"Mute is one of the most revered and influential indie labels of all time. Through the music of its tight-knit community of artists--ranging from Cabaret Voltaire, Nick Cave's The Birthday Party and Moby to Depeche Mode, Erasure, and Goldfrapp--it has had an incalculable impact on popular music for forty years. Daniel Miller created Mute to release his debut single (Warm Leatherette / T.V.O.D.), a pioneering electronic sound with a defiantly DIY punk attitude. Mute quickly established a reputation for cultivating the experimental, releasing cutting-edge industrial sounds, and chart-topping electronic music by the likes of Depeche Mode and Yazoo. The label was equally at home with the savage punk of Nick Cave's The Birthday Party and--to critical acclaim--his next outfit, The Bad Seeds. It also proved to be an Internet pioneer, launching the online site Mute Liberation Technologies in 1994. Mute features stunning artwork and photography--much of it previously unseen--and revelatory behind-the-scenes insights from the vibrant cast who have worked with the label"--

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--