In this brief book, award-winning biblical translator and acclaimed literary critic Robert Alter offers a personal and passionate account of what he learned about the art of Bible translation over the two decades he spent completing his own English version of the Hebrew Bible. Alter's literary training gave him the advantage of seeing that a translation of the Bible can convey the text's meaning only by trying to capture the powerful and subtle literary style of the biblical Hebrew, something the modern English versions don't do justice to. The Bible's style, Alter writes, "is not some sort of aesthetic embellishment of the 'message' of Scripture but the vital medium through which the biblical vision of God, human nature, history, politics, society, and moral value is conveyed." And, as the translators of the King James Version knew, the authority of the Bible is inseparable from its literary authority. For these reasons, the Bible can be brought to life in English only by re-creating its literary virtuosity, and Alter discusses the principal aspects of style in the Hebrew Bible that any translator should try to reproduce: word choice, syntax, word play and sound play, rhythm, and dialogue. In the process, he provides an illuminating and accessible introduction to biblical style that also offers insights about the art of translation far beyond the Bible. -- From publisher's description.

"Jewish Bible Translations is the first book-length history and analysis of Jewish Bible translations from the third century BCE to our day. Greenspoon delves into the historical, cultural, linguistic, and religious contexts of translations in eleven languages: Arabic, Aramaic, English, French, German, Greek, Hungarian, Italian, Russian, Spanish, and Yiddish"--

A study of the life and times of Bishop S.I.J. Schereschewsky (1831-1906) and his translation of the Hebrew Old Testament into northern vernacular (Mandarin) Chinese. Based largely on archival materials, missionary records and letters, the book includes an analysis of the translated Chinese text together with Schereschewsky's explanatory notes. The book examines his Jewish youth in Eastern Europe, conversion, American seminary study, journey to Shanghai and Beijing, mission routine, the translating committee's work, his tasks as Episcopal bishop in Shanghai and the founding of St. John's University. Concluding chapters analyze the controversial "Term Question" (the Chinese term for God) and Schereschewsky's techniques of translating the Hebrew text. Included are useful discussions of the Old Testament's Chinese reception and the role of this translation for subsequent Bible translating efforts.

Rosenzweig's Bible examines the high stakes, both theological and political, of Franz Rosenzweig's attempt to revivify the Hebrew Bible and use it as the basis for a Jewish textual identity. Mara Benjamin's innovative reading of The Star of Redemption places Rosenzweig's best-known work at the beginning of an intellectual trajectory that culminated in a monumental translation of the Bible, thus overturning fundamental assumptions that have long guided the appraisal of this titan of modern Jewish thought. She argues that Rosenzweig's response to modernity was paradoxical: he challenged his readers to encounter the biblical text as revelation, reinventing scripture - both the Bible itself and the very notion of a scriptural text - in order to invigorate Jewish intellectual and social life, but did so in a distinctly modern key, ultimately reinforcing the foundations of German-Jewish post-Enlightenment liberal thought. Rosenzweig's Bible illuminates the complex interactions that arise when modern readers engage the sacred texts of ancient religious traditions.