After decades of madness in the Bronx, Isaac Sidel visits the craziest state in the country Isaac Sidel is too popular to be America's vice president. Once the New York Police Department commissioner, he became the most beloved mayor in the city's history--famous for his refusal to surrender his Glock, and for his habit of disappearing for months at a time to fight crime at street level. So when baseball czar J. Michael Storm asks Sidel to join him on the election's Democratic ticket, the two wild men romp to an unprecedented landslide. But as the president-elect's mandate goes off the rails--threatened by corruption, sex, and God knows what else--he tires of being overshadowed by Sidel, and dispatches him to a place from which tough politicians seldom return: Texas. In the Lone Star state, Sidel confronts rogue astrologers, accusations of pedophilia, and a dimwitted assassin who doesn't know when to take an easy shot. If this Bronx bomber doesn't watch his step, he risks making vice-presidential history by getting killed on the job.

A dedicated New York City female judge, Tory Parker, with a tangled emotional life. A ruthless South American narcoterrorist with a history of killing judges who threaten his enterprise. His baby brother, now facing a trial in Tory's courtroom. A string of young Latin American girls found dead—after vicious sexual abuse—in Washington, DC, and one who manages to survive—and the secrets she knows could implode the United States justice system. This collaboration brings together the experiences and talents of Judge Leslie Crocker Snyder, author of the memoir 25 to Life, and Matthew Hall, author of the thrillers Nightmare Logic and The Art of Breaking Glass. In real life, Judge Crocker Snyder received so many death threats connected to high-level drug cases in her New York City courtroom that she had 24/7 protection from the NYPD for many years. Matthew Hall's thrillers have been translated into 13 languages.

Hailed by Thomas Pynchon as “daringly imagined and darkly romantic—a moral thriller,” Destiny Express captures both the glamour and the terror of an era, dramatizing the perilous moment when art, politics, and destiny converged on the tracks out of Berlin. Berlin, the last day of February, 1933. The Reichstag lies in smoldering ruins, a new world about to spring from its ashes. And now for German filmmakers the choices are stark: stay and collaborate with a government that believes in cinema’s power to shape reality, or leave everything behind. Destiny Express is the story of Fritz Lang and Thea von Harbou, husband and wife, director and screenwriter—together, they made some of the greatest films of all time: M, Metropolis, Doctor Mabuse. As each day is torn from the calendar they watch as one by one Bertolt Brecht, Max Ophuls, Billy Wilder, take the next train out. Destiny Express follows Lang, von Harbou, and a host of real and fictional others––novelist-turned-minister-of-culture Joseph Goebbels, American café Surrealist Sam Harrison, Mercedes racing champ Otto Merz, film star Rudolf Klein-Rogge, a pair of not-so-secret police—as their paths converge, intertwine, and separate across the grid of Berlin, from the artificial daylight of the UFA soundstage to the artificial night of Berlin's most exclusive and decadent nightclubs. Harsh lights, long shadows: the perfect setting for a deeply researched, deftly imagined tale, as one character puts it, of "crime, gambling, cocaine, jazz, stock exchange maneuvers, smuggling, hypnosis, counterfeiting, violence, Expressionism." Destiny Express is the story of a marriage at the end of its passion, at the edge of history—all at the end of an era when film was to mean more than it ever would again.