In No Matter the Wreckage , Sarah Kay takes you on a profound journey through her self-discovery in New York. Following her breakout poem "B," this debut poetry collection showcases her accessible brilliance. With each verse, Kay transports readers to a world of love, nostalgia, and life's wonders. Her elegant words celebrate family bonds, young love, travel, and the echoes of history shaping our present. What sets No Matter the Wreckage apart is Kay's ability to find magic in the ordinary, painting intimate portraits of unlikely love affairs between objects and exploring whimsical topics. This collection's transformative helps readers to find a sanctuary of words that uplift your spirit and ignite imagination. No Matter the Wreckage is a must-have for poetry lovers, an unforgettable journey.

One of the first examples of "new journalism" daringly combines reportage with a novelistic style and garnered Mailer his first Pulitzer Prize and a National Book Award in 1968.

In this newly revised edition of her seminal work, Leibovitz addresses young photographers and readers interested in what photographers do, but any reader interested in contemporary history will be fascinated by her account of one of the richest bodies of work in the photographic canon. 00The subjects include photojournalism, studio work, photographing dancers and athletes, working with writers, and making the transition from shooting with film to working with digital cameras. Originally published in 2008 and then updated and reissued in 2018, this revised and updated edition brings Leibovitz's bestselling book up to date, showcasing some of her most recent work. The photographs discussed include: portraits of the Rolling Stones, John Lennon and Yoko Ono, Meryl Streep, Keith Haring, Joan Didion, Mikhail Baryshnikov, Patti Smith, William S. Burroughs, Rihanna, Agnes Martin, HRH Queen Elizabeth II, and Barack Obama.

It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew - a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda , George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state - this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda . And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions - above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

In this “compulsively readable exploration of the tangled world of Christian origins” ( Publishers Weekly ), religious historian James Tabor illuminates the earliest years of Jesus’ teachings before Paul shaped them into the religion we know today. This fascinating examination of the earliest years of Christianity reveals how the man we call St. Paul shaped Christianity as we know it today. Historians know almost nothing about the two decades following the crucifixion of Jesus, when his followers regrouped and began to spread his message. During this time Paul joined the movement and began to preach to the gentiles. Using the oldest Christian documents that we have—the letters of Paul—as well as other early Chris­tian sources, historian and scholar James Tabor reconstructs the origins of Christianity. Tabor shows how Paul separated himself from Peter and James to introduce his own version of Christianity, which would continue to develop independently of the message that Jesus, James, and Peter preached. Paul and Jesus illuminates the fascinating period of history when Christianity was born out of Judaism.

This work offers instances of 100 of the most erotic paintings, sculptures, prints and drawings from diverse eras and cultures, coupled with commentaries about their sexual and aesthetic content.

This book is a tribute to some of America's greatest characters, people holding on to unique ways of life at all costs. A castle builder, a forty-year veteran Woolworth's lunch-counter waitress, a moonshiner, and the president of The Brooklyn Elite Checker Club are among this varied group of ordinary people who prevail against all odds. They are Dewey Chafin and Barbara Elkins, snake handlers for the Church of the Lord Jesus in Jolo, West Virginia; Amos Powers, caretaker of America's only coon-dog graveyard in Colbert County, Alabama; Dixie Evans, curator of Exotic World, Museum of Burlesque in Helendale, California; and Mike Gashwarza of the Hopi tribe, fighting against electricity being brought to Old Oraibi, Arizona, the oldest town in North America. David Isay's compelling, often humorous profiles are accompanied by Harvey Wang's wonderful portraits of fifty such people, die-hard individualists who speak for themselves, illuminating their remarkable lives and personalities. Henry Roth's foreword is a moving testament to the creativity, tenacity, and dignity these people possess.

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life , listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.

In More Things in Heaven and Earth, Levy argues the fundamental unity of the arts and the sciences, pointing out the poetry that is in astronomy and the scientific references to the night sky found in many of the great poets. He illustrates his arguments with spectacular colour photographs of comets and eclipses and also with extensive quotation of and commentary on Chaucer, Shakespeare, Milton, Donne, Keats, Tennyson, Hopkins and Frost. For him the collision of the comet bearing his name with the planet Jupiter, the greatest cataclysm in the history of astronomy, is an opportunity to get a whole new generation excited about our universe in a way that has not been possible since the 1969 Moon landing.

The scene is Charleston, South Carolina; the time, the 1920s, when old ladies dream of the past and a strange new dance, "the Charleston," is seducing the youth of the city. Years later, whispers emerge of something baffling and tragic that happened back then. As an old man confronts those demanding the truth, we catch brilliant flashes of the confrontation between the dark, doomed Hirsch Hess, son of immigrants, and the fantastically ethereal Ned Grimke, a scion of the city. Told in intoxicatingly beautiful prose, this story of passion, beauty and the deadly effects of sexual repression takes us to a specific time and place, yet simultaneously blossoms as a universal tale of the human heart in conflict with its era. This cult classic, set in the most intriguing period of one of America's most beautiful cities, is now restored to print with an afterword by its author that traces the facts upon which it is based.

Jon Foster's art is dark, beautiful, and visually overpowering. From his Dark Horse Comics' Star Wars covers to his game industry work on Dungeons & Dragons Third Edition and Alternity, Foster always knows how to move the soul of the viewer. Progressions features a selection of Foster's paintings, sketches, and illustrations and is a must have for anyone who has ever admired art.

In his seventh book, Carl Dennis explores the ways in which our wishes - those in our power to fulfill at any moment and those that have no chance of ever being realized - define who we are. While some of the poems view wishing as a failure to do justice to the world we have, others regard it as a recognition that no present, however rich, can satisfy the imagination, and suggest that one of the functions of poetry is to keep significant wishes alive. In showing with moving clarity how wishes are essential to giving shape and direction to the moment, these poems make use of a rich variety of genres: elegy, advice, meditation, warning, consolation, and prophecy.

For nearly thirty years, Mort Kunstler has focused his considerable artistic talent on interpreting the Civil War through his paintings. In doing so, he has turned to leading historians and scholars for information that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More than 160 of those images--supplemented by preliminary sketches, early studies, and photographs of works in progress--are the basis for the four volumes in this series. Volume 4 follows the course of the war from the battle of Gettysburg (July 1-3, 1863) through the end of the war at Appomattox (April 9, 1865). The march through Virginia and Tennessee and Georgia, culminating at the battle of Chickamauga, the Atlanta campaign, the battles of Franklin and Nashville, Sherman's March to the Sea, the North's rampage through South Carolina, and battles through North Carolina all ended in a parlor in a house at an obscure railroad crossroads.

Before Guy Gavriel Kay became known for his groundbreaking works of speculative fiction, establishing himself as one of the world's most respected writers in that genre, he was an accomplished poet, his work appearing in major literary journals such as The Antigonish Review and Prism . Through the years, while writing his dramatic international bestsellers, Kay has continued to quietly explore the paths and boundaries of poetry as well. Now for the first time, Guy Gavriel Kay's poetry has been gathered and selected for publication. For those familiar with his fiction, the poems in Beyond This Dark House will resonate for their linguistic and emotional nuances and their mythological allusions, echoing and illuminating themes of his fiction. But readers of contemporary poetry will also be captivated by the exquisite craft and power of these poems. Some are ironic and austere, slyly tracing the interplay of writer and world, present and past; others are sensual, even erotic, charting the mercurial but abiding nature of passion-in love, in language, in history.

Boston's radio history begins with pioneering station 1XE/WGI, one of America's first radio stations, and includes the first station to receive a commercial license, WBZ; the first FM radio network, W1XOJ and W1XER; and one of the first news networks, the Yankee News Service. Nationally known bandleaders like Joe Rines and Jacques Renard were first heard on Boston radio, as was one of the first weathercasters, E. B. Rideout. The city has been home to a number of legendary announcers, such as Bob and Ray, Arnie Ginsburg, Dick Summer, Dale Dorman, and Charles Laquidara; talk show giants like Jerry Williams and David Brudnoy; and sports talkers like Eddie Andelman and Glenn Ordway. Many Boston radio personalities, such as Curt Gowdy, "Big Brother" Bob Emery, Don Kent, and Louise Morgan, found fame on television but first established themselves on Boston's airwaves. Since 1920, Boston radio has remained vibrant, proving that live and local stations are as important as ever--Publisher.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Arnold Beichman's comprehensive study of the writings of Herman Wouk, one of America's leading writers, shows how Wouk's plays and novels exemplify an extraordinary and often highly perceptive preoccupation with American society in war and in peace. Situating Wouk in the same literary tradition as Cervantes, Richardson, Balzac, and Dickens, Beichman demonstrates that Wouk's novels have strong plots, moralist outcomes, and active--essentially positive--characters. The new introduction serves to bring Wouk's work over the past two decades into the reckoning. Making extensive use of Wouk's personal papers and manuscripts as well as personal interviews with him, Beichman's focus is on the social and literary qualities of Wouk's work. In particular, he examines eight novels including War and Remembrance and The Winds of War; The Traitor, one of his three plays; and two moral tracts on Judaism. Wouk has written four more novels, including his latest, A Hole in Texas, his twelfth. Beichman portrays Wouk as one of the few living novelists concerned with virtue, and sees his work as against the mainstream of contemporary American novelists. These, he argues, have eschewed such elements of the traditional novel as invention, coincidences, surprises, suspense, and a moral perspective more presumed than examined.

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry Dark Milk, The Axis Mundi Poems, Looking For the Faces of God , A Sabbath Among the Ruins and Skin: Shadows/Silence draws on her life s work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities. Poetry arises from the search for sacred language thatdescribes the awe and mystery of the realworld.Deena Metzger is a contemporarypoet who has aligned herself with this ancient tradition. This collection, thatincludes selections from her earlier books of poetry, and draws on her life swork, more than forty years of devotion to the word, and aligns itself withsuch a quest for meaning that has increasing urgency because of the spiritualand political ruins of our time.It isno longer sufficient, she believes, for the poet to be an unacknowledgedlegislator of the world, for the committed poet is called to engage with fullheart in the continuous activity of restoration on behalf of beauty, wisdom andthe natural world.Here we meet thearticulate voices of the otherwise silenced, the voices of the animals, theland and the elementals, rain, wind fire and earth, and our responsibility to them.This book combines a searing look at thehorrors that we permit, the anguish of human cruelty, brutality, andindulgence, but carrying the fierce determination to live, act, and write onbehalf of the soul in all its manifestations. In this collection, despair isacknowledged but not indulged, as Metzger engages in the meticulous task ofreconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward aviable future and all its unexpected possibilities. "

Religion From Tolstoy To Camus is a comprehensive book written by Walter Arnold Kaufmann that explores the evolution of religious thought and philosophy from the 19th to the 20th century. The book is divided into two parts, with the first part focusing on the religious ideas of Leo Tolstoy, S������ren Kierkegaard, Friedrich Nietzsche, and Martin Buber. The second part of the book examines the works of Albert Camus, Gabriel Marcel, and Paul Tillich. Kaufmann's analysis of these thinkers and their ideas is an attempt to understand how religion has been transformed and redefined in the modern era. He argues that the traditional religious beliefs and practices have been challenged by the rise of science, secularism, and existentialism. The book explores the ways in which these thinkers have responded to these challenges and how they have attempted to create new forms of religious expression.Kaufmann's writing is clear and accessible, making it an excellent resource for both scholars and general readers interested in the history of religious thought. The book provides a fascinating insight into the changing nature of religion and its role in modern society. Overall, Religion From Tolstoy To Camus is an important work that sheds light on the complex and evolving relationship between religion and modernity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.