Chronicle “Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they've never imagined.” — The Plain Dealer “Andrew's ruminations can be funny, and his descriptions gorgeous.” —Associated Press “[An] evocative, suspenseful novel about the deceptive nature of human consciousness.” — More “A quick and acutely intelligent read.” — Entertainment Weekly From the Hardcover edition.

From the author of the best-selling memoir Slow Motion (“Chilling . . . her vision is unblinking”—New York Times Book Review; “Riveting . . . a breathtaking combination of candor and bravado”—San Francisco Chronicle), a ferociously paced new novel about a woman losing control of her life, her marriage, and her kids, and discovering that you can do everything right and still find the world you’ve made slipping away. Rachel Jensen has it all: a husband she adores, challenging work in art restoration, a terrific teenage daughter, and a new baby on the way. Then her infant son is injured in an accident in her daughter’s arms, and that accident begets a terrifying lie. Set in a small Massachusetts town, Family History is about a family spiraling toward disintegration, the terrible force of guilt in children, and a mother’s nightmarish realization that she cannot protect her own child. As the life the Jensens have so carefully built begins its slow collapse, we see with excruciating clarity the frailty of our strongest allegiances and the precarious ledge upon which our most vital relations—marriage, parenthood—are balanced. Family History blazes through this intimate and highly charged territory with stunning velocity, and marks a bold new step forward for the prodigiously gifted Dani Shapiro.

May 4th, 1970. A week earlier President Nixon has ordered American ground forces into Cambodia to pursue the Vietcong. By the end of the day four students will be shot dead by the National Guards in the grounds of Kent State University. On the other side of the Atlantic, it's a brilliant sunny morning after an April of heavy rain, and at the "Concept House" therapeutic community he has set up in the London suburb of Willesden, maverick psychiatrist Dr Zack Busner has been tricked into joining a decidedly ill advised LSD trip with several of its disturbed residents. Five years later, sitting in a nearby cinema watching Steven Spielberg's Jaws , Busner realizes the true nature of the events that transpired on that dread-soaked day, when a survivor of the worst disaster in the US Navy's history - the sinking of the USS Indianapolis - came face-to-face with the British Royal Air Force observer on the Enola Gay's mission to bomb Hiroshima. Set a year before the action of his Booker-shortlisted Umbrella , Will Self's new novel Shark continues its exploration of the complex relationship between human psychopathology and human technological progress.

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor--while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father's job at a silent film theater in New York's East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself--as Professor John Woman, a man who will spread Herman's teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.

Poxl West fled the Nazis' onslaught in Czechoslovakia. He escaped their clutches again in Holland. He pulled Londoners from the Blitz's rubble. He wooed intoxicating, unconventional beauties. He rained fire on Germany from his RAF bomber. Poxl West is the epitome of manhood and something of an idol to his teenage nephew, Eli Goldstein, who reveres him as a brave, singular, Jewish war hero. Poxl fills Eli's head with electric accounts of his derring-do, adventures and romances, as he collects the best episodes from his storied life into a memoir. He publishes that memoir, Skylock, to great acclaim, and its success takes him on the road, and out of Eli's life. With his uncle gone, Eli throws himself into reading his opus and becomes fixated on all things Poxl. But as he delves deeper into Poxl's history, Eli begins to see that the life of the fearless superman he's adored has been much darker than he let on, and filled with unimaginable loss from which he may have not recovered. As the truth about Poxl emerges, it forces Eli to face irreconcilable facts about the war he's romanticized and the vision of the man he's held so dear. Daniel Torday's debut novel, "The Last Flight of Poxl West, " beautifully weaves together the two unforgettable voices of Eli Goldstein and Poxl West, exploring what it really means to be a hero, and to be a family, in the long shadow of war.

The scene is Charleston, South Carolina; the time, the 1920s, when old ladies dream of the past and a strange new dance, "the Charleston," is seducing the youth of the city. Years later, whispers emerge of something baffling and tragic that happened back then. As an old man confronts those demanding the truth, we catch brilliant flashes of the confrontation between the dark, doomed Hirsch Hess, son of immigrants, and the fantastically ethereal Ned Grimke, a scion of the city. Told in intoxicatingly beautiful prose, this story of passion, beauty and the deadly effects of sexual repression takes us to a specific time and place, yet simultaneously blossoms as a universal tale of the human heart in conflict with its era. This cult classic, set in the most intriguing period of one of America's most beautiful cities, is now restored to print with an afterword by its author that traces the facts upon which it is based.

Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

Award-winning novelist, journalist, and playwright Rick Salutin takes us into the world of his protagonist, Max -- economist, leftist, and reluctant but incorrigible womanizer. Max’s amorous adventures begin at the age of eight when the young Casanova finds himself running from the scene of his first crime, a surreptitious kiss on the couch with the neighbour’s daughter. For the next few decades women become participants in Max’s awkward and often hilarious journey to self-discovery -- some willing, some reluctant, some unwitting. We follow Max from the 50s to the 90s, through shifting sexual codes and practices, from Toronto to London and Paris, and, most importantly, from one woman to another. He is doomed to repeat this history until he learns from it. Resonant with authority, experience, and self-deprecating insight, The Womanizer explores the riddles of growing up and the discovery that we understand ourselves only through others and that our most intimate moments are clues to our true selves.

“The sly courage, the deft intelligence, and the fierceness of vision that we, his fans, have come to expect from a Rafael Yglesias novel all blaze brightly forth--and cast very dark shadows--inThe Wisdom of Perversity.” —Michael Chabon, author of Telegraph Avenue Brian and Jeff were best friends, growing up together in New York City in the late 1960s. Then something unspeakable happened that ended both their friendship and their childhoods. For forty years, their shared secret lay buried, but new circumstances have forced them to face the consequences of their silence. The predator who sexually abused them, as well as Jeff’s cousin, Julie, and countless others, has been exposed by more recent victims, but his wealth and privilege may protect him from punishment. Brian, Jeff, and Julie must weigh devastating choices: to tell all and risk their carefully constructed lives or face the likelihood that others will be victimized. Rafael Yglesias, critically acclaimed bestselling novelist and screenwriter, unmasks the headlines, giving voice to what has been left unsaid and light to what has been hidden.The Wisdom of Perversity is a startling, engrossing, unsettling, and moving story of surviving an insidious evil and of a triumphant struggle to heal its wounds. “Here is the antithesis of Nabokov’s Lolita . . . Set beside the grim literalness ofThe Wisdom of Perversity, as beside any case history of sexual abuse, Lolita is a lark, an extravagance, a phantasm of romance, a tour de force, a jubilant metaphor. Yglesias has known the real thing, and has chosen not to refashion it into anything other than itself.” —Joyce Carol Oates, The New York Times Book Review “An affecting novel that is big-screen lurid without being superficial or too slick . . . [with] a touch of Agatha Christie-like mystery.”—Kirkus Reviews “Yglesias delivers a powerful message about victimization, healing, and empowerment in a novel that is as timely as it is poignant.”—Booklist