This brilliant new novel by an American master, the author of Ragtime, The Book of Daniel, Billy Bathgate, and The March, takes us on a radical trip into the mind of a man who, more than once in his life, has been the inadvertent agent of disaster. Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. And as he confesses, peeling back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Written with psychological depth and great lyrical precision, this suspenseful and groundbreaking novel delivers a voice for our times—funny, probing, skeptical, mischievous, profound. Andrew's Brain is a surprising turn and a singular achievement in the canon of a writer whose prose has the power to create its own landscape, and whose great topic, in the words of Don DeLillo, is “the reach of American possibility, in which plain lives take on the cadences of history.” Praise for Andrew's Brain “Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow's remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.” — USA Today “ Andrew's Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he's both maddeningly self-delusive and scarily self-aware: He's a fool, but he's no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character's whirligig consciousness, can.” — The New York Times Book Review “A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [ Andrew's Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.” — The Sunday Times (London) “Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.” — San Francisco Chronicle “Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they've never imagined.” — The Plain Dealer “Andrew's ruminations can be funny, and his descriptions gorgeous.” —Associated Press “[An] evocative, suspenseful novel about the deceptive nature of human consciousness.” — More “A quick and acutely intelligent read.” — Entertainment Weekly From the Hardcover edition.

La Negra y Blanca is the crowning achievement of Deena Metzger's lifetime as a novelist, poet, and playwright. On the surface, it is a meditation on memory as the narrator pieces together the bright flashes of images of her life recalled, piecing them together with the intention of creating a healing matrix that reflects a life lived in search of meaning. On a deeper level, it weaves in the history and tragedy of the Conquest's ongoing political and environmental effects on Latin America through the narrator s relationship with Victor Perera, a Guatemalan-American writer and journalist who documented the destruction of the native Lacandon tribe of Guatemala by imperialistic forces. We become acquainted with La Negra, a mysterious woman who is pregnant, but who will not give birth to her child until the world is safe enough for its continued existence, and who is the centerpiece character of a natural world struggling to survive and maintain its integrity in the midst of industrialization and the decimation of the sacred forests. Metzger has created a complex novel that weaves the personal, political, global and spiritual threads of her life into a tapestry of beauty, sorrow, transcendence, and ultimately, the assurance of a world renewed by the unwavering examination of all of its component parts to create a path into a future that promises reverence for all life.