It is the reign of the Emperor Augustus, and Publius Vergilius Maro, the poet of the Aeneid and Caesar's enchanter, has been summoned to the palace, where he will shortly die. Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound. Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem -- and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

Born in 70 BC, in a small village near Mantua, Publius Vergilius Maro—Virgil—grew up to be hailed as the greatest Roman poet. And although his work has influenced Western literature for two millennia, little is known about the man himself. Who was the man who created the Aeneid—one of the most important poems in Western literature—and such universal phrases as “love conquers all” and “fortune favors the bold?” Peter Levi here reconstructs the poet's life, from a childhood largely shrouded in mystery to his work as a great literary genius and revolutionary poet, by examining archaeological and historical evidence from Augustan Rome, as well as through close readings of the poet's own work. “Virgil is an intensely personal poet, yet he is anonymous . . . My aim is not so ambitious as to try and restore his prestige single-handed. It has simply been to try to understand him in his original context.” In this highly acclaimed, nowclassic biography, Peter Levi discards the myths and brilliantly reveals the life of Virgil and the extraordinary times during which he lived.

Small underlinings or marks on the side, see photo.

Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time.0Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics-on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which-on the collegium poetarum, and on discussions of reading and libraries at Rome, for example-have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests.0'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.

A rich exploration of the sources used by Virgil in his epic poem, the Aeneid, by a leading Virgilian scholar Provides a fresh approach to understanding this key piece of classical literature Focuses on a selection of especially complex passages to reveal the importance of intricate detail within Virgil's style Incorporates elements derived from history, geography, mythology, and ethnography --

Paperback.