Published to mark the bicentennial of Queen Victoria's birth, Fit for a Queen tells the story of how Queen Victoria transformed Buckingham Palace from a lavish bachelor pad to an iconic symbol of the monarchy, a rallying point for the nation, and a cherished family home. This delightful gift book accompanies the annual summer exhibition at Buckingham Palace and features many objects and paintings that illustrate how Queen Victoria came to the throne, the ceremony of her Coronation, and how she turned Buckingham Palace into a symbol of national solidarity. A charming and captivating book that offers fascinating insight into one of Britain's most famous and influential monarchs, Fit for a Queen takes readers on a tour through Victoria's palace home to show how it came to be a residence of Queens.

The official companion to the second season of the PBS/Masterpiece drama Victoria by award-winning creator and screenwriter Daisy Goodwin. More than 16 million viewers watched the first season of the Masterpiece presentation of Victoria, created and written by Daisy Goodwin—the highest-rated PBS drama in twenty years, second only to Downton Abbey . But what happened after the Queen married her handsome prince? Did they live happily ever after, or did their marriage, like so many royal marriages past and present, fizzle into a loveless round of duty? This all-new companion book by Daisy Goodwin and Sara Sheridan transports us to the private world of Victoria and Albert. Though first cousins, they could not have been more different: Victoria was impulsive, emotional, and capricious, Albert cautious, self-controlled, and logical. But together they forged a bond with each other and with their people that would change the world. Drawing on letters and diaries and fresh insights into royal history, this gorgeous book charts the constant ebb and flow of power within the couple’s surprisingly ardent and modern marriage. Sumptuously illustrated and full of rich insider detail, Victoria & Albert takes us behind the scenes of the magnificent TV drama, including fascinating, in-depth information on the actors, the props, and the costumes – and bringing an extraordinary royal marriage even more fully to life.

The Macdonald sisters -- Alice, Georgiana, Agnes and Louisa -- started life among the ranks of the lower-middle classes, with little prospect of social advancement. But as wives and mothers they made a single family of the poet Rudyard Kipling, the Pre-Raphaelite painter Edward Burne-Jones, Edward Poynter, President of the Royal Academy, and the Prime Minister, Stanley Baldwin. In telling their remarkable story, Judith Flanders displays the fluidity of Victorian society, and explores the life of the family in the 19th century.

When Albert of Saxe-Coburg-Gotha married his cousin, the young Queen Victoria, in 1840, it was not only a match whose fertility and personal devotion provided a model for the queen's subjects, it was also a triumph of dynastic politics. It drew the couple deeply into European politics, where their personal and family relationships with many of the rulers often had repercussions at home. Despite the death of Albert in 1861, the marriage of Victoria's children into Europe's royal houses continued the dynastic theme. It was a tragedy for Germany and Europe that Vicky, Victoria's eldest daughter, and her husband, the heir to the German throne were unable to master Bismarck. Albert and Victoria is a portrait of a marriage. It also traces Albert to his unhappy family roots in Coburg and shows how important his attitudes, most of them shared by Victoria, were in their joint dynastic enterprise. >

A secular regime is toppled by Western intervention, but an Islamic backlash turns the liberators into occupiers. Caught between interventionists at home and fundamentalists abroad, a prime minister flounders as his ministers betray him, alliances fall apart, and a runaway general makes policy in the field. As the media accuse Western soldiers of barbarity and a region slides into chaos, the armies of God clash on an ancient river and an accidental empire arises. This is not the Middle East of the early twenty-first century. It is Africa in the late nineteenth century, when the river Nile became the setting for an extraordinary collision between Europeans, Arabs, and Africans. A human and religious drama, the conflict defined the modern relationship between the West and the Islamic world. The story is not only essential for understanding the modern clash of civilizations but is also a gripping, epic, tragic adventure. "Three Empires on the Nile" tells of the rise of the first modern Islamic state and its fateful encounter with the British Empire of Queen Victoria. Ever since the self-proclaimed Islamic messiah known as the Mahdi gathered an army in the Sudan and besieged and captured Khartoum under its British overlord Charles Gordon, the dream of a new caliphate has haunted modern Islamists. Today, Shiite insurgents call themselves the Mahdi Army, and Sudan remains one of the great fault lines of battle between Muslims and Christians, blacks and Arabs. The nineteenth-century origins of it all were even more dramatic and strange than today's headlines. In the hands of Dominic Green, the story of the Nile's three empires is an epic in the tradition of Kipling, the bard of empire, and Winston Churchill, who fought in the final destruction of the Mahdi's army. It is a sweeping and very modern tale of God and globalization, slavers and strategists, missionaries and messianists. A pro-Western regime collapses from its own corruption, a jihad threatens the global economy, a liberation movement degenerates into a tyrannical cult, military intervention goes wrong, and a temporary occupation lasts for decades. In the rise and fall of empires, we see a parable for our own times and a reminder that, while American military involvement in the Islamic world is the beginning of a new era for America, it is only the latest chapter in an older story for the people of the region.

In this engaging study, Walter L. Arnstein explores both the private life and the public role of the young princess who inherited Britain's throne as a teenager and who became the octogenarian symbolic head of the largest empire in the history of the world. Arnstein incorporates the findings of past studies and recent research (including articles of his own based on previously unpublished letters and journals) to shed light on often-neglected aspects of Victoria's life and reign: her concern with gender roles, religion, politics, and Ireland; as well as her involvement with both the controversial domestic issues and the great international conflicts of the era. Wherever the historical evidence allows, Arnstein enables the monarch to speak in her own words, demonstrating that Victoria was not only the queen who became an adjective, but also a highly-quotable, multi-dimensional human being. Concise, authoritative and attractively illustrated, Queen Victoria provides the economic, social, cultural and political background knowledge to make the life of this fascinating monarch intelligible even to readers unfamiliar with her now distant world.

Brighton, 1871: a book by two respectable spinsters claiming to have seen the ghost of the Prince Regent in Brighton Pavilion shocks the town and attracts the attention of spiritualist Arthur Wallace Hope. Young Mina Scarletti, a writer of horror stories and investigator of psychic phenomena, suspects fraud. As the summer heat rises and hearts flutter dangerously, Mina and her associates delve into the mystery and, in doing so, they soon discover that nothing is as it seems.