Yosemite is a world-famous location that has attracted photographic greats like Eadweard Muybridge, Edward Weston, and Ansel Adams, along with environmentalists, mountaineers, and countless tourists. Yosemite in Time puts this landscape and its history in a new perspective, with Mark Klett and Byron Wolfe's original photographs and panoramas, together with rephotographs of some of the most enduring images taken at Yosemite. In three essays, noted critic Rebecca Solnit brings in nature, culture, and politics to look through the past to understand the present. As she writes in her introduction, "Yosemite is a singular place onto which are mapped myriad expectations and desires." To track many of those designs, Klett, Solnit, and Wolfe made multiple expeditions over three years. They found the exact points where Muybridge, Weston, and Adams stood to photograph what would become seminal views of a grand landscape; they replicated the exact time of day and year of the earlier photographs in order to get exactly the same angle of light. While Klett and Wolfe brought both precision and invention to their rephotography, Solnit reconstructed the layers of meaning and overlapping ideas entwined with the "steep, intricate, hallowed, scarred landscape of Yosemite." Together, the photographs and essays reconsider the iconic status of Yosemite in America's conception of wilderness, examine how the place was interpreted by early Euro-Americans, and show how our conceptions of landscape have altered and how the landscape has changed--or not--over time. Arresting and incisive, Yosemite in Time explores the environmental and photographic history, science, and politics of a site that has long captured our collective imagination.

Ben Hecht: 1001 Afternoons in Chicago is a compilation of more than 60 columns written for the Chicago Daily News that Hecht's editor called "journalism extraordinary; journalism that invaded the realm of literature." The hardboiled audacity and wit that became Ben Hecht's signature as Hollywood's most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history. Ben Hecht's collection, as presented in 1001 Afternoons in Chicago, is a timeless caricature of urban American life in the jazz age. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Ben Hecht captures 1920s Chicago in all its furor, intensity, and absurdity. Hecht's book offers scruffy time capsules of an earlier Chicago, an era that is long gone but still recognizable to readers'' imaginations. Michigan Avenue, Lake Michigan, street names such as Dearborn and Adams and LaSalle and Wabansia, places such as the Art Institute of Chicago--they''re all here. In Ben Hecht's words, Chicago is a razzle-dazzle of dreams, tragedies, fantasies, and his tales capture gorgeous scraps of it, vivid vignettes starring businessmen and hobos and cops and socialites and janitors. . . . Thanks to 1001 Afternoons in Chicago, Chicago of 1922 and the Chicago of 2009 bump into each other, shake hands, exchange greetings. Then, this being Chicago, they go for a drink and talk about old times.