"A different kind of White House memoir, presidential speechwriter David Litt's comic account of his years spent working with Barack Obama and his reflection on Obama's legacy in the age of Trump. Like many twentysomethings, David Litt frequently embarrassed himself in front of his boss's boss. Unlike many twentysomethings, Litt's boss's boss was President Obama. At age twenty-four, Litt became one of the youngest White House speechwriters in history. Along with remarks on issues like climate change and criminal justice reform, he was the president's go-to writer for comedy. As the lead on the White House Correspondents' Dinner speech (the "State of the Union of jokes"), he was responsible for some of President Obama's most memorable moments, including Keegan-Michael Key's appearance as Luther, Obama's "anger translator." With a humorist's eye for detail and a convert's zeal, Litt takes us inside his eight years on the front lines of Obamaworld. In his political coming-of-age story, he goes from starry-eyed college student--a self-described "Obamabot"--to nervous junior speechwriter to White House senior staff. His behind-the-scenes anecdotes answer questions you never knew you had: What's the classiest White House men's room? What's the social scene like on Air Force One? How do you force the National Security Council to stop hitting reply-all on every e-mail? In between lighthearted observations, Litt uses his experience to address one of today's most important issues: the legacy and future of the Obama movement in the age of Donald Trump"--

In this gripping memoir, John F. Kennedy's closest advisor recounts in full for the first time his experience counseling Kennedy through the most dramatic moments in American history.... from the decision to go to the moon to the Cuban Missile Crisis, when JFK requested that the thirty-four-year-old Sorensen draft the key letter to Khrushchev at the most critical point of the world's first nuclear confrontation. After Kennedy was assassinated, Sorensen stayed with President Johnson for a few months before leaving to write a biography of JFK. In 1968 he returned to Washington to help run Robert Kennedy's presidential campaign. Through it all, Sorensen never lost sight of the ideals that brought him to Washington and to the White House, working tirelessly to promote and defend free, peaceful societies.--From publisher's description.

"Shut Up, I'm Talking" is a smart, hilarious insider take on Israeli politics that reads like the bastard child of Thomas Friedman and David Sedaris. Now a political writer for Salon, Gregory Levey stumbled into a job as speechwriter for the Israeli delegation to the United Nations at age twenty-five and suddenly found himself, like a latter-day Zelig, in the company of foreign ministers, U.S. senators, and heads of state. Much to his surprise, he was soon attending U.N. sessions and drafting official government statements. The situation got stranger still when he was transferred to Jerusalem to write speeches for Prime Minister Ariel Sharon. "Shut Up, I'm Talking" is a startling account of Levey's journey into the nerve center of Middle Eastern politics at one of the most turbulent times in Israeli history. During his three years in the Israeli government, the Second Intifada continued on in fits and starts, Yasser Arafat died, Hamas came to power, and Ariel Sharon fell into a coma. Levey was repeatedly thrust into highly improbable situations -- from being the sole "Israeli" delegate (even though he's Canadian) at the U.N. General Assembly, with no idea how "his" country wanted to vote; to nearly inciting an international incident with his high school French translation of an Arab diplomat's anti-Israel remarks; to communicating with Israeli intelligence about the suspected perpetrators of suicide bombings; to being offered leftover salami from Ariel Sharon's lunch. As Levey got better acquainted with the personalities in the government's inner sanctum, he witnessed firsthand the improvisational and ridiculously casual nature of the country's behind-the-scenes leadership -- and realized that he wasn't the only one faking his way through politics. With sharp insight and great appreciation for the absurd, Levey offers the first-ever look inside Israel's politics from the perspective of a complete outsider, ultimately concluding that the Israeli government is no place for a nice Jewish boy.