"It was...unnecessary for me to fret about who the murderer was: Everybody was." A haunting, never-before-translated, autobiographical novella by the 2002 Nobel Prize winner. An unnamed narrator recounts a simple anecdote, his sighting of the Union Jack—the British Flag—during the Hungarian Revolution of 1956, in the few days preceding the uprising's brutal repression by the Soviet army. In the telling, partly a digressive meditation on "the absurd order of chance," he recalls his youthful self, and the epiphanies of his intellectual and spiritual awakening—an awakening to a kind of radical subjectivity. In his Nobel address Kertesz remembered: "I, on a lovely spring day in 1955, suddenly came to the realization that there exists only one reality, and that is me, my own life, this fragile gift bestowed for an uncertain time, which had been seized, expropriated by alien forces, and circumscribed, marked up, branded—and which I had to take back from 'History', this dreadful Moloch, because it was mine and mine alone..." The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

Erich Lessing's landmark photographs of the Hungarian Revolution, published to mark the 50th anniversary of the uprising. On October 23, 1956, what began as a mass rally in Budapest quickly evolved into the Hungarian Revolution. Within days, millions of Hungarians were supporting the revolt. It lasted until November 4th when it was crushed by Hungarian Security Police and Soviet tanks and artillery. Between 25,000 and 50,000 Hungarian rebels and 7,000 Soviets were killed, thousands were injured, and nearly a quarter of a million people left the country as refugees. Erich Lessing was the first photographer to arrive in Hungary, and he documented the short-lived uprising and its aftermath in a series of world-famous photographs, reproduced here in stunning duotone. They bring to life once more the hope and euphoria of the first days of the revolt, so soon to be followed by the pain and punishment of its brutal suppression. 230 duotone illustrations.

This book, first published in 1983, is a radical reinterpretation of the Hungarian revolution in the context of world politics and Eastern Europe as a whole. It examines the events and protagonists with a fresh eye, and relies on witnesses and participants for the rigorous documentary backing.

This book, first published in 1983, is a radical reinterpretation of the Hungarian revolution in the context of world politics and Eastern Europe as a whole. It examines the events and protagonists with a fresh eye, and relies on witnesses and participants for the rigorous documentary backing.