The biblical tale of Noah and the Flood has been interpreted in many different ways through the ages, mirroring the many changes in Western beliefs and values. In this masterly and beautifully illustrated book, Norman Cohn, the author of The Pursuit of the Millennium and Cosmos, Chaos and the World to Come, explores the origins, development, and varying interpretations of this ancient story and assesses its impact on the history of ideas. The roots of the Flood story, Cohn explains, lie in Mesopotamian mythology. But its meaning was totally transformed by the authors of Genesis so that it became a message of hope for Jews and later a prefiguring of salvation for Christians. Cohn then shows how, under the impact of the scientific revolution of the seventeenth century, the story came to be understood in a new way. Between the seventeenth and the nineteenth centuries it was closely associated with the development of scientific geology, which it both helped and hindered. From the late eighteenth century until the present day the story of Noah's Flood has been involved also in the conflict between traditional religious beliefs and science and the attempts to harmonize the two. Cohn describes how, while geological and palaeontological discoveries were calling the historicity of the Flood into question, fundamentalists have continued to champion it, even to the extent of searching for the landing site of the ark. Finally, he considers how, in the course of the present century, the story has been interpreted as a solar myth, a lunar myth, a fertility myth, and even (psychoanalytically) as an expression of male resentment against women. Wide ranging and compellingly narrated, the book includesintriguing accounts of the scholars and theologians who endorsed or rejected the Flood story and contributed to its powerful resonance over two thousand years.

This is a study of the ancient Jewish and Christian apocalypses involving ascent into heaven, which have received little scholarly attention in comparison to apocalypses concerned primarily with the end of the world. Recent developments like the publication of the Aramaic Enoch fragments from Qumran and interest in questions of genre in the study of the apocalypses make this a particularly appropriate time to undertake this study. Martha Himmelfarb places the apocalypses in relation to both their biblical antecedents and their context in the Greco-Roman world. Her analysis emphasizes the emergence of the understanding of heaven as temple in the Book of the Watchers, the earliest of these apocalypses, and the way in which this understanding affects the depiction of the culmination of ascent, the hero's achievement of a place among the angels, in the ascent apocalypses generally. It also considers the place of secrets of nature and primeval history in these works. Finally, it offers an interpretation of the pseudepigraphy of the apocalypses and their function.