"What is time? This question has fascinated philosophers, mathematicians, and scientists for thousands of years. Why does time seem to speed up with age? What is its connection with memory, anticipation, and sleep cycles? Award-winning author and mathematician Joseph Mazur provides an engaging exploration of how the understanding of time has evolved throughout human history and offers a compelling new vision, submitting that time lives within us. Our cells, he notes, have a temporal awareness, guided by environmental cues in sync with patterns of social interaction. Readers learn that, as a consequence of time's personal nature, a forty-eight-hour journey on the Space Shuttle can feel shorter than a six-hour trip on the Soyuz capsule, that the Amondawa of the Amazon do not have ages, and that time speeds up with fever and slows down when we feel in danger. With a narrative punctuated by personal stories of time's effects on truck drivers, Olympic racers, prisoners, and clockmakers, Mazur's journey is filled with fascinating insights into how our technologies, our bodies, and our attitudes can change our perceptions. Ultimately, time reveals itself as something that rides on the rhythms of our minds. 'The Clock Mirage' presents an innovative perspective that will force us to rethink our relationship with time, and how best to use it"--Jacket.

"From one of the leading historians of the Jewish past comes a stunning look into a previously unexamined dimension of Jewish life and culture: the calendar. In the late sixteenth century, Pope Gregory XIII instituted a momentous reform of Western timekeeping, and with it a period of great instability. Jews, like all minority cultures in Europe, had to realign their time-keeping to accord with the new Christian calendar. Elisheva Carlebach shows that the calendar is a complex and living system, constantly modified as new preoccupations emerge and old priorities fade. Calendars serve to structure time and activities and thus become mirrors of experience. Through this seemingly mundane and all-but-overlooked document, we can reimagine the quotidian world of early modern Jewry, of market days and sacred days, of times to avoid Christian gatherings and times to secure communal treasures. In calendars, we see one of the central paradoxes of Jewish existence: the need to encompass the culture of the other while retaining one#x19;s own unique culture. Carlebach reveals that Jews have always lived in multiple time scales, and demonstrates how their accounting for time, as much as any cultural monument, has shaped Jewish life. After a decade exploring Judaica collections around the world, Carlebach brings to light these textually rich and beautifully designed repositories of Jewish life. With color illustrations throughout, this is an evocative illumination of how early modern Jewry marked the rhythms and realities of time and filled it with anxieties and achievements."--Jacket.

This ambitious book is about a way of building that for centuries dominated the making of monumental architecture – yet now not only is it lost as practice, but knowledge of its very existence is consigned to oblivion. In pre-modern Europe, the architect built not just with imagination, brick and mortar, but with time, using vast quantities of duration to erect monumental buildings that otherwise would have been impossible. Not mere medieval muddling-through, this entailed a sophisticated set of norms and practices. Virtually all the great cathedrals of France and the rest of Europe were built under this regime, here given the name ‘Building-in-Time’. In particular, the major works of pre-modern Italy, from the Pisa cathedral group to the cathedrals of Milan,Venice and Siena, and from the monuments of fourteenth-century Florence to the new St Peter’s – the apotheosis of the practice – are thus cast in an entirely new light. Even as ‘Building-in-Time’ was flourishing, the fifteenth-century Italian architect Leon Battista Alberti proposed a new temporal regime whereby time would ideally be excluded from the making of architecture (‘Building-outside-Time’). Planning and building, which had formed one fluid, imbricated process, were to be sharply divided, and the change that always came with time excluded from architectural facture. Ironically, it was Brunelleschi, as creator of the cupola of Florence cathedral and one of the supreme practitioners of Building-in-Time, who was the lynchpin of Alberti’s turn to the arts in the mid-1430s. That he arrived in Florence just at the moment Brunelleschi’s dome was being completed was crucial to Alberti’s subsequent career in visual culture. Yet his relationship to Brunelleschi was conflicted; first praising and attaching himself to Brunelleschi, later Alberti silently sought to banish him from history’s central stage. In telling this story, Marvin Trachtenberg rewrites the history of medieval and Renaissance architecture in Italy and recasts the turn to modernity in new terms, those of temporality and its role in architectural theory and practice. Recovering this lost element of the deep architectural past allows us also to see the present in a new way: that temporality is not any neutral or secondary factor in modern architecture culture, but an epistemic condition that silently affects all production and experience of the built environment.

"A pathbreaking book on an important subject which, surprisingly, has been paid little attention by social scientists. Zerubavel writes with both learning and lucidity. His book is a pleasure to read." -Peter Berger "Others have written about the structuring of time, but few so insightfully and compellingly as Zerubavel." -Neil J. Smelser "This is a jewel of a book, one of the most important contributions to cultural sociology in recent years. Professor Zerubavel's easy blend of history, religion, science, politics, and social values makes this a study a delightful voyage of unexpected discovery and new awareness. It hink the title has misled some people into thinking this is a book on music or something of the sort. All the more reason to rejoice at this reissue in paperback." -David S. Landes "Hidden Rhythms is an exciting study of a subject that has net yet gained the attention it deserves among sociologists and other social scientists . . . Zerubavel's book has the distinctive merit to discuss earlier approaches to the study of schedules and calendars and to add a series of extremely shrewd observations and calendars to add a series of extremely shrewd observations of his own on the sociology of time. His work seems indispensable for all those social scientists who have become conscious of the central position of the temporal dimension in the life of people and their society." -Lewis A. Coser "Eviatar Zerubavel's Hidden Rhythms is an original and highly imaginative analysis of the role time schedule plays in social life. Continuing the distinctive focus on social time Zerubavel develops in Patterns of Time in Hospital life, he provides in Hidden Rhythms more penetrating and profound analysis of the subtle and diverse significance of time in organizing our social relationships and lives. A joy to read." -Peter M. Blau

What follows is a translation of Volume X in the Husserliana series, the critical edition of the works of Edmund HusserI. I Volume X was published in 1966. Its editor, Rudolf Boehm, provided the title: Zur Phiinomen%gie des inneren Zeitbewusst­ seins (1893-1917). Some of the texts included in Volume X were published during HusserI's lifetime, but the majority were not. Given the fact that the materials assembled in Volume X do not constitute a single and previously published Husserlian work, some acquaintance with their history and chronology is indis­ pensable to understanding them. These introductory remarks are intended to provide the outlines of such an acquaintance, together with a brief account of the main themes that appear in the texts. The Status of the Texts In 1928, HusserI's "Vorlesungen zur Phanomenologie des inneren Zeitbewusstseins" appeared in the Jahrbuch fur Philoso- I Edmund Husserl, Zur Phiinomen%gie des inneren Zeitbewusstseins (1893~1917) [On the phenomenology of the consciousness of internal time (l893~1917)I, herausgegeben von Rudolf Boehm, Husserliana X (The Hague: Martinus Nijhoff, 1966). The references in Roman numerals that occur in parentheses in this Introduction are to Rudolf Boehm's "Editor's Introduction" to Husserliana X. References in Arabic numerals, unless otherwise noted, will be to this translation. Corresponding page numbers of Husserliana X will be found in the margins of the translation. The translation includes Parts A and B of Husserliana X, with Boehm's notes.

Up until the end of the eighteenth century, the way Ottomans used their clocks conformed to the inner logic of their own temporal culture. However, this began to change rather dramatically during the nineteenth century, as the Ottoman Empire was increasingly assimilated into the European-dominated global economy and the project of modern state building began to gather momentum. In Reading Clocks, Alla Turca , Avner Wishnitzer unravels the complexity of Ottoman temporal culture and for the first time tells the story of its transformation. He explains that in their attempt to attain better surveillance capabilities and higher levels of regularity and efficiency, various organs of the reforming Ottoman state developed elaborate temporal constructs in which clocks played an increasingly important role. As the reform movement spread beyond the government apparatus, emerging groups of officers, bureaucrats, and urban professionals incorporated novel time-related ideas, values, and behaviors into their self-consciously “modern” outlook and lifestyle. Acculturated in the highly regimented environment of schools and barracks, they came to identify efficiency and temporal regularity with progress and the former temporal patterns with the old political order. Drawing on a wealth of archival and literary sources, Wishnitzer’s original and highly important work presents the shifting culture of time as an arena in which Ottoman social groups competed for legitimacy and a medium through which the very concept of modernity was defined. Reading Clocks, Alla Turca breaks new ground in the study of the Middle East and presents us with a new understanding of the relationship between time and modernity.

"The aim of this book is to explain in simple language what we know about time and about the history of time. It is shown that the briefest (as well as the lengthiest) history of time can be described in one or two pages. The second purpose of the book is to show that neither entropy, nor the Second Law of Thermodynamics has anything to do with time. The third purpose is to educate the lay reader how to read popular sciences books, critically. Towards this goal, detailed reviews of four books on time are presented"--

A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.