In the underbelly of Las Vegas, a cesspool of warring biker gangs and seedy strip clubs, gawky, brace-faced Jenna Massoli was transformed into the bombshell Jenna Jameson. Today, Jenna is the biggest star in the history of adult movies, consistently ranked as one of the most beautiful women alive. But behind the glamour and the meteoric rise to fame was a path paved with tragedy and heartbreak. As a teenager—drawn into a dark and chaotic world where rape, abuse, and murder were commonplace—Jenna began her rapid downward spiral of addiction and degradation . . . while at the same time becoming the porn world's biggest crossover success story. Her intimate memoir, How to Make Love Like a Porn Star , is a shocking sexual history, an insider's guide to the secret workings of the billion-dollar adult film industry, and a gripping thriller that probes deeply into Jenna's dark past. Mix in hilarious anecdotes, adrenaline-pumping triumphs, and photos from Jenna's private collection, and you have a tell-all autobiography unlike any other.

From the first day that the beguiling Sheba Hart joins the staff at St George's, history teacher Barbara Covett is convinced that she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered to be having an illicit affair with one of her young pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story and, as Sheba will soon discover, a friend can be just as treacherous as any lover. Now a major motion picture starring Judi Dench, Cate Blanchett and Bill Nighy.

"From Teen Vogue sex and love columnist Nona Willis Aronowitz, a blend of memoir, social history, and cultural criticism that probes the true meaning of desire and sexual freedom in today's age. At thirty-two years old, everything in Nona's life, and in America, was in extreme disarray. Her marriage was falling apart. Her nuclear family was slipping away. Her heart and libido were suffering from overexposure. Embroiled in an era of fear, reckoning, and reimagining, her assumptions of what "sexual liberation" meant were suddenly up for debate. It was in that moment of personal and political sea change that Nona turned to the words of history's sexual revolutionaries-including the writing of her late mother, early radical pro-sex feminist Ellen Willis. At a time when sex has never been more accepted and feminism has never been more mainstream, Nona asked herself: What, exactly, do I want? And are my sexual and romantic desires even possible amid the horrors and bribes of patriarchy, capitalism, and white supremacy? Bad Sex places Nona's intimate history alongside her family history and other stories stretching back nearly two hundred years: those of ambivalent wives and unchill sluts, Free Lovers and radical lesbians, sensitive men and woke misogynists, women who risk everything for sex, who buy sex, reject sex, have bad sex and good sex. The result is a brave, bold, and vulnerable exploration of the enduring barriers to sexual freedom. This book lays bare the triumphs and flaws of contemporary feminism and also helps shine a light on universal questions of desire"--

In Love Stories, Jonathan Ned Katz presents stories of men's intimacies with men during the nineteenth century--including those of Abraham Lincoln--drawing flesh-and-blood portraits of intimate friendships and the ways in which men struggled to name, define, and defend their sexual feelings for one another. In a world before "gay" and "straight" referred to sexuality, men like Walt Whitman and John Addington Symonds created new ways to name and conceive of their erotic relationships with other men. Katz, diving into history through diaries, letters, newspapers, and poems, offers us a clearer picture than ever before of how men navigated the uncharted territory of male-male desire.

Surveys a decade of the attempt to reconstruct and understand the meaning and value of butch-femme relations for the contemporary lesbian, drawing on oral history, fiction, poetry, and fantasy. -- From the Amazon

Product Description In this thoroughly updated second edition, Judith Walzer Leavitt, a leading authority on the history of women's health issues, has collected thirty-five articles representing important scholarship in this once-neglected field. Timely and fascinating, this volume is organized chronologically and then by topic, covering studies of women and health in the colonial and revolutionary periods and the nineteenth century through the Civil War. The remainder of the book concentrates on the late nineteenth and twentieth centuries and addresses such controversial issues as body image and physical fitness, sexuality, fertility, abortion and birth control, childbirth and motherhood, mental illness, women's health care providers (midwives, nurses, physicians), and health reform and public health. Review "Superb."— Isis "Highly recommended for everyone interested in women's health."— Journal of the American Medical Women's Association "Should be on everyone's reference shelf."— Women's Studies in Indiana "Leavitt is to be commended for selecting pieces which highlight the major debates."— Women's Review of Books "It's a pleasure, as well as useful, to have such a range of excellent work in one book."— Journal of the History of Medicine "[Leavitt's] approach ensures that women's history will meet high standards and, in fact, raises the standards of historical scholarship."— Bulletin of the History of Dentistry "This anthology may be just the prescription to cure a current deficiency disease, to supply in one place the information that has been sadly lacking in historical treatments of women as patients and practitioners."— Mobius About the Author Judith Walzer Leavitt is Ruth Bleier Professor of History of Medicine, History of Science, and Women’s Studies and the associate dean of faculty at the medical school, University of Wisconsin–Madison. Her many books include The Healthiest City and Sickness and Health in America, both also available from the University of Wisconsin Press, as well as Typhoid Mary and Brought to Bed: Childbearing in America 1750–1950.

An indictment of the person and practices of President Bill Clinton, arguing that the public focus on Clinton's sexual indiscretions has detracted attention from even worse behavior including his cronyism and financial misdeeds.

Looks at the relationship between power and sex, using history and literature to explore the trophy wife, the harem, the political marriage, and other evidence of a link between these two forces.

Reviving the Tribe creates a rich and brutally honest portrait of contemporary gay men’s lives amidst the seemingly endless AIDS epidemic and offers both autobiographical self-examination and a relentless critique of current sexual politics within the gay community. Fearlessly confronting the horrors experiences by surviving gay men without giving way to hopelessness, denial, or blame, Reviving the Tribe offers an inspiring blueprint for the gay community which faces a continuing spiral of disaster.In Reviving the Tribe, Author Eric Rofes argues that a return to the interrupted agenda of gay liberation may provide long-term motivation to keep gay men alive and spur rejuvenation of new generations of gay culture. By interweaving social history, psychology, anthropology, epidemiology, sociology, feminist theory, and sexology with his own journey through the epidemic, Rofes provides a moving and compelling argument for stepping out of the “state of emergency” and embracing a life beyond disease. He boldly offers a plan for community regeneration focused on restoring mental health, reclaiming sexuality, and mending the social fabric of communal gay life. Rofes asks unspoken questions lurking in gay men’s minds and suggests answers to these questions, hitting such controversial topics as: gay men’s sex cultures of the 1970s why “educated” gay men continue to become HIV-infected changing forms of gay masculinity the opening of new sex clubs and bathhouses leaving “rage activism” behind links between the Holocaust and AIDS unacknowledged roots in the feminist movement of gay men’s AIDS response mass denial of chronic trauma among gay menThe refusal to confront the ever-intensifying manifestations of AIDS has seriously endangered the foundation of contemporary gay communities. Rofes argues that many gay men suffer from the ”disaster syndrome,” a psychologically determined response that defends individuals against being overwhelmed by traumatic experience. In Reviving the Tribe, he provides a radical critique of contemporary gay political culture and suggests alternatives which offer the opportunity to face history, grapple with decimation, and regenerate communal life.Cautioning that an honest analysis of recent gay history and urban cultures promises neither to stop gay men’s suffering nor to end continuing HIV infections, Reviving the Tribe provides gay men with a clear lens through which they might scrutinize their lives, come to a new understanding of the epidemic’s impact on their generation, and redirect activism. This courageous and inspiring work brings Rofes’commanding intellect and twenty years of grassroots gay activism to bear on the challenging task of reconstructing gay life in the new mellennium. Reviving the Tribe is filled with insight of special interest to gay men, lesbians involved in the mixed lesbian/gay movement, sociologists, public health workers, psychologists, counselors, sex educators, religious leaders, and AIDS prevention policymakers searching for fresh vision.

Where does perversion begin? Who is perverse? Ever since the word first appeared in the Middle Ages, anyone who delights in evil and in the destruction of the self or others has been described as 'perverse'. But while the experience of perversion is universal, every era has seen it and dealt with it in its own way. The history of perversion in the West is told here through a study of great emblematic figures of the perverse - Gilles de Rais, the mystical saints and the flagellants in the middle ages, the Marquis de Sade in the eighteenth century, the masturbating child, the male homosexual and the hysterical woman nineteenth century, Nazism in the twentieth century, and the complementary figures of the paedophile and the terrorist in the twenty-first. The perverse are rarely talked about and when they are it is usually only to be condemned. They are commonly viewed as monstrous and cruel, as something alien to the very nature of being human. And yet, perversion can also attest to creativity and self-transcendence, to the refusal of individuals to submit to the rules and prohibitions that govern human life. Perversion fascinates us precisely because it can be both abject and sublime. Whether they are sublime because they turn to art or mysticism, or abject because they surrender to their murderous impulses, the perverse are part of us because they exhibit something that we always conceal: our own negativity and our dark side. -- Back cover.

Contradictory stereotypes about Jewish sexuality pervade modern culture, from Lenny Bruce's hip eroticism to Woody Allen's little man with the big libido (and even bigger sexual neurosis). Does Judaism in fact liberate or repress sexual desire? David Biale does much more than answer that question as he traces Judaism's evolving position on sexuality, from the Bible and Talmud to Zionism up through American attitudes today. What he finds is a persistent conflict between asceticism and gratification, between procreation and pleasure. From the period of the Talmud onward, Biale says, Jewish culture continually struggled with sexual abstinence, attempting to incorporate the virtues of celibacy, as it absorbed them from Greco-Roman and Christian cultures, within a theology of procreation. He explores both the canonical writings of male authorities and the alternative voices of women, drawing from a fascinating range of sources that includes the Book of Ruth, Yiddish literature, the memoirs of the founders of Zionism, and the films of Woody Allen. Biale's historical reconstruction of Jewish sexuality sees the present through the past and the past through the present. He discovers an erotic tradition that is not dogmatic, but a record of real people struggling with questions that have challenged every human culture, and that have relevance for the dilemmas of both Jews and non-Jews today.

"In the aftermath of, shall we say, certain events, it seems almost cretinous to ask why some people hate the forty-second president of the United States. Bill Clinton let down his friends and followers and subordinates, caused no end of legal fees to many of them, and, more ominously, made it possible for William Bennett to unleash upon the public yet another bilious stream of self-righteous posturings. . . ." But there's more there than meets the eyewitness news. Now, in this shrewd, on-target, wickedly funny book, Harry Shearer unbuckles the Beltway to examine why, of all people, Bill Clinton has inspired such profound and persistent loathing in a sufficient number of Americans to propel his presidency to the "kinda like Nixon" section of the history books. Is it because our leader hides behind women's skirts? is seen as a traitor to his race by his southern compatriots? represents the immoral Woodstock generation to those who have fond memories of the depression? Shearer investigates every avenue (and back alley) and, along the way, debunks Hillary's vast right-wing conspiracy theory ("A conspiracy by its nature should be a fairly tightly controlled operation, like the Mafia or Scientology"), explores the animosity inspired by lawyers and journalists, and asks the question on everyone's lips: Is there any real difference between sucking a prostitute's toes and being a news analyst for Rupert Murdoch?

This interpretation of the way female sexuality was viewed by the nineteenth-century European medical profession characterizes an attitude based on massive ignorance and prejudice

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.