Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer, yet her cells--taken without her knowledge--became one of the most important tools in medicine. The first "immortal" human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer and viruses; helped lead to in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks is buried in an unmarked grave. Her family did not learn of her "immortality" until more than twenty years after her death, when scientists began using her husband and children in research without informed consent. The story of the Lacks family is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of--From publisher description.

From the beginning, Virginians have styled their government a conservative commonwealth, seeking stability amid change and often fashioning change to fit their concept of what Virginia--and America--should be like. In the eighteenth century Golden Age, Virginia was a world of broad acres and country gentlemen. To preserve the world, Virginians led a revolution and helped to found a government that they believed would secure their children's future. In the name of old and tried principles, Virginians in 1861 seceded from the Union to defend a way of life that to them seemed worth fighting for. In the twentieth century, they "paid as they went," convinced that debt meant the end of good government.

"Banning people from libraries is even worse than banning books! Decades before the Civil Rights Movement, Samuel Wilbert Tucker, a Black lawyer in Virginia, organized a peaceful read-in at the local public library, which was segregated. He wanted to affirm the right of everyone to use the library. Thanks to efforts like his, we can all sit at a table, any table, pick up a book, any book, and read."--Back cover.

"Alexander Nemerov is one of the greatest readers of American visual culture. This book has the revelatory power that only wide-ranging curiosity and true independence of mind can achieve." Richard H. Brodhead President of Duke University and author of Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America ; "A benchmark in the writing of art history and in studies of the Civil War, Acting in the Night occupies a category unto itself. It uniquely immerses the reader in a holistic experience of the Civil War and shows Nemerov as a cosummate stylist in the field of American art history."Kathleen Pyne author of Modernism and the Feminine Voice ; "This is a work of criticism that borders on poetry, a brilliant and extremely original book that invites us to rethink to the artistic world we study."Julia Reinhard Lupton author of Thinking with Shakespeare: Essays on Politics and Life ; What can the performance of a single play on one night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, D.C., on October 17, 1863--with Abraham Lincoln in attendance--to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem "Anecdote of the Jar,"in which a single object organizes the wilderness around it. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change. --Book Jacket

This enlightening book examines the physical objects found in elite Virginia households of the eighteenth century to discover what they can tell us about their owners’ lives and religious practices. Lauren F. Winner looks closely at punch bowls, needlework, mourning jewelry, baptismal gowns, biscuit molds, cookbooks, and many other items, illuminating the ways Anglicanism influenced daily activities and attitudes in colonial Virginia, particularly in the households of the gentry.